Fábio Alves

Two filmmakers must set aside their history to film a crucial scene. Egos clash and tensions rise as everything unravels before day's end. A film that could only have been made once, shot sequentially, without takes, always in character.

The movie “1506 – The Lisbon Genocide” shows a massacre against the Jews that has been forgotten. On the 19th April begun the start of the massacre which for three days assassinated about three thousand Jews in Lisbon. The bonfires went as high as the houses, in a city filled with quartered bodies where heads were paraded on the points of spears.

A family struggles to survive isolated from civilization, with the exception of a neighbor who lives nearby. A storm that has haunted them for the past four years, tests the family’s faith while they face their crop’s decay and other peculiar events.

A man returns home and is visited by his neighbour that seems to take advantage of his condition. After abnormal interactions, the neighbour finds out that the body and conscience of the man he knew were taken by an entity.

A girl runs away from home to be with her friend, a fantastic forest creature, while her parents desperately try to find her.

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The final chapter of the Balas & Bolinhos saga.

Lives collide and stories intersect in a film that takes the audience on a dramatic journey from the run down streets of inner city Dublin to the drug fuelled decadence of Hollywood and back to the glamorous escapism of the Dublin drag scene.

The Inquisition continues the persecution of Portuguese Jews, sending Visitador Sebastião Noronha to the city of Oporto. With his family and community in danger, António Álvares, decides to outline an escape plan.

A man is tortured by two other men. At least distraction, the tortured man escapes and the lights go up. It's a movie set. Fiction or reality? A movie within a movie.