G.B. Jones

A man has been trained in a deadly form of hand-to-hand combat using ballistics and firearms. He is one of the few Americans who has perfected it, which makes him the CIA's best weapon against International Terrorism.

A documentary on Queercore, the cultural and social movement that began as an offshoot of punk and was distinguished by its discontent with society's disapproval of the gay, bisexual, lesbian and transgender communities.

A lonely hairdresser watches the title sequence of "That Cold Day in the Park" then visits a local park to invite a down-and-out skinhead to his apartment. He draws the silent man a bath and talks to him as he soaks. He locks his guest in a bedroom. Next day, the skinhead leaves through the window and visits his sister, who's making a film called "Sisters of the SLA." He helps with a screen-test. The hairdresser has dreams and fantasies involving the skinhead, the skinhead returns to visit him, and then the filmmaker pays a call on the two men, exposing her brother as faking his silence and pretending a lack of sexual interest. Fantasies can come true.

In LaBruce’s first short experimental super 8 film, a loose narrative is constructed out of a variety of film clips, some shot on location by the filmmaker, some found footage, and some shot off the television screen. A woman with long red hair (G.B. Jones) sits on a window sill and looks down with her binoculars at the street below. Meanwhile, Mary Tyler Moore escapes from an aggressive man and runs to the park. Boy/Girl is a documentation of a period of time when filmmaker LaBruce lived in a crummy, squat-like building at Queen and Parliament Streets in Toronto with the all-girl punk band, Fifth Column.

The lives of four down-on-their-luck characters. Surrounded by the vestiges of conspicuous consumption, they struggle to survive outside of society, fashioning their own aesthetics of poverty and devising strategies to navigate a surveillance society, evading or performing for cameras everywhere.

A document of the Riot Grrrl and Queercore scene in the 1990s.

The lives of four down-on-their-luck characters. Surrounded by the vestiges of conspicuous consumption, they struggle to survive outside of society, fashioning their own aesthetics of poverty and devising strategies to navigate a surveillance society, evading or performing for cameras everywhere.

The lives of four down-on-their-luck characters. Surrounded by the vestiges of conspicuous consumption, they struggle to survive outside of society, fashioning their own aesthetics of poverty and devising strategies to navigate a surveillance society, evading or performing for cameras everywhere.

The lives of four down-on-their-luck characters. Surrounded by the vestiges of conspicuous consumption, they struggle to survive outside of society, fashioning their own aesthetics of poverty and devising strategies to navigate a surveillance society, evading or performing for cameras everywhere.

Amid girl fights, girl on girl sex and boy on boy sex, and a measure of BDSM, the YoYo gang battles the Skateboard Bitches.

Amid girl fights, girl on girl sex and boy on boy sex, and a measure of BDSM, the YoYo gang battles the Skateboard Bitches.

The Lollipop Generation tells the story of Georgie, a teenager who is forced to run away from home after coming out to her parents, and the homeless queer youth and other people she meets on the streets.

The Lollipop Generation tells the story of Georgie, a teenager who is forced to run away from home after coming out to her parents, and the homeless queer youth and other people she meets on the streets.

The Lollipop Generation tells the story of Georgie, a teenager who is forced to run away from home after coming out to her parents, and the homeless queer youth and other people she meets on the streets.