Eugênio Puppo

There is no place in the world where the prison population grows as fast as in Brazil, a country that have the fourth largest population of inmates in globe. Sentence on Trial dives deep into the hellish everyday life of the Brazilian prisons to expose how moroseness, prejudice and the culture of fear amplify violence and the social abyss of the country.

In a small port city on the coast of São Paulo, Brazil, rapid advances in infrastructure works and growing tourist development are increasingly impacting the lives of local inhabitants. Edivaldo, a longtime resident of the region, passionate about cinema, uses his camera to record the memories and changes of the place where he grew up. Meanwhile, young Iara faces challenges in search of a new home in the Topolândia neighborhood, trying to escape the chaos caused by the construction of a highway near her home. In the midst of these transformations, an unprecedented storm hits the city.

Carlos Reichenbach talks to Eugenio Puppo about some of his shorts films "Esta Rua Tão Augusta", "Sangue Corsário" e "M da Minha Mão" and specially the film "Lilian M: Relatório Confidencial". Explaining production details and revealing internal informations the film is a reconstitution about Reichenbach's works whitin turmoil moments of the country and his own career.

No synopsis available yet.

An old man stuck in a wheelchair has a red ball for only distraction. He throws it harder and harder, higher and higher, until it finally slips from his hand, hitting the floor and unleashing the hell…

A word or phrase whose meaning does not change whether spelt backwards or forwards. A young man loses everything he has in one day. He is fired from his job, kicked out of his hotel, betrayed by his colleagues and turned down by an old flame. We see this ordinary tale told backwards in time

There is no place in the world where the prison population grows as fast as in Brazil, a country that have the fourth largest population of inmates in globe. Sentence on Trial dives deep into the hellish everyday life of the Brazilian prisons to expose how moroseness, prejudice and the culture of fear amplify violence and the social abyss of the country.

There is no place in the world where the prison population grows as fast as in Brazil, a country that have the fourth largest population of inmates in globe. Sentence on Trial dives deep into the hellish everyday life of the Brazilian prisons to expose how moroseness, prejudice and the culture of fear amplify violence and the social abyss of the country.

In a small port city on the coast of São Paulo, Brazil, rapid advances in infrastructure works and growing tourist development are increasingly impacting the lives of local inhabitants. Edivaldo, a longtime resident of the region, passionate about cinema, uses his camera to record the memories and changes of the place where he grew up. Meanwhile, young Iara faces challenges in search of a new home in the Topolândia neighborhood, trying to escape the chaos caused by the construction of a highway near her home. In the midst of these transformations, an unprecedented storm hits the city.

In a small port city on the coast of São Paulo, Brazil, rapid advances in infrastructure works and growing tourist development are increasingly impacting the lives of local inhabitants. Edivaldo, a longtime resident of the region, passionate about cinema, uses his camera to record the memories and changes of the place where he grew up. Meanwhile, young Iara faces challenges in search of a new home in the Topolândia neighborhood, trying to escape the chaos caused by the construction of a highway near her home. In the midst of these transformations, an unprecedented storm hits the city.

Carlos Reichenbach talks to Eugenio Puppo about some of his shorts films "Esta Rua Tão Augusta", "Sangue Corsário" e "M da Minha Mão" and specially the film "Lilian M: Relatório Confidencial". Explaining production details and revealing internal informations the film is a reconstitution about Reichenbach's works whitin turmoil moments of the country and his own career.

Carlos Reichenbach talks to Eugenio Puppo about some of his shorts films "Esta Rua Tão Augusta", "Sangue Corsário" e "M da Minha Mão" and specially the film "Lilian M: Relatório Confidencial". Explaining production details and revealing internal informations the film is a reconstitution about Reichenbach's works whitin turmoil moments of the country and his own career.

Carlos Reichenbach talks to Eugenio Puppo about some of his shorts films "Esta Rua Tão Augusta", "Sangue Corsário" e "M da Minha Mão" and specially the film "Lilian M: Relatório Confidencial". Explaining production details and revealing internal informations the film is a reconstitution about Reichenbach's works whitin turmoil moments of the country and his own career.

No synopsis available yet.

An old man stuck in a wheelchair has a red ball for only distraction. He throws it harder and harder, higher and higher, until it finally slips from his hand, hitting the floor and unleashing the hell…

An old man stuck in a wheelchair has a red ball for only distraction. He throws it harder and harder, higher and higher, until it finally slips from his hand, hitting the floor and unleashing the hell…

An old man stuck in a wheelchair has a red ball for only distraction. He throws it harder and harder, higher and higher, until it finally slips from his hand, hitting the floor and unleashing the hell…

A performance-driven documentary and panel discussion where diverse thinkers and communication experts debate the internet and the birth of cyberculture, using Gilberto Gil's song Pela Internet as its narrative anchor.

No synopsis available yet.

No synopsis available yet.

On the first year of a far right government in Brazil, Joder decides to investigate his health after moving to Brasilia for work.

No synopsis available yet.

While out for a walk in the countryside, Marina and Juvenal stop to take some pictures in front of an old woman’s house. Annoyed, the old woman turns out to be a witch and casts a curse on the young couple in the form of a wound that feeds on raw flesh.

The short film reports the process of rescuing and finishing A Praga, by José Mojica Marins, o Zé do Caixão. Produced in 1980, the film was never completed and was lost.

The short film reports the process of rescuing and finishing A Praga, by José Mojica Marins, o Zé do Caixão. Produced in 1980, the film was never completed and was lost.

The short film reports the process of rescuing and finishing A Praga, by José Mojica Marins, o Zé do Caixão. Produced in 1980, the film was never completed and was lost.

Enio is a middle-aged man who lives in solitude after a failed relationship. Pedro, 30, dates Teresa, who is moving to her home. He inherited a carpentry from his father and a taste for the pool. When a traffic accident crosses the parallel trajectories of the two, the imponderable imposes itself and the uncontrol begins.

No synopsis available yet.

The documentary portrays the city of São Miguel do Gostoso, a peaceful fishing village that holds stories of the discovery of Brazil and German submarines from World War II. An environmental paradise in Rio Grande do Norte discovered by tourists and coveted by real estate developers. How can you show something that is about to disappear?

The documentary portrays the city of São Miguel do Gostoso, a peaceful fishing village that holds stories of the discovery of Brazil and German submarines from World War II. An environmental paradise in Rio Grande do Norte discovered by tourists and coveted by real estate developers. How can you show something that is about to disappear?

The documentary portrays the city of São Miguel do Gostoso, a peaceful fishing village that holds stories of the discovery of Brazil and German submarines from World War II. An environmental paradise in Rio Grande do Norte discovered by tourists and coveted by real estate developers. How can you show something that is about to disappear?

The documentary shows the history of the emergence of some of the first film courses in Brazil and their fundamental role in the development of national cinema. Featuring stories from professors and students of these pioneering courses and a vast use of archive materials, the film presents initiatives that sought to bypass financial and political problems to make Brazilian cinematography possible and train its new generations of filmmakers.

The documentary shows the history of the emergence of some of the first film courses in Brazil and their fundamental role in the development of national cinema. Featuring stories from professors and students of these pioneering courses and a vast use of archive materials, the film presents initiatives that sought to bypass financial and political problems to make Brazilian cinematography possible and train its new generations of filmmakers.

No synopsis available yet.

Republic of Judges presents a panorama of central events in Brazilian politics from recent decades, such as the Constitution of 1988, the Mensalão Trial and the Car Wash Operation, to analyze the phenomenon of the recent participation of the Judiciary power in the current power framework in the country.

Republic of Judges presents a panorama of central events in Brazilian politics from recent decades, such as the Constitution of 1988, the Mensalão Trial and the Car Wash Operation, to analyze the phenomenon of the recent participation of the Judiciary power in the current power framework in the country.

The documentary questions the knowledge of sociology in the face of the crises of the contemporary world. Experts in the subject discuss and evaluate the usefulness of this discipline and propose new ways for its application.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

The story of a photograph: A single mother, an absent father and a child.

An authentically marginal cinema created in Catholic university in Brazil. One of the most intriguing and imaginative moments in modern cinema in the voice of some of its select conspirators—with Carlos Reichenbach at the lead—, and through the most razing flow of images that can possibly be conceived.