Gianni Barcelloni

A deep dive into Glauber Rocha's years exiled in Italy in the 70s. Through a collection of interviews and archives, the movie shows the making of his film Claro (1975) and his relation with European auteurs in their filmic and political views.

All her life, an overweight girl has been ignored by her rich and attractive mother. But when the ugly duckling becomes a swan, she turns into a world-class tease, exacting her revenge by seducing her mother's boyfriend...

All her life, an overweight girl has been ignored by her rich and attractive mother. But when the ugly duckling becomes a swan, she turns into a world-class tease, exacting her revenge by seducing her mother's boyfriend...

Frankenstein's monster gropes towards the awareness that his mind is a universe; Attila, naked on a white horse, liberates his people from their ignominy; the ultra-caustic Viva bemoans the frustrations of married life and drifts into the elegiac persona of the Bloody Countess Bathory; Louis Waldon is a hip American tourist searching for the (missing) Mona Lisa.

A white-robed preacher wanders and sermonizes across African lands; European communists and CIA spies conspire out of mutual self-interest to engineer the appointment of an African bourgeois to a puppet government presidency; and a revolutionary group marches in exile.

In the words of the director, a movie about 'the colonizers in the view of the colonized', the movie presents a series of disconnected happenings throughout Europe and Brazil emphasizing the perception of human life as trance-like experiences and thus offering a view of the human history as a connection of symbolic behavior.

After a fight in their apartment, the story of a writer and a painter are divided. The writer is dedicated with his partner Manon to provoke continuous accidents in a field in which car carcasses abound. The painter is recruited to kill, through a poisoned picture, the old Arden to allow the latter's wife, Alice to live with her lover Mosbie.

A family of Brazilian farmers is desperately looking for work and moves from city to city.

A 1968 short documentary film by Pier Paolo Pasolini where he visits India in the search of a king who could give up his body to feed a starving tiger.

The video film is the first on Pier Paolo Pasolini, poet and writer in which only the author appears and only his voice is heard: the reading of his verses alternates with interventions on poetry and life. There are very few films on Pasolini writer (those on Pasolini director are frequent) and very few readings of his poems, a lack that has been solved with very rare recordings on disk and radio.