Vladimir Léon

No synopsis available yet.

Christina Goering and Frieda Copperfield suddenly decide to abandon their suffocating universe. They embark on a trip around the world in search of an impossible sanctity.

Pierre Léon ingeniously condenses and updates Dostoevsky’s novel about a 19-year-old intellectual reconnecting with his estranged family in his impressive debut feature.

Nastassia Philippovna finds herself juggling the affections of four men over the course of a single evening. One is her benefactor, the bourgeois Totsky. Another is the opportunistic Ganya, whom Totsky has promised 75,000 rubles if he will marry Nastassia. Rogozhin offers Nastassia 100,000 rubles for her hand. And the “idiot,” Prince Myshkin, loves Nastassia madly and vows to “save” her.

No synopsis available yet.

A lonely man receives a baby in the middle of the night. He is ill prepared to care for this mysterious infant. He develops an attachment.

Alexandre, a thirty-year old tailor, has decided to improve his cultural level. That is the reason why he has decided to attend an evening school. The lessons are given in the classroom of an elementary class by a teacher named Etienne. The subject of the course is : "The solitude of Jean-Jacques Rousseau". Will Alexandre become another man after grappling with with Rousseau, Diderot and ... Etienne? - Guy Bellinger

Elegantly and carefully, Léon trains his sights both on Chekhov’s famous play written in 1896 and on its earlier, lesser known version entitled "The Wood Demon" (1889), combining the two.

The short life of the Uruguayan poet Delmira Agustini is colourfully portrayed, not as a conventional biopic, but as a visual poem which evokes the turbulent life and complex personality of the literary heroine as she develops her genius for writing.

Nora is a bright young professional whose new job at a financial firm turns out to be a trial by fire when she learns that her bosses share a tumultuous history with her prickly mathematician father. Meanwhile, an interoffice romance with a competitive colleague leads to even more complications, leaving Nora to navigate a minefield of delicate relationships as she climbs the corporate ladder.

No synopsis available yet.

Two sons, Pierre and Vladimir, question their father, Max Léon, about his biography in a domestic environment. What could be a simple family chat expands to the complex dimensions of history, since his life is that of a certain destiny, first involved in the resistance, then as a major activist in the Communist Party. The two archivists widen the circle to listen to the testimonies of their mother, Svettlana, their sister, Michèle, and other witnesses, comrades in utopia: Jacques Rossi, a former Komintern agent deported to the Gulag, and Marina Vlady, who lived in the USSR in the 1930s and was the wife of the protest singer Vladimir Vyssotsky. History is filtered through conversations that do not exclude silence or questioning. – FIDMarseille

Writer Mathieu Riboulet read an excerpt from his work "Le Regard de la source" at home. In this passage emerges a portrait of a woman "neither a close friend nor a relative, but certainly a little like one and a little like the other": Nina. The words read aloud are careful and precious, evoking the woman's recent death and her friendship with the author. Then images from the past emerge, with the smooth, fragile texture of old video tapes, taking us back to yesterday and the past - the Moscow of twenty years ago - to a world that seems more irrevocably lost than ever .

No synopsis available yet.

Marianne, a young cellist discovers that her father had a mistress who is still alive. Her journey to find this mysterious woman takes her to places and people from her childhood that she thought she'd left behind forever.

A boy, a girl. They live in the same building. They share a passion for music. But when they meet in the elevator, Théo doesn’t see that Élise is blind. It’s hate at first sight. Love takes its time. Will that early misunderstanding bring them together or drive them apart?

No synopsis available yet.

Five extraterrestrials like no other are enjoying their last moments on planet Earth. Only one will stay to keep the secrets.

In this cinematic zine, directors scattered all over the world adapt to screen hilarious and poignant Belarusian news stories. Featuring phone thieves, TikTok storks, the tiniest castle in the world, and victims of the depression epidemic.

Continuation of the essay on the cinema of Louis Skorecki through the relations of some young cinephiles.

A college stands in the middle of verdant grounds. One day, Édouard, a student, suddenly falls sick. The college doctor is unable to diagnose the young man's illness. Anna, the college director, calls in Édouard's two brothers, professional soldiers, in the hope that they will help her discover what the mysterious illness is.

Contemporary Paris, mid-July. Guillaume arrives in the capital to caretake a large apartment until the end of the summer. Lucie, the apartment’s owner, and a friend of his mother’s, welcomes him… then suddenly disappears.

Esther and André are a part of a group of young people. They go to the cinema and speak about it often. They love each other from time to time; the group eventually comes undone. Jean is in fact the only true cinema enthusiast. Coming back from the cinema, he watches TV and thinks that, certainly, the cinema is buried well and truly.

"Complet 6 pièces" takes place in Paris in some couture workshops. It is a film made up of sketches, where by six times, working situations slip.

Two sons, Pierre and Vladimir, question their father, Max Léon, about his biography in a domestic environment. What could be a simple family chat expands to the complex dimensions of history, since his life is that of a certain destiny, first involved in the resistance, then as a major activist in the Communist Party. The two archivists widen the circle to listen to the testimonies of their mother, Svettlana, their sister, Michèle, and other witnesses, comrades in utopia: Jacques Rossi, a former Komintern agent deported to the Gulag, and Marina Vlady, who lived in the USSR in the 1930s and was the wife of the protest singer Vladimir Vyssotsky. History is filtered through conversations that do not exclude silence or questioning. – FIDMarseille

Writer Mathieu Riboulet read an excerpt from his work "Le Regard de la source" at home. In this passage emerges a portrait of a woman "neither a close friend nor a relative, but certainly a little like one and a little like the other": Nina. The words read aloud are careful and precious, evoking the woman's recent death and her friendship with the author. Then images from the past emerge, with the smooth, fragile texture of old video tapes, taking us back to yesterday and the past - the Moscow of twenty years ago - to a world that seems more irrevocably lost than ever .

Two brothers, Pierre and Vladimir, wonder if their Russian grandparents, Lily and Constantin, worked for the Soviet secret services in Paris during the 1930s and 1940s. Their research begins in Russia. After meetings and conversations, yellowish photos and vodka glasses, a lost world begins to emerge harassing the present.

Two brothers, Pierre and Vladimir, wonder if their Russian grandparents, Lily and Constantin, worked for the Soviet secret services in Paris during the 1930s and 1940s. Their research begins in Russia. After meetings and conversations, yellowish photos and vodka glasses, a lost world begins to emerge harassing the present.

Three war stories, far from the Front. The first two take place during the Great War, one in the summer of 1916, when allegiance still reigns, the other in the winter of 1916, when a convalescent soldier and his young cousin go for a walk in the woods. The third story, set in the present day, accompanies two young French soldiers, marked by the violence of the fighting in a distant and blurred war that no one seems to care about, during a July Fourth ball.

From Mexico to Russia, from Germany to India, director Vladimir Léon goes in search of a revolutionary adventurer from Bengal: M. N. Roy. Founder of a communist party in Zapata's Mexico, leader of the Communist International in Soviet Russia alongside Lenin, anti-Stalinist and anti-Nazi activist in pre-war Germany, politician and atheist philosopher in post-independence India, Roy embodies the struggles of a century that he crossed on three continents. However, the official histories of these countries have preferred to erase the trace. By meeting with direct and indirect witnesses, Léon patiently reconstructs the chaotic existence of a free spirit.

Seraphin arrives in a small station of the Pyrénées-Orientales to walt to Port-Bou, in Spain. It is a question of going, through mountains, Walter Benjamin's route, Jewish philosopher who tried to cross the border in 1940, but who committed suicide after the Spanish authorities had repulsed him. Seraphin has the project to make this treck with Paul, a friend. But it is his sister, Gabrielle, who welcomes him at the station and suggests accompanying him. Seraphin's pilgrimage is going to be disturbed.

In an isolated farm amidst the French Alps, Jean-Philippe Valla, a farmer-electronic engineer develops energy and food self-sufficiency techniques. Julie Desprairies, a site-specific choreographer, joins in order to practice in this extraordinary place with dancers and musicians. Farming gestures and dance gestures merge as the agricultural and the choreography works seek together a fairer way to inhabit the world. Director Vladimir Léon returns to Doclisboa after presenting his previous film, Mes chers espions, in the 2020 edition.