Tommie Smith

Raw and unflinching examination of the courageous life of basketball star and social justice activist Mahmoud Abdul-Rauf. Born Chris Jackson, he overcame tremendous adversity to reach the NBA and found his true calling when he converted to Islam. His decision not to stand for the national anthem, however, turned him from prodigy to pariah. Told candidly by Abdul-Rauf himself more than 20 years later it’s the remarkable story of one man who kept the faith and paved the way for a social justice movement.

A chronicle of the rise and fall of O.J. Simpson, whose high-profile murder trial exposed the extent of American racial tensions, revealing a fractured and divided nation.

United States, September 1st, 2016. American football player Colin Kaepernick kneels during the national anthem, protesting police brutality against black people. Part of the population regards the gesture as an unacceptable affront to the flag. Later, he loses his place on his team. Today, however, he is considered by many as a true hero.

Follow Willie Mays’ life both on and off the field over five decades as he navigated the American sports landscape and the country’s ever-evolving cultural backdrop, all while helping to define what it means to be one of America’s first Black sports superstars. He left an indelible mark in New York City and San Francisco, building a love affair with both cities’ fans.

Celebrated author and Nation magazine sports editor Dave Zirin tackles the myth that the NFL was somehow free of politics before Colin Kaepernick and other Black NFL players took a knee.

At the 1968 Mexico City Olympics, the silent protest of Tommie Smith and John Carlos changed The Games forever, becoming one of the defining images of the 20th century.

Documentary containing interviews of athletic trailblazers that were the first to break through racial barriers to participate in professional sports.

A film about one of the most iconic images of the 20th century, the moment when the radical spirit of the 1960s upstaged the greatest sporting event in the world. Two men made a courageous gesture that reverberated around the world, and changed their lives forever. This film is about Tommie Smith and John Carlos' protest at the 1968 Olympics.

The story behind a critical moment in American history, spawning one of most iconic images of protest from the past century. At the 1968 Summer Olympics in Mexico City, the world watched as two American runners, Tommie Smith and John Carlos, took the stage as the U.S. national anthem played, raising their fists in a symbol of black struggle and solidarity.

For nine years, nine months and nine days, track superstar Edwin Moses went unbeaten in the notoriously difficult 400-meter hurdles.The Olympic champion devised his method while a physics major at Morehouse College, calculating the appropriate steps needed to dominate the event. Featuring interviews with fellow Morehouse alums Samuel L. Jackson and Spike Lee, the film shares Moses’ triumphs on and off the track.

It is one of the most iconic images of our time: two African-American medal winners at the 1968 Olympics standing in silent protest with heads bowed and fists raised as “The Star Spangled Banner” is played. This documentary film is a revealing exploration into the circumstances that led runners Tommie Smith and John Carlos to that historic moment at the Mexico City Games, mining the great personal risks they took and the subsequent fallout they endured.

The black power salute by Tommie Smith and John Carlos at the 1968 Mexico Olympics was an iconic moment in the US civil rights struggle. Far less known is the part in that episode in history played by Peter Norman, the white Australian on the podium who had run second — and the price paid afterward by all three athletes.

Algerian director Hamid Benamra turns his focus to Mustapha Boutadjine, a charming, mercurial collage artist in Paris whose very work methods embody resistance, and celebrate those who work to liberate others. Boutadjine creates his portraits of Third World artists such as Miriam Makeba, and Algerian figures such as Assia Djebar from pieces of paper torn from high end fashion magazines and other, glossy, glitzy publications. Using this material is as much an act of rejecting bourgeois standards, which are often anti-North African in France, as much as elevating these figures and making them the social and visual standard against which we should judge ourselves, not the runway models of Chanel.