M T Vasudevan Nair

Set in the backdrop of the seventeenth century, the royal family of Kottayam is ruled by Pazhassi. The British government begins to impose heavy taxes on the locals in the Thalassery region of Kerala.

Sathyanathan is condemned to death for brutally murdering four persons – two adults and two young girls – and is awaiting his final call. He shows no remorse and is just as cheerful as a man who knows he has done no wrong. In a series of flashbacks, Sathyanathan's story is revealed.

Chanthu, a poor orphan and Aromal are cousins and belong to the Chekavar clan, a warrior clan who hire themselves out as duellers to settle disputes among the rich and powerful. Aromal, jealous of the much more talented Chanthu, makes life miserable for him and Chanthu decides to leave and live with Aringodar, a rival chekavan, as his pupil. When the two sons of a local landlord have a property dispute and decide to hire Aromal and Aringodar to duel it out, Chanthu has to decide where his loyalty lies - with the family of the uncle who brought him up or with Aringodar who provided him with sanctuary.

It is based on Perumthachan of the Parayi Petta Panthirukulam, a legend in the Kerala folklore. The problems caused by the generation gap are explored through the relationship between a skilled carpenter and his tradition-breaking son.

A retired estate manager and his wife have grown old together on their small farm in Kerala. Content with their simple life, they resist the efforts of their grown up children to move them to their urban homes.

The film is set in the Middle-East in the pre-Islam period. It is about the adventures and exploits of a lively and intelligent slave girl named Daya (Manju Warrier). Mansoor (Krishna), the son of an aging and wealthy nobleman, is used to an extravagant way of life.

Set in the backdrop of the seventeenth century, the royal family of Kottayam is ruled by Pazhassi. The British government begins to impose heavy taxes on the locals in the Thalassery region of Kerala.

Sathyanathan is condemned to death for brutally murdering four persons – two adults and two young girls – and is awaiting his final call. He shows no remorse and is just as cheerful as a man who knows he has done no wrong. In a series of flashbacks, Sathyanathan's story is revealed.

Chanthu, a poor orphan and Aromal are cousins and belong to the Chekavar clan, a warrior clan who hire themselves out as duellers to settle disputes among the rich and powerful. Aromal, jealous of the much more talented Chanthu, makes life miserable for him and Chanthu decides to leave and live with Aringodar, a rival chekavan, as his pupil. When the two sons of a local landlord have a property dispute and decide to hire Aromal and Aringodar to duel it out, Chanthu has to decide where his loyalty lies - with the family of the uncle who brought him up or with Aringodar who provided him with sanctuary.

It is based on Perumthachan of the Parayi Petta Panthirukulam, a legend in the Kerala folklore. The problems caused by the generation gap are explored through the relationship between a skilled carpenter and his tradition-breaking son.

A retired estate manager and his wife have grown old together on their small farm in Kerala. Content with their simple life, they resist the efforts of their grown up children to move them to their urban homes.

A retired estate manager and his wife have grown old together on their small farm in Kerala. Content with their simple life, they resist the efforts of their grown up children to move them to their urban homes.

The film is set in the Middle-East in the pre-Islam period. It is about the adventures and exploits of a lively and intelligent slave girl named Daya (Manju Warrier). Mansoor (Krishna), the son of an aging and wealthy nobleman, is used to an extravagant way of life.

Jayarajan (Mohanlal), an over-enthusiastic assistant manager at a tea plantation plans to loot a huge amount. He lures two debt-ridden subordinates, Chandran (Rahman) and Johnny (Nedumudi Venu), into his conspiracy.

Raja's daughter's marriage ceremony is soon approaching and preparations are underway at home. One day, Raja receives a call from his wife Rohini, who is the mother of the girl. Rohini and Raja have been separated for years and Rohini now expresses her desire to visit their daughter for the occasion. Raja is disturbed by the idea of Rohini's visit and tries to dissuade her. However, Rohini is determined to come and starts her train journey.

A widow, Sunandha, lives in poverty with her child. Bhaskaran and Vijayalaskhmi lives with their son Jayan in the neighbourhood. Desperate to earn a living, Sunandha starts a kindergarten with the help of her silent admirer, teacher and ex-lover, Murali Mash. Just as her life seems to be headed toward stability, a tragic event complicates their living situation in the village.

No synopsis available yet.

No synopsis available yet.

The movie revolves around Indira, who is serving life sentence in the jail. She has been charged for the murder of Avarachan, a landlord who killed a young tribal woman after raping her.

A man comes to an isolated valley to take revenge on his friend who murdered his wife.

A royal mistress, Vaishali, is sent to bring sage Rishyasringa to the kingdom of Anga. After Rishyasringa follows Vaishali, he performs the ceremonies to break the curse and make it rain in Anga.

Saleena is happily married to Mathew , a wealthy estate owner. Inexplicably she commits suicide much to the shock of Mathew. He firmly believes that there existed no reason for her to do the act and asks his journalist friend Balu to investigate why. Balu, who was also close to Saleena, tries to piece together clue from her past to figure out the answer.

Movie based on noted writer M.T. Vasudevan Nair's short story 'vanaprastham'.

Venugopal takes his mentor's brother Rajan under his wing and makes him his manager. Venu falls for Devi whom he later realizes is already engaged to Rajan. Rajan marries Devi with Venu's blessing. But soon after the wedding Rajan starts to engage is shady activities in his quest for quick money and this strains the relationship between Venu and Rajan.

Janakikutty, who is ignored by her family, once gets confronted with the vision of a murdered lady. They become friends. By the power of that spirit, Janaki's uncaring family suffers many mishaps.

A journalist, Ravishankar is suffering from blood cancer and has lost all hopes. That is when he meets a Vedic doctor. But his death is more awaited than his recovery.

After her parents are killed, Miranda returns to her ancestral home but is not treated the way she expected she will be.

Appunni, a Kathakali artist is the cousin of Chandramathi, a classical dancer, and is in love with her. Madhavan son of Karunakarapanickker who is the owner of Sadanam the Kathakali Kalari, returns from Russia and falls for Chandramathi and eventually they get married. Then enters Mahalakshmi- she is an artist who wants to learn Kathakali and is also the daughter of a rich business-man.

Kunjimalu, a maid, falls in love with Haridas, her employer's son. However, she is in for a rude shock when she learns that his marriage is fixed with his cousin, Ratnam.

Kunjikrishna Menon is the head of a joint family. His son Kesavankutty is in love with Kochammini, Menon's sister's daughter, while Balan, Kochammini's brother, is in love with Menon's daughter.

The film observes a young man's return from city living to the village. The film's mood is sorrowful. He leads a very wayward life and tries not to get himself attached to family ties but eventually gets drawn into the bondage of relationships and family by his step sister.

The film observes a young man's return from city living to the village. The film's mood is sorrowful. He leads a very wayward life and tries not to get himself attached to family ties but eventually gets drawn into the bondage of relationships and family by his step sister.

After Karunan comes out of jail, he discovers that his girlfriend has married Kumaran, the man who sent him to prison. Karunan decides to work hard and take revenge against Kumaran.

Rajgopal decides to go to Dubai as an illegal immigrant hoping to find a secure job. There, he makes friends with others who are in a similar position.

When feudal lords try to exploit the tribal people, a group of naxals put up resistance. The feudal lords decide to suppress the resistance. Who will emerge triumphant in the fight for justice?

Set in the forests of Wayanad, Ezhamathe Varavu is a multilayered story that delineates the link between man and nature. It revolves around three principal characters — a planter, his wife and his friend. Gopi, a wealthy planter is an Alpha male, a hunter who assumes he knows the jungle and its creatures. Bhavana plays his long-suffering wife, who craves for his company and affection. Into their turbulent marriage comes Vineeth, an archaeologist on a dig in Wayanad. He turns out to be her college beau. Kavitha plays a tribal who introduces Vineeth to the forests and its inhabitants.

An incident that happened years ago comes back to haunt Dr Haridas after he meets a poor villager. To atone for his sins, he decides to help the family.

Jayadevan, a popular writer, though married to Bharathi, is in love with Geetha. When he suddenly falls ill, Geetha takes care of him till his last day.

Rajan, though successful in his job, but his family life is not so happy. His wife, Nalini, aspires for a fellowship in Harvard University, US, leaving behind her husband and kid, Babumon. When his father, Madhavan, a retired school teacher, is down with ailment, Rajan along with his family returns to his ancestral home. Rajan's elder sister, Vishalam, younger sister, Seethalakshmi & husband Padmanabhan also arrive to meet their father, as his health condition was serious. Madhavan's daughters and in-laws were busy in their own ways, as they don't wish to spend many days with their dying father. In his sickness, Madhavan expresses his wish to meet his niece, Ammukutty, Ammu arrives and took care of her dying uncle. Madhavan's children except Rajan leaves as Ammu was there to look after their father. Rajan remembers his young days of romance with Ammu.

Deserted by his mother, teenaged Raju is adopted by Beeranikka, a Muslim ferryman. Raju soon starts accompanying Beeranikka in ferrying people. One day, he meets a young girl who is returning to her native town Kozhikode after the death of her mother. The girl invites Raju to Kozhikode where she would be staying with her father and uncle. Not interested in leaving the ferrying job, Raju rejects the invitation. A few days later, he finds himself in possession of an ornament which he thinks belongs to the girl. He travels to Kozhikode to return the ornament and finds the girl after many days of search. The girl does not recognise Raju and says the ornament does not belong to her. Disheartened, Raju returns to the ferry.

Deserted by his mother, teenaged Raju is adopted by Beeranikka, a Muslim ferryman. Raju soon starts accompanying Beeranikka in ferrying people. One day, he meets a young girl who is returning to her native town Kozhikode after the death of her mother. The girl invites Raju to Kozhikode where she would be staying with her father and uncle. Not interested in leaving the ferrying job, Raju rejects the invitation. A few days later, he finds himself in possession of an ornament which he thinks belongs to the girl. He travels to Kozhikode to return the ornament and finds the girl after many days of search. The girl does not recognise Raju and says the ornament does not belong to her. Disheartened, Raju returns to the ferry.

Deserted by his mother, teenaged Raju is adopted by Beeranikka, a Muslim ferryman. Raju soon starts accompanying Beeranikka in ferrying people. One day, he meets a young girl who is returning to her native town Kozhikode after the death of her mother. The girl invites Raju to Kozhikode where she would be staying with her father and uncle. Not interested in leaving the ferrying job, Raju rejects the invitation. A few days later, he finds himself in possession of an ornament which he thinks belongs to the girl. He travels to Kozhikode to return the ornament and finds the girl after many days of search. The girl does not recognise Raju and says the ornament does not belong to her. Disheartened, Raju returns to the ferry.

The story is about Ramu (Vineeth), a 16-year-old boy who is staying with his annoying uncle, who gets angry and often treats Ramu like a slave. On a trip to the pilgrim town of Guruvayoor with his uncle (played by Thilakan), Ramu meet 15 year old Gouri (Monisha), who has come with her grandmother. Both find love, and after sharing a few tender talks and moments depart without a clue that they will meet again. When back Ramu runs away from his uncle and lands up in the city with his neighbor namboothiri (played by P Jayachandran). As fate would have it, Ramu and Gouri meet again. Good conduct and intelligence of Ramu gets noticed and he is asked by a lawyer to stay in the house, where Gauri is a maid. The lawyer's deaf and dumb daughter Lakshmi (Saleema) gets attracted to Ramu and the lawyer fixes the marriage without asking Ramu. The triangle love story leads to a sad ending.

Rithubedam is a 1987 Indian Malayalam film, directed by Prathap Pothen. The film stars Balachandra Menon, Thilakan, Vineeth and Murali in lead roles.

No synopsis available yet.

Four youngsters on vacation meet up with an old friend who had moved to Chennai. His accounts of dalliances with the opposite sex and life in the city arouse their repressed desires.