Josef Bradna

During a winter storm, Ursus offers shelter to two orphans, Gwynplaine and Déa; some years later, they are still living together. Gwynplaine has become a famous star, but his success threatens his relationships with Déa and Ursus.

No synopsis available yet.

Two young technicians, Filos and Kája, come to a small village that is a bit cut off from the rest of the world in order to find the best place to install a new station for the reception of a cell phone signal. Their arrival understandably arouses a feeling of expectation among the locals, especially when they learn of the interesting financial reward for the owner of the land on which the transmitter will stand. A fight flares up in the village over this reward, and all weapons, those permitted and those not, are put into use. Of course, there is also the question of whether Filos and Kája will be able to live up to the expectations that have been placed on them. Maybe they aren't even who they claim to be...

Three backpackers head to a Slovakian city that promises to meet their hedonistic expectations, with no idea of the hell that awaits them.

93, rue Lauriston, in the 16th arrondissement de Paris, is an address of bleak memory. It was indeed the headquarter of the French Gestapo, which was active between 1941 and 1944 and was headed by Henri Lafont and Pierre Loutrel, two wanted criminals. On the day of 1940 he was demobilized, little did well-meaning Léon Jabinet know that he would be associated with such disreputable characters. And yet, some time later, Odile Panzer, the Jewish girl he has been hiding at his parents'place, is arrested by the Gestapo. On this occasion Léon is offered a deal for her release: collaborating with the Carlingue (another name for the French auxiliaries of the Nazi police) and Odile will be free. Or else... What should he do?

Sams in danger, it is said, when Mr. Taschenbier's son Martin brings the Sams back into the household, which, however, is kidnapped shortly afterwards by the sports teacher because of his special skills.

The making of Eli Roth's "Hostel."

The first installment of a two-part movie adaptation of the Vladimír Páral's novel about three friends who decide to start up an erotic enterprise. All plot complications ensue from running their 'amateur' pleasure parlor.

Although shot simultaneously with the first part, director Vít Olmer's sequel to the story of three businesswomen dealing in erotic services stands on its own. The film abandons a majority of the topics important to the original and focuses instead on a new plot and characters: the erotic club's new owner introduces an element of crime by blackmailing her customers.