Morten Hovland

Konrad and Roger robs a bank, but shit happens when Konrad discovers that Linda works there...

A gray man enters a steak house. He is caught in a sizzling jealousy drama between the chef and the waitress.

The curious Nora, Simen and Lars decide to start the hunt for the sacred Olav shrine in or around the medieval church Nidaros Dome, which has been gone for hundred of years. But they are not the only ones interested in finding the treasure.

A boy and his father spend a day at the beach and discuss life, death and the exploding sun.

Seb and Teo loves action, though Seb is the risk taker. One day they steals his dad's classic motorcycle, a red Indian.

Two tourists on a beach suddenly witness our indifference wash ashore. A film with a different perspective on the anxiety we feel and the dilemma we're faced with when confronted with other people's suffering.

Konrad and Roger robs a bank, but shit happens when Konrad discovers that Linda works there...

A gray man enters a steak house. He is caught in a sizzling jealousy drama between the chef and the waitress.

A gray man enters a steak house. He is caught in a sizzling jealousy drama between the chef and the waitress.

The curious Nora, Simen and Lars decide to start the hunt for the sacred Olav shrine in or around the medieval church Nidaros Dome, which has been gone for hundred of years. But they are not the only ones interested in finding the treasure.

A boy and his father spend a day at the beach and discuss life, death and the exploding sun.

A boy and his father spend a day at the beach and discuss life, death and the exploding sun.

Seb and Teo loves action, though Seb is the risk taker. One day they steals his dad's classic motorcycle, a red Indian.

Seb and Teo loves action, though Seb is the risk taker. One day they steals his dad's classic motorcycle, a red Indian.

Two tourists on a beach suddenly witness our indifference wash ashore. A film with a different perspective on the anxiety we feel and the dilemma we're faced with when confronted with other people's suffering.

Three friends - Julie, Mette and Naisha - are enjoying the first snow in the village. They have snowball fights with the boys and look forward to Christmas. One day Naisha suddenly disappears. With a secret address written in invisible ink as their only clue, they sneak onto the night train to the city. They need to find Naisha before the police do.

In 1998, the Norwegian author, Stig Saeterbakken decided to write a novel in one week. Neighbor and director Morten Hovland was allowed to film the project, which became not just about the act of writing the novel Sauermugg, but also involves the authors thoughts on philosophy, literature, art and life in general. Stig Saeterbakken died on January 25Th 2012, and as such this film serves as a rare portrait of one of the most assured and uncompromising voices of contemporary Norwegian literature.

In 1998, the Norwegian author, Stig Saeterbakken decided to write a novel in one week. Neighbor and director Morten Hovland was allowed to film the project, which became not just about the act of writing the novel Sauermugg, but also involves the authors thoughts on philosophy, literature, art and life in general. Stig Saeterbakken died on January 25Th 2012, and as such this film serves as a rare portrait of one of the most assured and uncompromising voices of contemporary Norwegian literature.

Ottar Gladtvet (1890-1962) was included in the film's first blooming at the turn of the century. He decided early on to become a movie man, and he was a projectionist and theater director before he was twenty. The family bought their first cinema in 1906 and ran for a while two cinemas in Oslo. Later Gladtvet also became a cinematographer and film director, and he was the country's largest producer of commercials before World War II. This film tells about Gladtvets life as a film man, and his film making between 1910 and 1940.