
Directing
Andrés Di Tella
Known for
Directing
Credits
24 titles
Andrés Di Tella (Argentina, 1958) is a filmmaker, writer and curator. He directed La televisión y yo, ¡Volveremos a las montañas! (2012, 27th Festival), 327 cuadernos (2015) and Private Fiction (2019), among others. His work includes installations, performances and video art pieces.
Known for
Portrait of the persecution of various intellectuals in the period from the overthrow of María Estela Martínez de Perón to the Falklands War.
Forbidden
1997
NRNo synopsis available yet.
Macedonio Fernández
1995
10.0Over several days and nights, an actor and an actress read the correspondence between Torcuato and Kamala, the film director's parents, he from Argentina, and she from India. The letters, encompassing the decades from the 50s to the 70s, refer to love and idealism, record world travels, talk about socialism and psychoanalysis, about pain and broken dreams. Their reading reveals a relationship between the actors, with similarities and differences. Meanwhile, with his own daughter, the director sets about solving the puzzle of the family memory, an intimate twentieth-century tale.
Private Fiction
2020
5.3An Andrés Di Tella film about Ricardo Piglia's diaries.
327 Cuadernos.
2015
9.0This is the cinematographic diary of an extended trip across the Pampas, on the trail of Guillermo Enrique Hudson, aka William Henry Hudson. Hudson is an enigmatic figure, full of paradoxes: he was an Argentine gaucho who became an English writer. He fought in the army against the “savages” but also defended them. He wrote obsessively about his native land, but never returned. In the twists and turns of the road, emerges a mix of documentary speculation, personal memory… and dreams.
Mixtape La Pampa
2023
NRShort pieces including images taken with a mobile phone, personal photos and found material. Everyday incidents, childhood memories, portraits of friends, travel chronicles, readings and songs: diaries.
Diarios
2022
Behind the camera
Portrait of the persecution of various intellectuals in the period from the overthrow of María Estela Martínez de Perón to the Falklands War.
Forbidden
1997
NRNo synopsis available yet.
Macedonio Fernández
1995
10.0Over several days and nights, an actor and an actress read the correspondence between Torcuato and Kamala, the film director's parents, he from Argentina, and she from India. The letters, encompassing the decades from the 50s to the 70s, refer to love and idealism, record world travels, talk about socialism and psychoanalysis, about pain and broken dreams. Their reading reveals a relationship between the actors, with similarities and differences. Meanwhile, with his own daughter, the director sets about solving the puzzle of the family memory, an intimate twentieth-century tale.
Private Fiction
2020
10.0Over several days and nights, an actor and an actress read the correspondence between Torcuato and Kamala, the film director's parents, he from Argentina, and she from India. The letters, encompassing the decades from the 50s to the 70s, refer to love and idealism, record world travels, talk about socialism and psychoanalysis, about pain and broken dreams. Their reading reveals a relationship between the actors, with similarities and differences. Meanwhile, with his own daughter, the director sets about solving the puzzle of the family memory, an intimate twentieth-century tale.
Private Fiction
2020
5.3An Andrés Di Tella film about Ricardo Piglia's diaries.
327 Cuadernos.
2015
9.0This is the cinematographic diary of an extended trip across the Pampas, on the trail of Guillermo Enrique Hudson, aka William Henry Hudson. Hudson is an enigmatic figure, full of paradoxes: he was an Argentine gaucho who became an English writer. He fought in the army against the “savages” but also defended them. He wrote obsessively about his native land, but never returned. In the twists and turns of the road, emerges a mix of documentary speculation, personal memory… and dreams.
Mixtape La Pampa
2023
9.0This is the cinematographic diary of an extended trip across the Pampas, on the trail of Guillermo Enrique Hudson, aka William Henry Hudson. Hudson is an enigmatic figure, full of paradoxes: he was an Argentine gaucho who became an English writer. He fought in the army against the “savages” but also defended them. He wrote obsessively about his native land, but never returned. In the twists and turns of the road, emerges a mix of documentary speculation, personal memory… and dreams.
Mixtape La Pampa
2023
NRShort pieces including images taken with a mobile phone, personal photos and found material. Everyday incidents, childhood memories, portraits of friends, travel chronicles, readings and songs: diaries.
Diarios
2022
NRShort pieces including images taken with a mobile phone, personal photos and found material. Everyday incidents, childhood memories, portraits of friends, travel chronicles, readings and songs: diaries.
Diarios
2022
NRShort pieces including images taken with a mobile phone, personal photos and found material. Everyday incidents, childhood memories, portraits of friends, travel chronicles, readings and songs: diaries.
Diarios
2022
For ten years, from December 1961 to November 1971, Buenos Aires was a place where contemporary Latin American music changed forever. Young composers from all over the Americas came to Buenos Aires on scholarships to work for two years in a laboratory: the Latin American Center for Advanced Musical Studies at the Di Tella Institute. Half a century later, they returned to Buenos Aires, with some unfinished business.
¡Volveremos a las montañas!
2012
For ten years, from December 1961 to November 1971, Buenos Aires was a place where contemporary Latin American music changed forever. Young composers from all over the Americas came to Buenos Aires on scholarships to work for two years in a laboratory: the Latin American Center for Advanced Musical Studies at the Di Tella Institute. Half a century later, they returned to Buenos Aires, with some unfinished business.
¡Volveremos a las montañas!
2012
Argentina feature film.
Hachazos
2011
4.0In this documentary, Andrés Di Tella and Dario Schvarsztein discussed sensitively and accurately the motivations and creative processes of three Mexican contemporary artists of great global impact: Pedro Reyes, Carlos Amorales and Minerva Cuevas.
Dream Machine
2013
8.0A personal essay about television and memory. A round trip between history and autobiography: from a personal memory of the first television to the earliest memories of television in Argentina.
La T.V. y yo
2002
NRNo synopsis available yet.
Reconstruyen crimen de la modelo
1990
6.0The history of Argentine Montoneros guerrilla group , since its founding in the early seventies, until its dissolution under the military dictatorship of 1976 .
Montoneros, a history
1998
6.0The history of Argentine Montoneros guerrilla group , since its founding in the early seventies, until its dissolution under the military dictatorship of 1976 .
Montoneros, a history
1998
NRNo synopsis available yet.
Luz de verano
2019
NRDirector Andrés Di Tella travels for the first time to India in search of his Indian mother's past only to find unexpected facts.
Photographs
2007
NRNo synopsis available yet.
El país del diablo
2007
9.0The omnibus feature SUCESOS INTERVENIDOS consists of shorts by a who’s who of Argentine documentary and experimental-film giants, including Edgardo Cozarinsky and Gustavo Fontán but also Claudio Caldini, Andrés Di Tella and Gabriela Golder. Each one of them created a piece of a few minutes in length using archival footage from SUCESOS ARGENTINOS (“Argentine Events”), a popular newsreel series from 1938 to 1972 whose episodes have recently begun to be digitized by Buenos Aires’s “Pablo C. Ducrós Hicken” Film Museum.
Intervened Events
2014
A documentary on the function of pornographic film and art during and after the Mexican revolution.
El porno!
1995
A documentary on the function of pornographic film and art during and after the Mexican revolution.
El porno!
1995
