Jean Renoir

The Marquis de la Chesnaye and his wife host a weekend gala where a variety of complicated romantic and social entanglements between guests and servants lead to tragedy, all against the backdrop of a looming war.

Eric Rohmer leads a conversation with Jean Renoir and Henri Langlois on the art of filmmaker Louis Lumière.

Returning by train to the French port of Le Havre, Jacques Lantier, a tormented railwayman, meets by chance the impulsive stationmaster Roubard and Séverine, his wife.

Documentary portrait of Henri Langlois, co-founder of the Cinémathèque Française.

The family of a Parisian shop-owner spends a day in the country. The daughter falls in love with a man at the inn, where they spend the day.

The fascinating story of a man destined to be only a son of and who sought all his life to become "someone" by getting rid of the overwhelming image of his genius as a father, the painter Pierre-Auguste Renoir.

About the conflict between social classes through the life of the unhappy Catherine Ferrand, an orphan girl, who is a victim of the jealousy of women and the greed of men.

On January 31, 1857, the French writer Gustave Flaubert (1821-80) took his place in the dock for contempt of public morality and religion. The accused, the real one, is, through him, Emma Bovary, heroine with a thousand faces and a thousand desires, guilty without doubt of an unforgivable desire to live.

Joris Ivens’s advocacy documentary for the Republican cause intercuts a besieged Madrid with a nearby village digging an irrigation canal, linking the war to bread, land, and survival. Produced by the writers’ collective Contemporary Historians, edited by Helen van Dongen, scored by Marc Blitzstein, and narrated in its U.S. version by Ernest Hemingway (after an initial Orson Welles track), it blends frontline reportage with persuasion against Franco’s forces and their German–Italian backers.

A tennis champ falls in with the Hollywood crowd, finds himself being corrupted by the life in the fast lane.

Jean Renoir talks about the making of La Petite Marchande d'allumettes.

Part one of a BBC documentary about Jean Renoir.

This is 1929: the little red riding hood is still with us and her life is more complicated than ever. She still has to go through the forest and she once again comes up against a wolf. This time around the big bad wolf has become a lecherous tramp who keeps stalking the girl trying to wolf her down ... in his own way of course.

A propaganda film of the communist party of France, showing how the comrades help the proletariat against the capitalists.

This portrait of the world-famous French director based on his personal correspondance reveals the little known insurgent side of his personnality. Featuring interviews with close collaborators, friends and family, this definitive documentary tells his intimate story, from the streets of Paris to the filmmaking accolades and high profile marriages at the height of his career.

Passers-by, those who knew him in his youth, René Barjavel, witness of his beginnings, his wife, his doctor, writers ... By questioning them Michel Polac tries to better understand the troubled personality of Louis-Ferdinand Céline, Notorious anti-Semite and genius writer.

La P’tite Lili is a silent short drama depicting the fate of a young orphaned girl in the working-class districts of Paris. The film follows Lili, a teenage girl marked by innocence and vulnerability, as she is drawn into the city’s underworld after encountering a man who exploits her circumstances. Told through impressionistic visual style rather than dialogue, the film presents a tragic portrait of social marginalization and moral collapse within an urban environment.

No synopsis available yet.

A example of Jean Renoir's talents as a director as he works Gisèle Braunberger into the right frame of mind.

This analysis is based on an ideological commentary on Renoir's film. From the beginning, the reading, unilateral, gives keys to interpret the characters: "These are shadows returning to the castle". Renoir "paints the lie of a society that no longer believes in its own values".

Three-part interview with French film director Jean Renoir, conducted by French New Wave director Jacques Rivette.

Three vignettes and a musical interlude showcase acclaimed auteur Jean Renoir's eclectic range at the end of his career: the relationship between an old man and an old woman, both homeless; an opera-like story of a woman obsessed with polishing her floors; Jeanne Moreau performs 'When Love Dies'; and an elderly man and his young wife coming to terms when she has an affair with a man her own age.

No synopsis available yet.

Shot in three days, this surreal, erotic silent short shows a native white girl teaching a futuristic African airman the Charleston dance.

Director Jean Renoir’s entrancing first color feature—shot entirely on location in India—is a visual tour de force. Based on the novel by Rumer Godden, the film eloquently contrasts the growing pains of three young women with the immutability of the Bengal river around which their daily lives unfold. Enriched by Renoir’s subtle understanding and appreciation for India and its people, The River gracefully explores the fragile connections between transitory emotions and everlasting creation.

Director Jean Renoir’s entrancing first color feature—shot entirely on location in India—is a visual tour de force. Based on the novel by Rumer Godden, the film eloquently contrasts the growing pains of three young women with the immutability of the Bengal river around which their daily lives unfold. Enriched by Renoir’s subtle understanding and appreciation for India and its people, The River gracefully explores the fragile connections between transitory emotions and everlasting creation.

Director Jean Renoir’s entrancing first color feature—shot entirely on location in India—is a visual tour de force. Based on the novel by Rumer Godden, the film eloquently contrasts the growing pains of three young women with the immutability of the Bengal river around which their daily lives unfold. Enriched by Renoir’s subtle understanding and appreciation for India and its people, The River gracefully explores the fragile connections between transitory emotions and everlasting creation.

The Marquis de la Chesnaye and his wife host a weekend gala where a variety of complicated romantic and social entanglements between guests and servants lead to tragedy, all against the backdrop of a looming war.

The Marquis de la Chesnaye and his wife host a weekend gala where a variety of complicated romantic and social entanglements between guests and servants lead to tragedy, all against the backdrop of a looming war.

The Marquis de la Chesnaye and his wife host a weekend gala where a variety of complicated romantic and social entanglements between guests and servants lead to tragedy, all against the backdrop of a looming war.

A group of French soldiers, including the patrician Captain de Boeldieu and the working-class Lieutenant Maréchal, grapple with their own class differences after being captured and held in a World War I German prison camp. When the men are transferred to a high-security fortress, they must concoct a plan to escape beneath the watchful eye of aristocratic German officer von Rauffenstein, who has formed an unexpected bond with de Boeldieu.

A group of French soldiers, including the patrician Captain de Boeldieu and the working-class Lieutenant Maréchal, grapple with their own class differences after being captured and held in a World War I German prison camp. When the men are transferred to a high-security fortress, they must concoct a plan to escape beneath the watchful eye of aristocratic German officer von Rauffenstein, who has formed an unexpected bond with de Boeldieu.

Rival knights compete for the hand of a beautiful maiden in this period feature from Jean Renoir.

An upper-class corporal is captured by the Germans during their 1940 invasion of France. Assisted and accompanied by characters as diverse as a morose dairy farmer, a waiter, a myopic intellectual, a working-class Parisian, and a German dental assistant, the corporal tries to escape from prison camps, sometimes making it a few yards, sometimes reaching the border.

An upper-class corporal is captured by the Germans during their 1940 invasion of France. Assisted and accompanied by characters as diverse as a morose dairy farmer, a waiter, a myopic intellectual, a working-class Parisian, and a German dental assistant, the corporal tries to escape from prison camps, sometimes making it a few yards, sometimes reaching the border.

Nineteenth-century Paris comes vibrantly alive in Jean Renoir’s exhilarating tale of the opening of the world-renowned Moulin Rouge. Jean Gabin plays the wily impresario Danglard, who makes the cancan all the rage while juggling the love of two beautiful women—an Egyptian belly-dancer and a naive working girl turned cancan star.

Nineteenth-century Paris comes vibrantly alive in Jean Renoir’s exhilarating tale of the opening of the world-renowned Moulin Rouge. Jean Gabin plays the wily impresario Danglard, who makes the cancan all the rage while juggling the love of two beautiful women—an Egyptian belly-dancer and a naive working girl turned cancan star.

Returning by train to the French port of Le Havre, Jacques Lantier, a tormented railwayman, meets by chance the impulsive stationmaster Roubard and Séverine, his wife.

Returning by train to the French port of Le Havre, Jacques Lantier, a tormented railwayman, meets by chance the impulsive stationmaster Roubard and Séverine, his wife.

Count Moffat becomes infatuated with Nana, a presumptuous stage actress, vulgar, hypocritical and promiscuous, willing to do anything to succeed.

Count Moffat becomes infatuated with Nana, a presumptuous stage actress, vulgar, hypocritical and promiscuous, willing to do anything to succeed.

A young French woman inherits her uncle's property in Algeria, and finds herself plotted against by her envious cousins, but also romanced by a handsome but previously irresponsible young man from a neighbouring farm.

The family of a Parisian shop-owner spends a day in the country. The daughter falls in love with a man at the inn, where they spend the day.

The family of a Parisian shop-owner spends a day in the country. The daughter falls in love with a man at the inn, where they spend the day.

A sailor suffering from post-traumatic stress becomes involved with a beautiful and enigmatic seductress married to a blind painter.

A sailor suffering from post-traumatic stress becomes involved with a beautiful and enigmatic seductress married to a blind painter.

Dr. Cordelier, living in a suburb of Paris, withdraws from society to pursue research into the functioning of the human brain. His lifelong friend, Maître Joly, becomes concerned when Cordelier draws up a will that bequeaths his entire estate to a stranger, Monsieur Opale; he cannot understand why Cordelier defends him, considering Opale attacks women and children. After a colleague is killed, Joly confronts Cordelier and discovers the truth behind his friend's behavior.

Dr. Cordelier, living in a suburb of Paris, withdraws from society to pursue research into the functioning of the human brain. His lifelong friend, Maître Joly, becomes concerned when Cordelier draws up a will that bequeaths his entire estate to a stranger, Monsieur Opale; he cannot understand why Cordelier defends him, considering Opale attacks women and children. After a colleague is killed, Joly confronts Cordelier and discovers the truth behind his friend's behavior.