Ma Hsiao-Nung

A romantic Han Dynasty adventure epic of a dying Emperor, an Evil Queen, a beautiful Princess, a dastardly royal nephew, and a masked hero, with plots and counterplots galore, complete with cliffhangers and last-second rescues.

A young woman in search of a lost identity, her long lost mother who abandoned her soon after her birth.

Criminals use jiangshi corpses to smuggle illicit drugs.

THE MONKEY GOES WEST is the first entry in the studio’s epic, four-part screen adaptation of “Journey to the West,” a 16th-century novel recounting the efforts of a Buddhist monk and his magical companions to travel to India and bring back Buddhist sutras.

Zhao’s husband goes to the capital to take the imperial examination but doesn’t come back. Due to famine, Zhao has to leave her hometown and find her husband, playing her lute for a living.

The film tells the story of Xing Yonghui, a rich girl who has fun with her painter boyfriend Du Shaohua and her classmates. Chen Xiaoping and Guo Dawei fall in love and want to elope, but they are prevented from doing so; Du Shaohua and Li Zhongting fall in love with each other over a painting, causing Xing Yonghui's unhappiness, and Xing Yonghui crashes a car into a rock and wants to die together, causing serious injuries to Du Shaohua and Li Zhongting; Xing Yonghui's suicide is prevented by her shame, but Li Zhongting does not care about the past suspicion, and the two of them recover from the injuries and perform with their classmates on the same day as they had planned to do so.

Young love and its comedy of errors. Hsiao Fang, played by Li Ching, is a spunky young girl not afraid to fight back against hooligans. Unfortunately, she mistakes the handsome Ma Ta-hai, for one such hoodlum. The two are immediately attracted but refuse to admit their true feelings. The real hooligans are from a rich family led by a devious Madam who devise a revenge plot. With plot twists, mistaken identities, along with some terrific musical numbers, romance has never been this much fun.

Su Fen, a young and frail girl, looked forward to her wedding with her fiancé, Li Kuo-liang. The happy couple's bliss was cut short when war broke out. Kuo-liang was summoned to fight at the front lines. In his absence, Su Fen discovered she had tuberculosis.

Nineteen-year old Li Ching scored a major success playing the title character, Susanna. Li's youthful exuberance is given free rein in a role that embraces rebellion, love, betrayal, tragedy, and ultimately, redemption.

The adventures of a young married swordfighting couple, Lianzhu and Gui Wu, and the swordfighting members of their different clans.

Wang Xinglian returns from her studies in Japan to visit her father in Hong Kong where she has an encounter with the young Japanese Hasegawa Toru. The two meet again and fall in love in Hokkaido when Wang and her best friend Sugimoto Kanako are going on a holiday. Urged by her friend Zhang Yingming to concentrate on her studies, Wang remains ambivalent about the relationship, and is even more upset to realise that Sugimoto is in love with her fellow countryman. Feigning an engagement with Zhang, Wang initiates a break-up with Hasegawa and finds work in Singapore after graduation. Hasegawa learns the real cause of the break-up from Sugimoto in Hong Kong. A frenzy search finally leads to a reunion and a proposal in Kuala Lumpur. However, their love is doomed by a twist of fate as Wang must leave to see her desperately ill father in Hong Kong while Hasegawa has to leave for America to pursue his career.

The romance of a squire's daughter and a poor but refined scholar is thwarted when a loutish bandit is mistaken for the scholar by a confused servant and is given the idea that the daughter's hand in marriage is his for the asking. Rich in cross-dressing, mistaken identities, and reversals of gender roles, the film playfully subverts traditional Confucian values.

When a murder occurs in a nightclub, dancers Pak Lai Hung and Lam Yin Fei meet the murderer and run into a college to hide. The next day, they perform on the beach in place of female students Zhu Man Zhen and Liang Mei Fang, but they are expelled by the police because they are not licensed to perform. The next day, they perform on the beach in place of female students Chu Man-chun and Leung Mei-fong. On the night of the charity show, Hung and Fei are watching the performance on stage, but the murderer follows them, fortunately, Fang finds him and calls the teachers and students and the police to arrest him.

Chen Hou is a chauffeur who gets caught in a mistaken identity scandal linking him to businesswoman Lok Dai. Chen was supposed to audition for a job as her chauffeur, but a proposed musical show is far more attractive to the aspiring dancer. When a rumor gets out that the two are involved in an affair, she's angry and confronts him, but his charms overwhelm her, and it's revealed that she too desires to dance. Soon she's bankrolling the affair, the sets are being built, and the singing and dancing begin!

.A young middle-class upstart Lin Ching Yi reluctantly takes on the task as understudy for her sick father who's a dedicated teacher to a band of mischievous working-class 3rd graders that initially proved to be much more than she can handle. Yet it is the matronly bond that is formed with her little urchin flock and her gradual understanding of the their poverty-stricken home lives outside of the classroom that raises the stakes for her as a teacher. It doesn't hurt that her empathetic male colleague Kit Chang provides support for her dilemmas also provide her a prospect as love interest. With growing ties with her students and school, Lin finds herself accepting the challenge for education of her community with her own education of love.

A musical staring Carrie Ku Mei as a singer named Xiaoyun Shi, who comes to Hong Kong after a tour of other Asian countries, hoping to develop her career.

The noted actress Li Li-hua, star of more than sixty films since 1947, beautifully portrays the drugged, then disgraced wife of a peddler in the waning days of the Ching Dynasty. To make matters worse, she’s soon framed for her husband’s murder by her rapist - the son of the local magistrate! And even that isn’t the end of her woes. It’s best to have a box of tissues nearby as two expert directors ratchet up the emotional suspense in this consummate tearjerker.

Comedy of Mismatches begins with widow Sun who single-handedly raises her son Yu Lang (Chin Feng) and daughter Zhu Yi (Li Hsiang Chun). One day, Mother Sun sends her children to the temple, where Yu Lang encounters Hui Niang (Pat Ting). Artist Xu Ya is also at the temple, praying that his daughter Wen Gu (Carrie Ku) will find a good husband. Soon after, Wen Gu encounters nobleman's son Pei Zheng (Wai Mao) and the two fall in love at first sight.

Love knows no limits in the grand period romance, Lady Jade Locket. A young fighter inadvertently falls for the spirit of a beautiful woman, who died years earlier avenging her own father's murder. The beautiful ghost is in fact the sister of his fiancee. Experienced as an actor in many such romances, director Yen Chuan keeps the tone perfect. Plus, with period specialist Li Li-hua in the lead and the attractive and acclaimed Li Ching playing the ghost girl, he really can do no wrong.

Grace Chang delivers an eye-opening performance as a lusty nightclub singer climbing the social ladder in seedy Wanchai. Borrowing story and song elements from Georges Bizet’s CARMEN, this Wong Tin-Lam directed musical has flair and polish to rival Hollywood, and a superstar leading lady that would any film industry would have a tough time matching! A key film from the celebrated Cathay Film Studios.

Tao Zutai, a bank employee, has five children. Tao's wife is addicted to gambling and spends too much and the eldest daughter Guiru is greedy for vanity. Tao is overjoyed when he is notified that he will be promoted to deputy manager.

The story of a self-disciplined singing girl who has different love endings and experiences.

FAIRY, GHOST, VIXEN (1965) consists of three fanciful tales that may be loosely classified as ghost stories, but they're presented and designed more along the lines of traditional fairy tales. They're beautifully staged and photographed and have a timeless quality about them with a moral at the end of each.

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