Cen Fan

Directing

Cen Fan

Born 1926-01-11 · Shanghai, China

Cen Fan (岑范) was a Chinese director and actor.

Acting credits

Sorrows of the Forbidden City poster
6.7

The film focused on a conflict between Empress Dowager Cixi, her son Guangxi (the nominal emperor) and his wife, Zhen Fei.

Sorrows of the Forbidden City

1948

The Stormy Night poster
8.0

HK drama film.

The Stormy Night

1952

Lady Robin Hood poster
7.0

A sick king instructs his loyal minister Luo Zhengqing to guide and install the crown prince as king after his death. However, the minister of the army, Situ Yangming, makes a grab for power after the King's death and incarcerates the crown prince. Luo's daughter disguises herself as the male bandit Robin Hood, robbing government offices to help the poor. Meanwhile, Situ orders captain of the imperial guards, Zhang Zhonggeng, to kill the crown prince. Zhang is a loyalist and conspires with Lady Robin Hood to save the crown prince. When Situ discovers that the prince has escaped, he falsifies the late King's will and has himself crowned as king. However, the female Robin Hood has stolen the original will. The female Robin Hood kills Situ and installs the crown prince as the ruler.

Lady Robin Hood

1947

各有千秋 poster
7.0

No synopsis available yet.

各有千秋

1947

The Third Generation poster
7.0

The Goddess (1934) is remade once again. In this version, Zhu Shilin tackles the anxiety concerning the clash of 20th century Chinese traditions and modern Western culture. Despite her father’s strict discipline, Fun still manages to have a boyfriend secretly and give birth to twins. After leaving her son to her father, she takes off with her daughter. Twenty years later, Fun has become a streetwalker. The three generations finally come face-to-face at the police station. Her father laments that his generation should be ousted while Fun’s generation has been sacrificed, leaving the future for the next generation to establish. Zhu carefully depicts the shame of selling one’s body without passing judgment while he finds balance and reflects on the pain in the age of progress. Even though the production was far from lavish, Zhu’s astute handling of the narrative and mise-en-scène makes this a vivid and exciting film to watch.

The Third Generation

1948

Behind the camera