Sanela Pepeljak

Daily routine of the public procurement agency in Bosnia-Herzegovina manned by terminally lazy socially awkward clerks with messy emotional lives.

A microcosm of the fathomless suffering that remains more than 16 years since the siege of Sarajevo ended, writer-director Aida Begic’s follow-up to her 2008 Cannes Critics’ Week Grand Prize-winning debut Snow tells the story of two orphaned siblings struggling in a transitional society where only the fittest survive.

Two years after the Bosnian war, a town that is slowly rebuilding itself must whip together a democracy when it's announced the U.S. President Bill Clinton might be paying a visit.

Daily routine of the public procurement agency in Bosnia-Herzegovina manned by terminally lazy socially awkward clerks with messy emotional lives.

Two years after the Bosnian war, a town that is slowly rebuilding itself must whip together a democracy when it's announced the U.S. President Bill Clinton might be paying a visit.