Márcia Rodrigues

Tadeu, a poor lad from the Northeast of Brazil, comes to Rio de Janeiro to try his luck. His good looks and education win him the favor of rich people. In his spare time, he becomes the favorite among lonely and rich ladies. Soon he gets involved in trouble.

Ana is going through psychological problems. She and lifelong friend Cléia decide to revisit the place they spent their childhood together in an attempt to get better results in her treatment. But they meet a stranger who will upset their plans.

Solange is a recently married young woman whose wedding night did not end well. After constant fights with her husband, she decides to live through her sexual frustration by sleeping with strangers she picks up on crowded buses in Rio de Janeiro.

No synopsis available yet.

A man living with his parents in a low middle-class apartment in Rio de Janeiro coldly stabs them with a razor and then goes to the movies. Marcia, a rich and dissatisfied young woman, takes advantage of a trip from her husband to go to her home in Petrópolis, where she receives a visit from an old friend, Regina.

During the Brazilian military government, journalist Estêvão is sent from Rio de Janeiro to Brasilia to cover the important statement of a minister, but takes the opportunity to deliver incriminating documents to another one.

Chronicles the life of a 17 year-old girl living in the upper-class Rio de Janeiro neighbourhood of Ipanema. Márcia lives a life of parties and spend her days among bohemians, musicians and intellectuals. While seeming happy in the outside, she's extremely anguished inside. Based on the famous song by Antonio Carlos Jobim and Vinicius de Moraes.

Experimental film by Haroldo Marinho Barbosa.

Romantic adventures of a group of Rio de Janeiro teenagers and surfers.

"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."

Three friends meeting after the absence of one of them for 15 years out of the country. This sudden gathering give them the opportunity to examine their life, to criticize one another on their achievements.

A shockingly irreverent follow-up to the rural austerity of Barren Lives, dos Santos’ Godardian social satire owes more than a nod to the self-conscious antics of the French New Wave. The pampered son of a general, El Justicero is a hipster playboy who fancies himself a James Bond/Jean Paul Sartre urban hero. “Archetypical” yet “full of contradictions,” he sees that justice is achieved for the disadvantaged while taking advantage of certain bourgeois perks. His exploits are closely followed and eventually directed by his biographer who decides a film is not only more lucrative than a book, but it gives him the luxury of reviewing previous scenes. Unlike Bond, El Jus eventually experiences an awakening which threatens to compromise the entertainment value and glamour of his life story. - Harvard Film Archive

In the 60's Lúcia McCartney is a call girl who is a fan of the Beatles. A diplomat tries to get her out of prostitution by falling in love with her.

Irreverent adaptation of great writer Machado de Assis's masterpiece "Memórias Póstumas de Brás Cubas" ("Brás Cubas's Posthumous Memories"). A dead man tells about his love life and adventures, specially his affair with Virgília, a dubious married woman.

João, a playboy, spends his last day as a single in a resort hotel, where he seduces a teenager and gets involved with the casino singer.