Lee Tit

This early leftist social drama from Hong Kong offers a panoramic portrait of a crumbling apartment complex and its down-and-out denizens, including a taxi driver, an unemployed teacher, a professional reduced to selling his blood and, of course, a venal landlord. In addition to establishing an omnipresent theme in Hong Kong cinema – the plight of the urban poor – the film is also a prime example of the popular melodramas of the time, which featured displaced Mainland film stars.

Hong Kong movie

"Let's Build a Family" was made in memory of the late director Mok Hong-si in the name of the "Eight Brothers". Based on Mok's classic work "Crossroads" (1955), it features four households in a shared apartment, resulting in a series of hilarious events.

Two children try to win their parents over through devotion and duty

TONG Pak-Fu, CHUK Chi-Sang, MAN Ching-Ming and CHOW Man-Bun were the four famous learned-men in classical Mid-China. They were on good terms. Once, they picniced and visited the monkish home in Fu-Yau Mounts. While there they encounter the Lady of WAH Prime Minister in a sedan followed by a train of servants and maids. One of the maids named CHAU Heung was very attractive. Pak-Fu was attracted by CHAU Heung and tried every opportunity to get near her, and caused a lot of laughter. HE even followed CHAU Heung to Han-Chow. The Prime Minister needs a library mate urgently. Pak-Fu takes this opportunity to apply for it and was accepted. He tried to date CHAU Heung when she brings snacks to the library one day. She rebuked him for giving up his future prospects. The three friends of Pak-Fu discover that Pak-Fu had disappeared. They soon find out his whereabout. With the help of the 2nd daughter-in-law of the Prime Minister, a cousin of Pak-Fu...... the two lovers eventually get married.

Chan Sai-wah abides by his late father's word and marries the wealthy Yam Suk-kuen. They have a son, Kwok-leung. Though Wah is manager of the hotel owned by his father-in-law, Kuen is not a good wife. For all the years of their marriage, Wah has never been happy. Attracted to the humble and honest Carrie Mui, Wah decides to leave his domineering wife Kuen, but is stopped by his father-in-law. The lovers set off to Macau for a new start. Their life has become increasingly miserable under the pressure from Yam's family. When Wah leaves to seek help from his son in Hong Kong, Carrie decides she should leave so that Wah can go without feeling any guilt or burden. On the other hand, Wah is too ashamed to face his son, and returns to Macau. He lives his life in misery. Years pass, the lovers meet again. Wah is reduced to begging in the streets while Carrie becomes an opera diva.

This early leftist social drama from Hong Kong offers a panoramic portrait of a crumbling apartment complex and its down-and-out denizens, including a taxi driver, an unemployed teacher, a professional reduced to selling his blood and, of course, a venal landlord. In addition to establishing an omnipresent theme in Hong Kong cinema – the plight of the urban poor – the film is also a prime example of the popular melodramas of the time, which featured displaced Mainland film stars.

Hong Kong movie

"Let's Build a Family" was made in memory of the late director Mok Hong-si in the name of the "Eight Brothers". Based on Mok's classic work "Crossroads" (1955), it features four households in a shared apartment, resulting in a series of hilarious events.

Two children try to win their parents over through devotion and duty

TONG Pak-Fu, CHUK Chi-Sang, MAN Ching-Ming and CHOW Man-Bun were the four famous learned-men in classical Mid-China. They were on good terms. Once, they picniced and visited the monkish home in Fu-Yau Mounts. While there they encounter the Lady of WAH Prime Minister in a sedan followed by a train of servants and maids. One of the maids named CHAU Heung was very attractive. Pak-Fu was attracted by CHAU Heung and tried every opportunity to get near her, and caused a lot of laughter. HE even followed CHAU Heung to Han-Chow. The Prime Minister needs a library mate urgently. Pak-Fu takes this opportunity to apply for it and was accepted. He tried to date CHAU Heung when she brings snacks to the library one day. She rebuked him for giving up his future prospects. The three friends of Pak-Fu discover that Pak-Fu had disappeared. They soon find out his whereabout. With the help of the 2nd daughter-in-law of the Prime Minister, a cousin of Pak-Fu...... the two lovers eventually get married.

Chan Sai-wah abides by his late father's word and marries the wealthy Yam Suk-kuen. They have a son, Kwok-leung. Though Wah is manager of the hotel owned by his father-in-law, Kuen is not a good wife. For all the years of their marriage, Wah has never been happy. Attracted to the humble and honest Carrie Mui, Wah decides to leave his domineering wife Kuen, but is stopped by his father-in-law. The lovers set off to Macau for a new start. Their life has become increasingly miserable under the pressure from Yam's family. When Wah leaves to seek help from his son in Hong Kong, Carrie decides she should leave so that Wah can go without feeling any guilt or burden. On the other hand, Wah is too ashamed to face his son, and returns to Macau. He lives his life in misery. Years pass, the lovers meet again. Wah is reduced to begging in the streets while Carrie becomes an opera diva.

A business man has an extra-marital affair with his secretary. When his wife suspects of his activities, he arranges for his entire staff to help him cover up the mess that he has made!

This tale of familial warfare and sacrifice takes place in hard-pressed Shanghai at the end of the 1940s. Hu Zhiqing can barely support his wife and children, and his situation is worsened by the unexpected arrival of his mother, brother and sister-in-law. When he is fired by his unscrupulous boss, the whole family becomes embroiled in one emotional/economic struggle after another.

Based in Chinese opera, the film tells the story of a young scholar in the Tang Dynasty, Li Yi who travels to the capital Changan to take the national civil examination. During the Lantern Festival, he encounters Huo Xiaoyu in the night market and picks up the purple hairpin she leaves behind by chance. Using the hairpin as a token of love, Li proposes to her on that same night. However, “the course of true love never did run smooth.” With the assistance of a mysterious man in the yellow robe (Huangshanke), together they have to fight against the wicked plot of Official Lu.

An adaptation of Tong Tik-sang's now-legendary Cantonese Opera piece, the film features divas Yam Kim-fai and Pak Suet-sin (left with Yam), who play the story's lead lovers, and Lan Chi Pak, the sinister official who tries to break up the relationship. Leung Sing-po plays the pair's friend as well as the mysterious 'man in yellow' who exposes plans to separate the couple.

Written by the great librettist Tong Tik-sang, and featuring Lee Tit's elegant direction and superb performances from Yam Kim-fai and Pak Suet-sin, "Butterfly and Red Pear Blossom" brings Cantonese opera to cinematic life. The film features two lovers who have never met in person but whose poetry over three years has subtly declared their unyielding love. Yam's minimalist acting style enables her to convey dynamic passion as well as step about the stage with ease and accomplish the image of a resolute, yet gentle, scholar. Pak meanwhile defies a prime minister with pride and dignity.

Drama from Hong Kong directed by Lee Tit.

Married and with a son on the way, Zhang takes shelter in a big old house haunted by a ghostly female vampire.

The legendary swords-girl Little White Dragon, helps protect a crown prince on his journey to a far off temple where he is to be blessed before becoming a Prince. His evil relatives lay traps and send fighters to try and assassinate him.Luckily, the young prince is rescued by the Little Warrior, who is known as: The White Dragon. White Dragon fights off the assassins and delivers the prince safely to the monastery.

Cheung framed Chan For. Chan orders his wife not to tell this to their children, Ah Lan and Hung. His wife passes away. On her deathbed, she asked a neighbour, To Chung-man, to take care of her children. Claiming to be a good friend of their father, Chan For moves in to the bed next to Ah Lan to take care of his children. Hung likes this uncle because he always treats him generously. But Ah Lan finds "Uncle For" weird and enthusiastic. Ah Lan is forced to pay her mother's debt. Hung is suffering from acute appendicitis. To solve Ah Lan's financial problem, Chung-man returns to his rich family and accept an arranged marriage. Ah Lan decides to sell herself to the construction site foreman for one night. Chan For wants to stop his daughter from making this deal, so he agrees to work for Cheung again. The next day he carries out a robbery and is caught. Ah Lan and Chung-man visit him in jail, and hold their wedding ceremony in front of him. He looks forward to the days when he returns.

The Tragic Story of Liang Shanbo and Zhu Yingtai

HK horror film.

No synopsis available yet.

HK horror film.

A film by famed director Tit Lee.

Drama from Hong Kong directed by Lee Tit.

The Chinese opera film "Bao Qingtian" -- co-produced by Henan Film Company and Hong Kong Golden Horse Film Company -- was filmed in 1980, but not released until 1985. It bears the unique cultural characteristics of the Central Plains, well-known in Hong Kong and Southeast Asia, and features Henan opera stars Zhang Baoying and Wu Xinping.

As the wealthy Ha Mung Shan nears death, he asks his son, Chung Ping, to marry his fiancée, Ng Yuk Keng. However, Yuk Keng loves Chung Ping’s brother, Bo Ming. To avoid upsetting his father, Chung Ping pretends that a singer, Su Qiu, is Yuk Keng and brings her home. Meanwhile, Yuk Keng’s aunt, Xing Hong, covets her father’s inheritance and attempts to kill Su Qiu, framing Chung Ping. Su Qiu survives, cared for by the Fu family. Later, Xing Hong kills Yuk Keng to live with Bo Ming, but he refuses. Taking the inheritance, Xing Hong stays with the Fu family and regrets her actions. Ha Mung Shan then arranges a new marriage for Chung Ping. Su Qiu, seeking revenge, disguises herself as a ghost on the wedding night, exposing the truth. Bo Ming confronts Chung Ping, and Xing Hong confesses her guilt. Mung Shan realizes Bo Ming is his son, and Chung Ping reunites with Su Qiu, leading to a happy ending.

A Chinese film

Teochew opera film