Klaus Wegener

At The Kingdom, Denmark's most technologically advanced hospital, a number of strange and otherworldly events begin occurring, much to the dismay of its doctors and patients. A ghostly ambulance appears and disappears, the voice of a little girl calls to a patient in an elevator shaft, and a doctor's fetus begins growing at an alarming rate.

The mutant fetus is born. Dr. Helmer comes under heavy scrutiny for a botched operation that left a patient braindead, and begins to dabble in the dark arts in order to ward off those seeking an end to his career. Hypochondriac Mrs. Drusse finally does have something bad happen to her medically when an ambulance hits her.

Mads moves into a house with his lovely girlfriend Marie when a sudden pang of doubt strikes him. Is this the meaning of life? Has he lived out all his dreams? He drops everything, moves away from his girlfriend and throws himself into a desperate quest to live out his greatest dreams; a quest to find the meaning of life and the one and only.

Maybe the best thing to come out of Scandinavia during the hippie years was, in fact, the story of a radical libertarian and a hedonist capitalist. Their friendship, forged by being outsiders in a conformist country, took them through years of adulation and success, with slight detours into the welcoming arms of vilification and imprisonment. A joyride through taxation, mass travel, hookers and politics. Not feeling too constrained by historical facts, director Christoffer Boe's story of Simon Spies and Mogens Glistrup covers just a few of their decades in a tale of warmth and humour, defiance and eccentricity.

To mark the 100th anniversary of the first performance of Henrik Ibsen's 'A Doll's House', Poul Trier Pedersen has invited six women and six men to compose and act out scenes depicting relationships in 1979. The result is a theatrical play in three acts and 20 scenes based on spontaneous acting, in which the performers occasionally discuss the situations they themselves have created.