Adolfo Luxúria Canibal

The first short film directed by António Ferreira, featuring Adolfo Luxúria Canibal (lead singer of Mão Morta).

Inspired by popular cult, O COVEIRO is part light part darkness, a bedtime story and almost a nightmare. A child is born and his parents die of fright just to see him. André Gil Mata revisits the traditional Portuguese tale, in a fantastic movie where heads bounce, but you hear a song.

Following the lives of Bunnyranch members, Kaló, Filipe, Calhau and André, we get to know the inside outs of a small but strong rock'n'roll wave that thrives in Coimbra.

Twenty-five years after the edition of “Mutantes S.21”, Mão Morta returned to Theatro Circo for a celebration of their iconic album which remains an important milestone in Portuguese music. The album's nine tracks, recorded and filmed live throughout the concert, are interspersed with some of the album and Mão Morta’s stories told by members and former member of the group; and with documents from that time, including footage of the concert twenty-five years earlier.

Documentary on Mão Morta's three sole concerts.

Documentary and live performance of the album "Maldoror", inspired on the book “Les Chnats de Maldoror” by Isidore Ducasse aka Count of Lautréamont.

A docu-concert on Mão Morta, tracing the band’s enduring commitment to resistance and political expression. Set around a live concert filmed one year after the release of Viva La Muerte, the film reflects on art as confrontation in a time marked by the resurgence of far-right ideologies.

No synopsis available yet.

Portuguese Rock'n'Roll history since the late 50s

Documentary on the Maldoror tour of Portuguese alternative rock band Mão Morta.

Romeu, a corrupt cop, hires the services of Cid and Alex, to catch a notorious criminal, who left Mexico and is on his way to Galicia, Spain to find the killer of his brother, also trying to catch the same criminal is an FBI agent.

Madalena is a seven-year-old girl who has to draw the nativity scene. When she lists the characters in the biblical scene, she is confronted with a surprise: God, the father of Jesus, is not included in the scene. The girl is reluctant to accept this new information, but after considering the facts, she eventually comes to a curious conclusion.

Roberto, a retired and disappointed journalist, leaves his work in a farm and goes back to his hometown, Braga, which he thinks will be his last hiding place. However, in returning, he feels a strong energy in the city and between journeys to the past and an intense night life, a new chapter arises.

A film that sarcastically and ironically addresses the universe of bullfights.

In the second half of the 1980s, an Portuguese independent music publisher was created, Ama Romanta. It was the alternative to the hidden censorship of the big label industry and its founder was João Peste (the charismatic vocalist of Pop Dell'Arte).