Flávio São Thiago

In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.

After a chance encounter on the elevator, the lives of Mary Ann, a widowed English teacher, and Pedro, a recently divorced man, intersect against the hot backdrop of Rio de Janeiro.

Ulisses has failed in his professional life, but leads a happy life with his wife Ângela and their two daughters. Until the day he is introduced to Bárbara, a very beautiful woman living in Rio de Janeiro. Ângela becomes her friend and gives her the dress Ulisses had given her. From then on, marital problems arise, and he becomes increasingly attracted to Bárbara.

Fernando, a journalist, and his friend César join terrorist group MR8 in order to fight Brazilian dictatorial regime during the late sixties. César, however, is wounded and captured during a bank hold up. Fernando then decides to kidnap the American ambassador in Brazil and ask for the release of fifteen political prisoners in exchange for his life.

Policarpo is a chauvinistic patriot, a major who tries to find solutions for Brazilian problems using only the resources of his own country. His visionary and idealistic temperament is behind his strange ideas about how to build a great nation.

A religious comedy in 5 segments, illustrating maniqueism on Earth, as shown by movies. God and his son Jesus disagree on how to manage human life on Earth.

In the 18th century in a forgotten town, young Benedicta is the executioner's daughter. Monk Ambrosius, newly arrived at the village, pities the girl but his interest in her unleashes the jealousy of Rochus and the conflict between passion and celibacy begins.

Henry Czerny plays American journalist Michael Coleman, a strung-out expatriate writing for a Brazilian newspaper. His professional obsession is Father Stephen Louis, a mildly popular and charismatic priest who has been the major political opponent of the greedy and ruthless landowners of the Bahia region. Mysteriously, the usually outspoken Father Louis has been silent for three months. With the Brazilian Congress about to vote on a major land-redistribution bill that could potentially tip the balance of power even further, Father Louis’s support of the peasants and his condemnation of the landowners is more important than ever. Coleman sets out alone for the politically unstable Bahia region to capture a highly anticipated interview with the elusive priest.

No synopsis available yet.

When a pedestrian is hit by a bus, the simple clerk Arandir runs and kisses the moribund in a gesture of sympathy and unconditional pure love. Opportunist photographer Amado Pinheiro witnesses the scene and sees the opportunity to sell newspaper and, together with the despicable and abusive chief of police Cunha, accuses Arandir of homosexuality.

After the collapse of their relationships with other people, Maria and Paulo embark in an intense relationship in order to shield themselves from loneliness.

After arguing with his ex-girlfriend, truck driver Jorge hits the road again, while remembering the past and questioning his friendship with his manipulative boss.

After diving into a shallow lake, a college student becomes tetraplegic. In his wheel chair, he remembers the important facts of his life as an adolescent.

Romantic adventures of a group of Rio de Janeiro teenagers and surfers.

A military man picks up a Native Brazilian woman and heads to a gold panning site where he has undisclosed business to attend to.

Filming of the historical montage of Oswald de Andrade's play, where decadent millionaires, depraved children, corrupt and implacable capitalists are the characters interpreted by the Grupo Oficina, in a celebrated theatrical performance from 1967, fundamentally recorded in 1971 and released only in the 1980s.

Famous soap opera actress finds out her sexuality after breaking up with her former boyfriend, an important TV executive.

In this highly stylized Brazilian drama a sax player fondly remembers one wonderful night spent with his life's love and decides to find her again. He embarks upon a quest through the wild streets of Rio to find her. Along the way he meets an assortment of odd urban underworld characters.

Dede (Guilherne Fontes) is a Brazilian teen who lives with his middle-class grandparents who are members of the local communist party. When his grandmother dies, his grandfather's health soon fades to the point where he can't speak or walk. The local party officials ask Dede to continue to family tradition and take over his grandfather's position of social authority, but when Dede is introduced to cocaine by his best friend Alpino (Marcos Palmeira), the attraction to drugs is more appealing to him than political activism.

Fernanda is content with her life until she meets Miguel, a drug addict, bisexual male prostitute. She becomes captivated by him and leaves her family behind in favor of a new life filled with sex and debauchery.

As soon as Mauro, an Administration student, discovers a strong vocation for mediumship, he drops everything to go deeper and dedicate himself to Umbanda, a religion he embraces so strongly that it makes him give up his studies. Determined to open his own spiritist center, Mauro moves to the countryside.

Movie director in his forties and in existential crisis falls in love with an unknown teen girl he sees walking down the streets, without knowing she's the daughter of the woman he's having a relationship with.

Two friends get rich running an illegal gambling business. But soon they start to compete, and become rivals.

Police investigator Galvão is pursuing two trails, one professional and one personal. While he looks for a serial killer, he also searches for his estranged daughter, Sandra, whom he kicked out of the house. Lives intersect when the serial killer, Toninho, befriends Sandra, now an exotic dancer and prostitute living and working in the seamy underside of late 1970s Rio.

Five friends decide to enjoy Mardi Gras without their wives, leaving them home. But one of the wives doesn't accept this arrangement and tries to get even.

In the early seventies in Rio de Janeiro, detective Mariel Moryscötte de Mattos belonged to a special police force called "The Golden Men". This powerful group of the elite of the police was created with the intention of eliminate crime from Rio de Janeiro, and they had privileges above law to expedite their action against the outlaws. However, absolute power in wrong hands corrupts, and this group formed the "Death Squad", executing criminals without the conventional trial from the justice.

Tadeu, a poor lad from the Northeast of Brazil, comes to Rio de Janeiro to try his luck. His good looks and education win him the favor of rich people. In his spare time, he becomes the favorite among lonely and rich ladies. Soon he gets involved in trouble.

Toquinho is a young man living in Marechal Hermes, a poor neighborhood in Rio de Janeiro, together with his widow mother and a younger sister. Although he is poor, he is also ambitious, and wants to change his life. He spends all his time on the beach, at Arpoador, Ipanema, where he dreams to become a famous surfer. Besides, he usually finds Patricia there, a rich and liberated young woman, whom he likes a lot. To impress Patricia and satisfy some of her wishes, he lets himself be seduced by André, a gay guy who, in return for his sexual favors, promises him a trip to Hawaii for a surf championship.

Brazilian adaptation of Hamlet, set in the outskirts of São Paulo City. A teenager hears through a medium the voice of his father, who accuses his brother of murdering him. He confirms his suspicions of his uncle, and decides to retaliate, but kills the wrong man, triggering a terrible game of life and death.

An ubiquitous folk singer narrates the tale of a young boy, who apparently becomes immune to gunfire after his mother arranges for him to have an amulet bearing Ogum's blessings. As time goes by, he becomes a valuable member of a mobster's hit-team, but ends up joining a group of people who resist his original employers.

An industrial couple spends more than they can afford. In financial trouble, the husband Afraninho devises a strange kind of business, for foreign executives, in which the product is his own wife Malu. They succeed, and soon other couples start doing the same thing, establishing the competition.

Symbolic film from the Underground Movement of Brazilian Cinema (Cinema Marginal) about a woman, three men and some apes. In the director's own words: “a fable where realism and logic have no place, and in which sex is a translation of all the tortures, circumstances and violent actions.”

The critical success in France of How Tasty Was My Little Frenchman made possible dos Santos’ delirious science-fiction vision of free love in a post-apocalyptic wilderness besieged by flesh hungry zombies contaminated by an unnamed nuclear attack. Who is Beta? follows two statuesque survivors drawn irresistibly together only to be entranced by the arrival and sudden disappearance of a third, the bewitching raven haired Beta. With its cartoon-like depiction of extreme violence and desire, Who is Beta? offers a heady Pop-infused companion to Hunger for Love. Yet beneath its giddy play of surfaces, dos Santos' underappreciated film gradually reveals a darkly ambiguous metaphoric dimension. -Harvard Film Archive

In 1970, the Esquadrão da Morte (Death Squad)' crimes for the refinement of violence provoked a wave of reactions throughout the country. The photos of the victims, adorned by the skull, symbol of the group, caused an uncomfortable indignation. This is the story of Mateus Romeiro, the most famous of the policemen, who was part of the Homens de Aço (Steelmen) group, one of the factions in which the squadron was divided.

No synopsis available yet.