Derris Nile

The story follows the manhunt for the Zodiac Killer, a serial killer who terrorized the San Francisco Bay Area during the late 1960s and early 1970s, taunting police with letters, bloodstained clothing, and ciphers mailed to newspapers.

Raising the subtext of "Fight Club" into text, "Shiner" depicts a pair of amateur boxers gratified by punching each others' lights out. Theirs is among a trio of twisted love stories in the narrative feature by 29-year-old Los Angeles director Christian Calson. There's also a woman literally fighting her male lover's affections and another boxer who stalks his own shy male stalker. "Shiner" transcends sadomasochism in that no one seems aware of what he or she is doing. "I'm trying to look at desire head on," the soft-spoken Calson said by telephone. "('Shiner') is about the politics of wanting and being wanted and how people respond differently." Rife with ugly behavior, "Shiner" rejects the trend of queer filmmakers seeking straight understanding. "In L.A., we have this kind of sadness we carry around, that the only way we can make gay stories is by making more like 'Will and Grace,' " Calson said. Like the activist-filmmakers tackling the marriage issue, Calson went into "...

Jack is a divorced, ex CIA agent, living in his disabled father's home (Jeff the Drunk from the Howard Stern Show), His daughter Sharon, wants to become an actress and needs her father's signature permission to fly to Hollywood for Black Casting Couch Auditions, where she eventually gets kidnapped by ISIS. They Kidnapped the Wrong Daughter, as her father Jack, possesses a particular set of skills.