Gilda de Abreu

A documentary that chronologically traces the presence of women in Brazilian cinema.

As a baby, Carlos was abandoned in the church at the feet of Holy Mary, raised by the priest, and consecrated to her. As a child, he falls in love with the daughter of the Commander, the local landowner, who is already promised to the son of a ruined count.

"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."

The biography of the singer Francisco Alves. It narrates his father's opposition to his singing, his adventure in the circus, his love affairs and breakups, his discovery in a bar at dawn and, finally, his success cut short when he died in 1952 in a car accident.

A good-hearted man, betrayed by his wife and friends, fakes his death and takes up a new identity, as a nameless, wandering drunkard.

Passionate about the magic of cinema and historically imposed on a place of invisibility, prejudices and stereotypes, how can women challenge, break with oppression, look after precious archives, play remarkable characters, produce and direct successful films? The documentary illuminates the trajectories of dreams, challenges and victories of talented Brazilian women in our audiovisual sector.

As a baby, Carlos was abandoned in the church at the feet of Holy Mary, raised by the priest, and consecrated to her. As a child, he falls in love with the daughter of the Commander, the local landowner, who is already promised to the son of a ruined count.

As a baby, Carlos was abandoned in the church at the feet of Holy Mary, raised by the priest, and consecrated to her. As a child, he falls in love with the daughter of the Commander, the local landowner, who is already promised to the son of a ruined count.

The biography of the singer Francisco Alves. It narrates his father's opposition to his singing, his adventure in the circus, his love affairs and breakups, his discovery in a bar at dawn and, finally, his success cut short when he died in 1952 in a car accident.

A good-hearted man, betrayed by his wife and friends, fakes his death and takes up a new identity, as a nameless, wandering drunkard.

A good-hearted man, betrayed by his wife and friends, fakes his death and takes up a new identity, as a nameless, wandering drunkard.

Nini dreams of a doll that resembles a queen living in a toy store window. Although now, first of all, it is necessary to think about paying the rent.

Portrays the life of Vicente Celestino, a singer and composer of Brazilian popular music, who died in 1968. It shows his childhood in Rio de Janeiro, his professional debut at the Teatro São José, his first record, Flor do Mal, his participation as an actor in the Cia. Leopoldo Fróes, the gold record that was offered to him by the people, the numerous operettas and sacred plays in which he worked, his marriage to Gilda de Abreu, and original scenes from the films O Ébrio and Coração Materno, where he acted as both actor and singer.

Portrays the life of Vicente Celestino, a singer and composer of Brazilian popular music, who died in 1968. It shows his childhood in Rio de Janeiro, his professional debut at the Teatro São José, his first record, Flor do Mal, his participation as an actor in the Cia. Leopoldo Fróes, the gold record that was offered to him by the people, the numerous operettas and sacred plays in which he worked, his marriage to Gilda de Abreu, and original scenes from the films O Ébrio and Coração Materno, where he acted as both actor and singer.