Carolina Sá

The trajectory of Branca, a 3 years old Brazilian, and Marcos. They never met in life before seeing themselves on screen. Branca travels to Cuba, her father homeland, in the anniversary of the revolution.

Story with some autobiographical touches taken from director's life.

As a toddler, Hermeto Pascoal made a flute from a pumpkin stalk so he could make music with the birds. His love of the sounds of nature has remained with him throughout his life. They play a major role in the music of the famous Brazilian composer, bandleader, conductor and multi-instrumentalist – known in Brazil as ‘the sorcerer.’

At 92, Doña Therezinha is obsessed with selling her luxurious apartment and fleeing Rio de Janeiro. Jaciara, her devoted maid for thirty years, awaits this revolution in her life with anxiety. Her granddaughter helps her to sell her apartment, while portraying the intimacy of these two women who, locked between four walls with a view of the sea, live their reality on its way to extinction, in a Brazil that is "burning."

The trajectory of Branca, a 3 years old Brazilian, and Marcos. They never met in life before seeing themselves on screen. Branca travels to Cuba, her father homeland, in the anniversary of the revolution.

The trajectory of Branca, a 3 years old Brazilian, and Marcos. They never met in life before seeing themselves on screen. Branca travels to Cuba, her father homeland, in the anniversary of the revolution.

As a toddler, Hermeto Pascoal made a flute from a pumpkin stalk so he could make music with the birds. His love of the sounds of nature has remained with him throughout his life. They play a major role in the music of the famous Brazilian composer, bandleader, conductor and multi-instrumentalist – known in Brazil as ‘the sorcerer.’

At 92, Doña Therezinha is obsessed with selling her luxurious apartment and fleeing Rio de Janeiro. Jaciara, her devoted maid for thirty years, awaits this revolution in her life with anxiety. Her granddaughter helps her to sell her apartment, while portraying the intimacy of these two women who, locked between four walls with a view of the sea, live their reality on its way to extinction, in a Brazil that is "burning."

At 92, Doña Therezinha is obsessed with selling her luxurious apartment and fleeing Rio de Janeiro. Jaciara, her devoted maid for thirty years, awaits this revolution in her life with anxiety. Her granddaughter helps her to sell her apartment, while portraying the intimacy of these two women who, locked between four walls with a view of the sea, live their reality on its way to extinction, in a Brazil that is "burning."