Ladislav Smoljak

No synopsis available yet.

After a fictitious marriage with a Russian emigrant, Cellisten Louka, a Czech man, must suddenly take responsibility for her son. However, it’s not long before the communication barrier is broken between the two new family members.

No synopsis available yet.

No synopsis available yet.

The Lavicka's, a Czech family from the city, rents a house in the country with the option to buy. However, old Mr Komarek seems reluctant to sell the house as they agreed.

After a soldier cuts off the arm of king's cousin, king decides to deactivate the army. Of course, generals don't like it at all and they try to kill the king. The assassin should be artificial body in the shape of actress Evelina Keleti and with brain of psychotic serial killer Fany Stubová. They also manage to kill king's astrologer Stuart Hampl, who warns the king. Accidentally, Hampl's brain is implanted into assassin's body, actress Keleti is killed and chaos begins.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

The Lavicka's, a Czech family from the city, rents a house in the country with the option to buy. However, old Mr Komarek seems reluctant to sell the house as they agreed.

Jára Cimrman in the whirlwind of the past forty years, as discovered, recorded, and brought to life by the theater.

Jára Cimrman in the whirlwind of the past forty years, as discovered, recorded, and brought to life by the theater.

Czechoslovak comedy film directed by Ladislav Smoljak, about the fictional national hero Jára Cimrman (universal genius, inventor, sportsman, criminalist, poet, writer and philosopher).

Czechoslovak comedy film directed by Ladislav Smoljak, about the fictional national hero Jára Cimrman (universal genius, inventor, sportsman, criminalist, poet, writer and philosopher).

A comedy concerning a down on his luck bookshop owner with a penchant for women who decides to make some money by pretending to be a waiter and collecting cash from unsuspecting diners.

A comedy about exchange of 12 apartments , which, its organizer, lawyer Radosta, rightly called Action Ball Lightning. To prepare, organize and execute the exchange of twelve apartments is a work worthy champions. Radosta, who was excellently played by Rudolf Hrušínský, solved all sudden difficulties and complications on the fly and with grace. To be sure that the on the D-day everything goes well he prepares a little rehearsal, which reveals many minor issues caused for example by wedding ordered to inappropriate term or hesitation of some participants. Last but not least a night exercise announced by drunk psychologist Knotků, creates a lot of confusion that nearly sabotaged the whole operation.

A comedy about exchange of 12 apartments , which, its organizer, lawyer Radosta, rightly called Action Ball Lightning. To prepare, organize and execute the exchange of twelve apartments is a work worthy champions. Radosta, who was excellently played by Rudolf Hrušínský, solved all sudden difficulties and complications on the fly and with grace. To be sure that the on the D-day everything goes well he prepares a little rehearsal, which reveals many minor issues caused for example by wedding ordered to inappropriate term or hesitation of some participants. Last but not least a night exercise announced by drunk psychologist Knotků, creates a lot of confusion that nearly sabotaged the whole operation.

The impetus for writing the play was a real event - the investigation of the loss of the class register at a boys' school in Vienna's 4th district. The perpetrator was most likely a student named F. Kirchner. Cimrman was a police inspector in Vienna's 4th district at the time, and the school principal turned to him when all educational measures had failed. Six police officers followed the suspect for three days, but to no avail. Cimrman therefore decided to influence Kirchner in a different way: he wrote a play about the theft, which was staged by the police department's drama club as a compulsory school performance. The author expected that seeing the suffering of the teacher, principal, and inspector during their futile investigation would lead the culprit to regret his actions and confess. However, the stubborn boy, the son of a nun, was not moved.

The impetus for writing the play was a real event - the investigation of the loss of the class register at a boys' school in Vienna's 4th district. The perpetrator was most likely a student named F. Kirchner. Cimrman was a police inspector in Vienna's 4th district at the time, and the school principal turned to him when all educational measures had failed. Six police officers followed the suspect for three days, but to no avail. Cimrman therefore decided to influence Kirchner in a different way: he wrote a play about the theft, which was staged by the police department's drama club as a compulsory school performance. The author expected that seeing the suffering of the teacher, principal, and inspector during their futile investigation would lead the culprit to regret his actions and confess. However, the stubborn boy, the son of a nun, was not moved.

This comedy is about one average family. The father works as master in the factory and his son is studying on high school. One day father must start to visit the evening school. It's the same school as his son visiting. The lives both students are connecting together. The son must teach the math and physics his own father. The father getting to know, that the life of the students is not simple as he supposed.

When late in life was presenting Cimrman his artistic activity, came arresting knowledge: none of the works he had signed, not recognition. And so he decided to retreat to the anonymity of the author and become folklore. Clairvoyantly recognized that the modern era marked for extinction of folk creativity in areas such as the national song, story, legend, proverb or weather lore. The only thing from the oral folklore of die and stay alive is an anecdote. And she plays a significant role in his play Lijavec.

A sincere provincial young man, Frantisek Koudelka leaves to work in Prague. For the trip he buys a computer made horoscope with biorhythms charts, marked according to his date of birth, there are trappy, precarious, unsuccessful and even critical days and few successful days. The clumsy luckless person Frantisek has finally a guidance for his life.

No synopsis available yet.

No synopsis available yet.

Cimrman's play about Czech expedition to north pole.

The comedy tells the story of how cowboy Bill, thanks to his clever talking horse Lightning, became brave, defeated the evil Jackal, and thus freed the village from fear and the old tyrant, with humorous hyperbole.

No synopsis available yet.

A police inspector and inexperienced trainee search for a mysteriously disappeared manufacturer of ointments for hair growth.

A police inspector and inexperienced trainee search for a mysteriously disappeared manufacturer of ointments for hair growth.

Cimrman sees the reason for the popularity of the Blanik legend in Bohemia mainly in the geographical location of our homeland. In agreement with Palacký, he was aware that "we are here in Europe like a grain between two millstones. From the west, German imperialism presses upon us, and from the east, the expansionism of the Great Russian colossus crushes us. It is no wonder that a small nation under such pressure seeks supernatural and even miraculous protection, for only a miracle can enable it to survive here."

Cimrman sees the reason for the popularity of the Blanik legend in Bohemia mainly in the geographical location of our homeland. In agreement with Palacký, he was aware that "we are here in Europe like a grain between two millstones. From the west, German imperialism presses upon us, and from the east, the expansionism of the Great Russian colossus crushes us. It is no wonder that a small nation under such pressure seeks supernatural and even miraculous protection, for only a miracle can enable it to survive here."

One day in life of simple dispatcher who meets remarkable people. They want to harvest plums.

One day in life of simple dispatcher who meets remarkable people. They want to harvest plums.

The original score was in a sorry state: the notes were carelessly marked, the lines were broken, and the paper was covered in smudges. I took the utmost care in reconstructing it: I erased the smudges, traced the lines with a ruler, blackened the bellies of the quarter notes, and added tails to the eighth and sixteenth notes. I believe that today's version of the work will stand up to even the most rigorous standards.

The original score was in a sorry state: the notes were carelessly marked, the lines were broken, and the paper was covered in smudges. I took the utmost care in reconstructing it: I erased the smudges, traced the lines with a ruler, blackened the bellies of the quarter notes, and added tails to the eighth and sixteenth notes. I believe that today's version of the work will stand up to even the most rigorous standards.

Three passengers are traveling in the luxuriously appointed saloon car of an international express train: the famous Czech police inspector Trachta, the industrialist Meyer, who manufactures everything needed to keep warm (fur coats, rum, fireclay bricks), and the factory owner Bierhanzel, a manufacturer of hair-thickening ointment. At the Istanbul station, the trio is joined by the inspector’s protégé, police trainee Jindřich Hlaváček, who is finishing his thesis on train crime. The journey proceeds smoothly until factory owner Bierhanzel is struck by a toothache...

Three passengers are traveling in the luxuriously appointed saloon car of an international express train: the famous Czech police inspector Trachta, the industrialist Meyer, who manufactures everything needed to keep warm (fur coats, rum, fireclay bricks), and the factory owner Bierhanzel, a manufacturer of hair-thickening ointment. At the Istanbul station, the trio is joined by the inspector’s protégé, police trainee Jindřich Hlaváček, who is finishing his thesis on train crime. The journey proceeds smoothly until factory owner Bierhanzel is struck by a toothache...

Poverty was one of the many unfortunate aspects of Cimrman's life. His traveling theater company, Lipany, suffered from high actor turnover. If an actor's departure was agreed upon well in advance, the situation could be managed. However, if it happened with shouting and slamming doors, often just a few hours before the performance, the troupe and its director experienced some tense moments. Such experiences form the backdrop to the play. Lovers of the work of this unrecognized Czech artist are now able to access testimony from this area of the master's life, in which his destiny was most fulfilled—the theater.

Poverty was one of the many unfortunate aspects of Cimrman's life. His traveling theater company, Lipany, suffered from high actor turnover. If an actor's departure was agreed upon well in advance, the situation could be managed. However, if it happened with shouting and slamming doors, often just a few hours before the performance, the troupe and its director experienced some tense moments. Such experiences form the backdrop to the play. Lovers of the work of this unrecognized Czech artist are now able to access testimony from this area of the master's life, in which his destiny was most fulfilled—the theater.

The fourteenth Cimrman play takes us to the heart of a continent almost untouched by civilization. Czech travelers encounter a strange tribe of cannibals and almost end up on their menu. The members of this tribe are unusual in two ways: their appearance and their extraordinary docility. These characteristics enabled Cimrman to solve linguistic and staging problems with an elegance that other world playwrights can only envy. If, say, G. B. Shaw had tackled such a theme, the audience would have spent 5 to 7 hours in the auditorium. Cimrman managed to do it in just one hour (not counting the introductory scientific seminar). For the first time in the history of the Jára Cimrman Theater, a live animal appears on stage.

The fourteenth Cimrman play takes us to the heart of a continent almost untouched by civilization. Czech travelers encounter a strange tribe of cannibals and almost end up on their menu. The members of this tribe are unusual in two ways: their appearance and their extraordinary docility. These characteristics enabled Cimrman to solve linguistic and staging problems with an elegance that other world playwrights can only envy. If, say, G. B. Shaw had tackled such a theme, the audience would have spent 5 to 7 hours in the auditorium. Cimrman managed to do it in just one hour (not counting the introductory scientific seminar). For the first time in the history of the Jára Cimrman Theater, a live animal appears on stage.

The small group of actors have to face many problems while preparing a new performance.

The small group of actors have to face many problems while preparing a new performance.

No synopsis available yet.

Two short stories in which novice detective Sergeant Zahrádka is tasked with carrying out trivial orders, which he fails to do due to his innate clumsiness.

The play itself tells the story of a harrowing journey aimed at restoring Princess Goldilocks’s feminine beauty—she had been enchanted by the evil giant Koloděj. In the first scene, Prince Jasoň arrives at the royal castle and discovers that his beloved bride—Princess Zlatovláska—has (thanks to Koloděj’s magic) a beard and a foot size of “45.” Jason decides to free Zlatovláska from the evil curse, and together with her, her royal father, and Bystrozrakým, he sets off to see Děd Vševěd for advice on how to deal with Koloděj. Watching everything from afar is Jasoň’s twin—the evil Prince Drsoň, who is preparing to intervene at the right moment and claim the princess for himself...

The play itself tells the story of a harrowing journey aimed at restoring Princess Goldilocks’s feminine beauty—she had been enchanted by the evil giant Koloděj. In the first scene, Prince Jasoň arrives at the royal castle and discovers that his beloved bride—Princess Zlatovláska—has (thanks to Koloděj’s magic) a beard and a foot size of “45.” Jason decides to free Zlatovláska from the evil curse, and together with her, her royal father, and Bystrozrakým, he sets off to see Děd Vševěd for advice on how to deal with Koloděj. Watching everything from afar is Jasoň’s twin—the evil Prince Drsoň, who is preparing to intervene at the right moment and claim the princess for himself...

The result of a clash between two intellectual forces: the artist's irrepressible creative instinct and the equally irrepressible instinct of the small Czech self-sufficient farmer. While on the one hand we see an admirable effort to understand and portray the world and get to the essence of human behavior, on the other hand we encounter only a mundane effort to dry a few mushrooms for the winter. In the case of this play, Josef Padevět's small, bitter world unfortunately prevails.

The result of a clash between two intellectual forces: the artist's irrepressible creative instinct and the equally irrepressible instinct of the small Czech self-sufficient farmer. While on the one hand we see an admirable effort to understand and portray the world and get to the essence of human behavior, on the other hand we encounter only a mundane effort to dry a few mushrooms for the winter. In the case of this play, Josef Padevět's small, bitter world unfortunately prevails.