Rúben Gomes

In a community recently shaken by a local tragedy, 12-year-old João and his alcoholic father make a living from fishing. However, the effects of climate change on the business, the ghosts of their past and the father's increasingly erratic behavior could lead to their separation. It is in the next-door neighbors that João meets an unlikely family that could be his only hope for a different future.

On April 25, 1974, a man walked alone in Largo do Carmo. He knocked on the GNR military barracks door and entered, unarmed and without any escorts. Inside, the Government’s chief, Marcelo Caetano, waited, surrounded by the military and the people. The man who stared at him that afternoon and demanded surrender, guaranteeing his safety, had just led Santarém’s Artillery 1 regiment in taking the capital. Without firing a single shot, he managed to overthrow a regime that was over 48 years old. That was the last step to take and he took it, without hesitation, becoming the unavoidable figure of the day that marked the beginning of democracy in Portugal

Lázaro Lafourcade, an old capitalist, is found dead in his mansion after a dinner with his peculiar family. An inspector is called in to investigate the crime and find the culprit, delving into the glamorous and sordid underworld of the Lafourcades, kicking off a good old-fashioned crime story where everyone is a suspect. A whodunnit that takes us back to the 1950s and results in an "eat the rich" narrative, while the investigation takes place at the Lafourcades' home.

A walk for half a century, yes, a letter perhaps. Travels in my life, I could call it, which I like Garrett so much. A traveling as he would like, a loose story, memories, projects, meetings. Also because, since 1995, I have done several portraits of artists (Palolo, Bravo, Lapa, Skapinakis, Bartolomeu, Angelo, Sena, Ana Vieira and I prepare Sofia Areal and Fernando Lemos), I started to think that this is my life, these meetings , see, hear, cut, show, tease. I want, with this film continue to show what I see. [Jorge Silva Melo]

On its surface, a story about a jealous and insecure man, but it takes us to a reflection about loneliness and despair.