Jean Badin

Until the day in 1978 when he was accused by a weekly newspaper of being the main organizer of the Vel'd'Hiv' roundup, everyone seemed to have forgotten that in 1942, René Bousquet was head of the French police. But then the past caught up with this former high-ranking civil servant, brilliantly reconverted into high finance. The next fifteen years will be devoted to answering the accusations. To organize his defense, he knows he can count on the support of his family and a network of political contacts. Gradually, the ambiguity of the compromises and "arrangements" made by almost all the political forces at the Liberation, in the name of national reconciliation, becomes apparent.

DEEP WATER is the stunning true story of the fateful voyage of Donald Crowhurst, an amateur yachtsman who enters the most daring nautical challenge ever – the very first solo, non-stop, round-the-world boat race.

A few months pregnant, Valerie is leading the construction of the Athens metro, which will reduce pollution in the Greek capital. However, on the construction site, archaeologists are trying to suspend the work because the subsoil contains archaeological treasures.

The year is 1898. Héloïse, 9 years old, comes from a family belonging to the anti-Dreyfus and anti-Semitic Parisian high bourgeoisie. In a spirit of revolt, she begins a love affair with Maxime, a young Jewish journalist. During a terrible quarrel with her father, the latter suffers a stroke and dies. To get her away from Maxime, her mother Mathilde and her cousin Olympe take Héloïse on a trip to the Orient. After Cairo and the Pyramids, they go up the Nile and cross the desert in a caravan.

Jonas, a 23-year-old dad, attempts to carry out an important Jewish tradition: burying the foreskin of his newly circumcised son. The forgetful father only has a few hours to complete the task... but having a group of hit men on his trail won't help matters much.

Lieutenant Hornblower and his shipmates are sent to accompany a doomed royalist invasion of revolutionary France.

In early 1920s France, an author, lying on his deathbed, looks at various photographs and is flooded with memories of the people and events that have shaped his life.

Shortly after murdering his professor, a young man encounters a sailor who offers him a position on his ship in exchange for 3 Danish crowns and his attention as he recounts his life story.

Four intertwining stories of bizarre occurrences in Paris featuring a man who was stolen away by fairies, a professor who becomes a tramp, the lovers who inherit a chateau – and the last tale that connects all that has gone before.

In Wind Water, Ruiz stages a three-way dialogue between three great cultures: Spain, China and Arabia. He imagines what might occur if Shih-T’ao’s six poetic procedures for attaining the primal respiration or cosmic breath in painting were applied to one of the flagships of European art, Velazquez’s Las Meninas. Ruiz wants the three cultures to interact and test each other like the paper, stone and scissors of the children’s game. The result is an insoluble dispute, a différend. No reconciliation or compromise is possible between these cultural outlooks.

An attorney defends a young man on trial for killing his aunt — a psychiatrist who took him in to study possible homicidal tendencies.

"At that time (late 1992), I made a film for British television, Channel 4, called Las Soledades, the name of a long poem by Góngora. It was made in Chile, using many poetic elements of the country. Chile is seen through the eyes of a Chinese painter—a painter who uses the traditional 18th-century concepts of Shih-Tao. Once again, I am doing something that, apparently, is not meant to go hand in hand. The landscape of my country, southern Chile, where I was born, initially provokes in me a feeling of fear. The landscape is madness. In these crazy landscapes, you can find very reasonable people, which makes the landscape seem even crazier."

A parody of anthropology, linguistics, and cultural imperialism. The film follows an unlikely team of linguists into the wilds of an ersatz Patagonia to study the last speakers of a dying language. That language apparently consists of a single word, which therefore means everything.

This quickly-filmed avant-garde farce by prolific director Raul Ruiz features an insomniac (Michel Lonsdale) whose main preoccupation is surreptitiously watching private matters -- he is a voyeur. He and an equally disreputable acquaintance rape a woman alongside the Seine, a crime made all the worse because she is pregnant. The rest of this slow-paced film deals with the consequences of that action.

The young historian Elisabeth is traveling to Lyon on her own in order to explore the city tracing the life of Flora Tristan. Tristan, whose diary Elisabeth is carrying, was a 19th century socialist and feminist who influenced many contemporary activists and intellectuals yet fell into oblivion herself. Elisabeth tries to put together the clues she can find in Lyon wanting to reconstruct Tristan's life in the most sensual way.

Larger-than-life American author Ernest Hemingway is the subject of this biopic that chronicles the famous writer's life from childhood to his suicide at age 61. Haunted by various inner demons -- including his father's suicide -- Hemingway serves in World War I, marries four times, and finds creative support from Ezra Pound, Gertrude Stein and other expatriates living in 1920s Paris.

Five people in one city, different ways of loving and living, different views on how to experience or suppress the past.

A series of compounding dramatic situations, drawn from Georges Polti's '36 Dramatic Situations' and acted out in shadowplay and voiceover.

During the century of the Spanish Gold, Doña Prouhèze, wife of a nobleman, deeply loves Don Rodrigo, who is forced to leave Spain and go to America. Meanwhile Prouhèze is sent to Africa to rule the city of Mogador. Ten years later Rodrigo leaves America and travels to Africa in search of Prouhèze to find out that she died and eventually meeting her daughter.

In 1944, a dashing German soldier and a beautiful French girl fell deeply in love while World War II raged on. More than forty years later, Ernest Kestner, retired and recently widowed, leaves his adopted home in New York and returns to France to visit his headstrong, estranged daughter, with the fleeting hope of finding the love he was forced to leave behind. But this is no ordinary vacation in the charming French countryside. The mood is strangely dark, and what Kestner and his daughter encounter is completely unexpected as the veteran soldier seeks the ultimate Souvenir - born from the ashes of a horrible, hidden secret. Based on the true story of Oradour-sur-Glane, a French town that was nearly wiped out near the end of WWII. Most every man, woman and child was gunned down or burned in retaliation for the French Resistance. The entire ruined town has been preserved as a national memorial. - Written by Mackinac Media Inc.

Now Titus' father has died, the new emperor will be free to marry his beloved Bérénice. Also In love with Bérénice, Titus' friend Antiochus plans to flee Rome rather than face the marriage. However, public opinion about the pairing causes Titus to choose his duty to Rome over his love for Bérénice, and he sends his love rival to tell Bérénice the news...

A character, directly addressing the viewer, attempts, through his or her knowledge, a historical reflection on the Paris Commune of 1871. A series of five tableaux retraces the major phases of the events. First comes the analysis of the Second Empire. Then comes the fall of the Empire and the proclamation of the Republic on September 4, 1870. Based on texts by Jules Vallès, several actors evoke the event in the contemporary setting of the large housing estates of Bobigny. The third part deals with the period October-March 1871, during which the people of Paris felt, little by little, betrayed by the government. Finally, March 18 is the revolutionary day. Inspired by Bertold Brecht's "Days of the Commune," actors perform the episode "Madame Cabet's Canon." The fifth part, entitled "Two or Three Things I Know About Her," directly evokes the work of the Commune, building and imagining a better world...