
Camera
Tsunekichi Shibata
Born — Died
1850-01-01 — 1929-01-01
Known for
Camera
Credits
7 titles
Tsunekichi Shibata was one of Japan's first filmmakers. He worked for the photographer Shirō Asano and the Konishi Camera shop, the first in Japan to import a motion picture camera. Along with Kanzo Shirai, he took the earliest films in Japan, mostly of geisha, Ginza, and selections of scenes from popular plays. His first exhibition was at the Tokyo Kabuki-za in 1899. After that he focused mainly on Kabuki plays.
Known for
8.0Rickshaws and pedestrians traffic on the street.
Une avenue à Tokyo
1898
NRRickshaws and pedestrians are moving in the street. Not to be confused with Constant Girel's "Une rue a Tokyo."
Une rue à Tokyo, [I]
1898
Shot at the Kubut-za in Tokyo and a rare record of two classical kubuki actors, Onoe Eizaburo V and Ichimura Kakuki-za VI, A surviving poster for this film is illustrated by a woodblock print of the lead actors by ukiyo-e artist Yutaka Hitoshi, a frozen moment of the incipient transition from traditional art-forms of ukiyo-e and kabuki to the new, and all-dominating medium of katsudo-shashin (cinema).
Two People at Dojo temple
1899
10.0Carts, pedestrians and bus traffic in the street.
Une rue à Tokyo, [II]
1898
4.5Rickshaws, trams and pedestrians traffic near the railway station in Tokyo.
Station du chemin de fer de Tokyo
1898
A reel of the Noh drama Momiji-gari, in which Danjuro Ichikawa played opposite Onoe Kikugoro V as an ogress who has disguised herself as the Princess Sarashina. Filmed by Shibata Tsunekichi in the open air on a windy day in November 1899, Danjuro would allow only the one take, so that when his fan blew away in mid-performance the scene had to stay. The film re-emerged at the Kikikan theatre in 1907 where it was a great success and inspired a wave of fiction filmmaking based on traditional Japanese narratives.
Maple Leaf Viewing
1899
Behind the camera
8.0Rickshaws and pedestrians traffic on the street.
Une avenue à Tokyo
1898
NRRickshaws and pedestrians are moving in the street. Not to be confused with Constant Girel's "Une rue a Tokyo."
Une rue à Tokyo, [I]
1898
Shot at the Kubut-za in Tokyo and a rare record of two classical kubuki actors, Onoe Eizaburo V and Ichimura Kakuki-za VI, A surviving poster for this film is illustrated by a woodblock print of the lead actors by ukiyo-e artist Yutaka Hitoshi, a frozen moment of the incipient transition from traditional art-forms of ukiyo-e and kabuki to the new, and all-dominating medium of katsudo-shashin (cinema).
Two People at Dojo temple
1899
10.0Carts, pedestrians and bus traffic in the street.
Une rue à Tokyo, [II]
1898
4.5Rickshaws, trams and pedestrians traffic near the railway station in Tokyo.
Station du chemin de fer de Tokyo
1898
A reel of the Noh drama Momiji-gari, in which Danjuro Ichikawa played opposite Onoe Kikugoro V as an ogress who has disguised herself as the Princess Sarashina. Filmed by Shibata Tsunekichi in the open air on a windy day in November 1899, Danjuro would allow only the one take, so that when his fan blew away in mid-performance the scene had to stay. The film re-emerged at the Kikikan theatre in 1907 where it was a great success and inspired a wave of fiction filmmaking based on traditional Japanese narratives.
Maple Leaf Viewing
1899
'Armed Robber Shimizu Sadakicchi' is considered Japan's debut film and came on the heels of the country obtaining its first film camera. It famously was only a couple of minutes' long as its film reel was only seventy feet long. It featured who is considered to be Japan's first film actor Unpei Yokoyama who was one of two actors in the film. It features one scene where a robber is apprehended by the police.
Sadakichi Shimizu, the Armed Robber
1899
