Michel La Veaux

Hôtel La Louisiane is, at its core, a film about freedom and dignity. Freedom for those who wish to live in a place where they are able to feel inspired. Dignity for the hotel owner to stand by his promise to his father and keep their mission alive: to provide an affordable sanctuary for artists and students in search of fulfilling employment, which they certainly won’t find at other hotels. Freedom, too, to be in an environment of tolerance and rid of prejudice. This film is not just a story about a mythical setting in Paris; it portrays the microcosm of a lifestyle in which collective values reign supreme. A film where what’s real and true is placed above national borders or cultural barriers.

A genuine encounter with filmmaker Jean-Claude Labrecque, this feature-length doc underscores not only the importance of his work (especially in the documentary medium) but also his passion for film. The bond between Labrecque and director Michel La Veaux allows us to see beyond the images and discover the smaller story hidden within the larger one. La Veaux shares with us his own love for film and the humanistic perspective from which Labrecque has used his camera to etch the great moments of Quebec’s culture and history into Quebecers’ collective memory.

A humanistic documentary about the “soul” of the Directors' Fortnight at Cannes, a formidable facilitator, a passionate man thirsty for novelty and the avant-garde: Pierre-Henri Deleau.

For more than 70 years, actress Janine Sutto, the grande dame of Québec theatre, has brought to the stage her passion for her art: portraying life.

Hôtel La Louisiane is, at its core, a film about freedom and dignity. Freedom for those who wish to live in a place where they are able to feel inspired. Dignity for the hotel owner to stand by his promise to his father and keep their mission alive: to provide an affordable sanctuary for artists and students in search of fulfilling employment, which they certainly won’t find at other hotels. Freedom, too, to be in an environment of tolerance and rid of prejudice. This film is not just a story about a mythical setting in Paris; it portrays the microcosm of a lifestyle in which collective values reign supreme. A film where what’s real and true is placed above national borders or cultural barriers.

Hôtel La Louisiane is, at its core, a film about freedom and dignity. Freedom for those who wish to live in a place where they are able to feel inspired. Dignity for the hotel owner to stand by his promise to his father and keep their mission alive: to provide an affordable sanctuary for artists and students in search of fulfilling employment, which they certainly won’t find at other hotels. Freedom, too, to be in an environment of tolerance and rid of prejudice. This film is not just a story about a mythical setting in Paris; it portrays the microcosm of a lifestyle in which collective values reign supreme. A film where what’s real and true is placed above national borders or cultural barriers.

A genuine encounter with filmmaker Jean-Claude Labrecque, this feature-length doc underscores not only the importance of his work (especially in the documentary medium) but also his passion for film. The bond between Labrecque and director Michel La Veaux allows us to see beyond the images and discover the smaller story hidden within the larger one. La Veaux shares with us his own love for film and the humanistic perspective from which Labrecque has used his camera to etch the great moments of Quebec’s culture and history into Quebecers’ collective memory.

A humanistic documentary about the “soul” of the Directors' Fortnight at Cannes, a formidable facilitator, a passionate man thirsty for novelty and the avant-garde: Pierre-Henri Deleau.

For more than 70 years, actress Janine Sutto, the grande dame of Québec theatre, has brought to the stage her passion for her art: portraying life.