Gonzalo García-Pelayo

Fede, a young bicycle delivery guy, leads a simple and carefree life, traveling around the city daily to deliver orders. One day, in the midst of his routine, he's assigned a delivery to a luxurious house where he meets Josefina, a girl from a wealthy family and surrounded by comforts. From their first encounter, a spark of attraction arises between them, despite belonging to completely different worlds.

An unconventional cinematic work in which, through many narrative layers that intertwine, the director offers us a very particular view on a subject that is still taboo in society and arts.

Pablo and Florencia work on Florida Street, the economic and tourist epicentre of Buenos Aires. Economic difficulties affect their life together. Pablo, in order to survive, begins to clandestinely smuggle dollars in the street. Taking advantage of the imminence of a currency crisis they will try to strike the blow that will take them out from the street once and for all.

"Nueve Sevillas" is a heterodox psycho-geographical profile of the new flamenco in Seville. Nine characters coexist with the great flamenco artists of today.

Ezequiel, a 40-year-old film director, has had a career marked by successes and failures.

A family returns to the house under construction that they abandoned after the father's untimely death. The return coincides with the anniversary of their loss and turns the day into an intimate tribute to their shared life.

María Jiménez reviews her life, personal and professional career, reveals some of its issues and her day-to-day life facing lung cancer. María Jiménez has been one of the most popular singers in Spain in the last half century and, at the same time, the protagonist of a tremendous personal story. Multifaceted, rebellious and outspoken, for this documentary the artist surrounds herself with her son and her pets in her house, in Chiclana de La Frontera, to review her life path. Friends, family and confidants of her also provide anecdotes and testimonies about her. María Jiménez openly recounts her biographical milestones, even the most painful ones, such as the loss of her daughter Rocío or the mistreatment of her ex-husband, the actor Pepe Sancho. She also doesn't leave out lung cancer from her. ‘María Jiménez: mi mundo es otro’ offers a much more powerful vision of the singer than the one we had known in recent decades.

Fede, a young bicycle delivery guy, leads a simple and carefree life, traveling around the city daily to deliver orders. One day, in the midst of his routine, he's assigned a delivery to a luxurious house where he meets Josefina, a girl from a wealthy family and surrounded by comforts. From their first encounter, a spark of attraction arises between them, despite belonging to completely different worlds.

An unconventional cinematic work in which, through many narrative layers that intertwine, the director offers us a very particular view on a subject that is still taboo in society and arts.

Pablo and Florencia work on Florida Street, the economic and tourist epicentre of Buenos Aires. Economic difficulties affect their life together. Pablo, in order to survive, begins to clandestinely smuggle dollars in the street. Taking advantage of the imminence of a currency crisis they will try to strike the blow that will take them out from the street once and for all.

"Nueve Sevillas" is a heterodox psycho-geographical profile of the new flamenco in Seville. Nine characters coexist with the great flamenco artists of today.

Ezequiel, a 40-year-old film director, has had a career marked by successes and failures.

A family returns to the house under construction that they abandoned after the father's untimely death. The return coincides with the anniversary of their loss and turns the day into an intimate tribute to their shared life.

A woman who suffered a serious incident with a violent tennis player -in other video of herself- now dates a shy, insecure jazz musician from Ramos Mejía, but she feels stronger and more glad with everything.

An employee at a private school is promoted and beyond that she has the strength to attack her dead husband for not being a man when he was traveling with her in a bus.

The actors, actresses, characters and horses that star in this film configure unexplored territory, perhaps that undetermined space in which the city of Jerez builds a new image for flamenco.

One of the oldest pilgrimages known to European Christianity is the pilgrimage to El Rocío, where prayers are said to the benevolent Blanca Paloma. Year after year, pilgrimage trains of more than a million believers set out to visit the small, remote andalusian village, which is normally inhabited by less than a thousand souls. In this film, the story of shy infatuation developing between two young people is little more than García Pelayo’s pretext to shooting this event in each and every detail. - Viennale

A film director sets out on a road trip to scout locations for her next film. An admirer of Resnais and experimental cinema, she tries to create a story in which her own story is mixed with that of a singer with whom she had a relationship in the past.

Fifty-five little girls from Tandil reflect on love, success and the transition to adulthood. Through their voices, the film builds an intimate, ensemble portrait of the doubts, dreams, and questions that accompany growing up.

A wandering man drifts through La Plata's train station, becoming a lens through which we experience various scenes and moments from the Argentine city's daily life.

A Galician living in La Plata returns to Lugo with his daughter after 27 years, against all odds

Lola and Luis are married until Manuel shows up and grabs Lola (and Trini, a florist friend and also a singer). This story of torn love will seem like the lyrics of a copla, the Spanish music genre to which both are dedicated, songs that border on love until death and that classically represent the absolute surrender of women to love. This love for Manuel divides the marriage and the friends.

Bruna is a young and beautiful actress in the making who has just separated from her boyfriend and is going through a period of deep melancholy. A late encounter with her ex gives her the strength to turn her experience into a play in which life and fiction intermingle.

Javier has heard of El Pelícano, an old industrial warehouse corralón in the center of Seville, in which a diverse group of artists, musicians, painters and craftsmen interrelate forming a free, fruitful and luminous community. In this "world apart" live peculiar characters such as El Canijo de Jerez, Pepe Ortega, Orlando, La Chocolata, Chipi, José Guapachá, Miriam y Rorro, Marta, Perpetuo, Jeri, Ana and many others, whom we will get to know in a Tour through the alleys of this popular space where Art looks for you and finds you.

Eloísa is an employee at a sweater store, but her passion is visiting the stable run by her friend Julio. Her life is transformed after the departure of her sister, who leaves her daughter Mora in her care. This way, Eloísa will enter her niece’s unknown children’s world.

A record of the creative process of Spanish director Gonzalo García-Pelayo, together with his new artistic discovery, singer Anikka. During the shoot, he is seen radicalizing and, at the same time, syncretizing the two main themes of his filmography: music and sex.

The movie is a road movie where Triana's spirit is recalled across his friends, musicians, managers and admirers. The success of the band was mixing the magic of Rock Music with the deep musical roots of Andalusia. Gonzalo García-Pelayo,the director, and his brother Javier, friend, discoverer and manager of TRIANA, have created this cinematographic project with the intention of honoring the mythical band. Their original songs will be use used as background to represent the spirit of 40 years ago when freedom and music were an important way of life.

Two friends at the Cadiz Carnival, flesh party: a poker player and a singer-songwriter, in love with the same woman, Pepa, who is named after the first Spanish Constitution (performed by four different actresses to give a complete idea of the Cadiz woman) merge into the street joy of chirigoteros, flamingos and peculiar people of the city with fidelity to the uncertain as a flag (and with their three “carnival brides” and a boxer as a festive complement).

Two friends at the Cadiz Carnival, flesh party: a poker player and a singer-songwriter, in love with the same woman, Pepa, who is named after the first Spanish Constitution (performed by four different actresses to give a complete idea of the Cadiz woman) merge into the street joy of chirigoteros, flamingos and peculiar people of the city with fidelity to the uncertain as a flag (and with their three “carnival brides” and a boxer as a festive complement).

The daughter of the owner of La Plata’s traditional coffee shop “Confitería Ritz” -who worked at Ojeda, Sarti and Santa Lucía pharmacies and now works at Santa Rosa pharmacy- hates living with other people at her home.

Nacha, a secondary character in 'Copla', narrates the real interiorities of the Luis-Lola couple in their love crisis with the arrival of Manuel. The story unfolds differently from what happened in 'Copla', because Luis comes to the conclusion that he loves that Lola is loved by Manuel. Everything happens during the preparation and filming of 'Copla'.

Nacha, a secondary character in 'Copla', narrates the real interiorities of the Luis-Lola couple in their love crisis with the arrival of Manuel. The story unfolds differently from what happened in 'Copla', because Luis comes to the conclusion that he loves that Lola is loved by Manuel. Everything happens during the preparation and filming of 'Copla'.

Making-of of an explicit film in which the plot is intertwined and confused with what happens behind the scenes.

Miguel is in love with Rosa, a special woman. The relationship did not work at all and decide to break. Rosa then falls for a Sevillian painter who has returned after forty years of exile.

Miguel is in love with Rosa, a special woman. The relationship did not work at all and decide to break. Rosa then falls for a Sevillian painter who has returned after forty years of exile.

A house, a family reunion that is celebrated on the occasion of an important event. Within this context, a group of girls play, dance, laugh, improvise, talk about the most varied topics, while freely enjoying the joy of living.

Pablo makes a living writing the daily horoscope predictions. He does his job quietly and diligently, and seems like an ordinary guy. But what no one knows is that when he gets home, he has an exuberant and complicated polyamorous life.

A group of people, both men and women, get together to exchange their points of view, practical and theoretical, about sexual life and the relations between couples.

Iván is a Spanish film producer who travels to Argentina with a single mission: to meet Carmen Trevilla, a cult director who is in the creative process of her new “video.” From minute zero, he feels captivated by her overwhelming and disconcerting presence. Although he still does not know if he is going to produce it – since he thinks that his cinema will not be well received by current European sensibilities – Iván takes advantage of every moment with Carmen to record, with his cell phone in his hand and an endless smile on his face, every adventure they embark on.

The maximum nonsense of life plays with the feelings of the owner and the employees of a tennis complex.

“In Portugal, music videos were called telediscos. This is my teledisco from Astorga, focusing on the Panero family.”

After filming in Seville, García Pelayo and his team moved to Kazakhstan to shoot Ainur, a film about " love, moderna arquitectura, echoes and bicycles” (G. G. P. dixit). Víctor (Víctor Vázquez, El brau blau, La vida sublime), who lost the love of his life in an accident, Ainur, a young Kazakh, returns in search of his tracks to that country with his friend Pablo, secretly in love with Ainur, and his new girlfriend, Olivia, who prepares a documentary about the city, a mixture of tradition and avant-garde.

After filming in Seville, García Pelayo and his team moved to Kazakhstan to shoot Ainur, a film about " love, moderna arquitectura, echoes and bicycles” (G. G. P. dixit). Víctor (Víctor Vázquez, El brau blau, La vida sublime), who lost the love of his life in an accident, Ainur, a young Kazakh, returns in search of his tracks to that country with his friend Pablo, secretly in love with Ainur, and his new girlfriend, Olivia, who prepares a documentary about the city, a mixture of tradition and avant-garde.

Paula has never met her mother, her father is already old, and that meeting is urgent for her. Along the way, she picks up clues that bring her closer and take her farther away from her goal, in a physical journey through Buenos Aires’ geography.

Miguel, who escaped from prison two months before finishing his sentence, thinks only of revenge and finding his beloved Diana.

Pilar sets out on a journey from the capital to the center of Buenos Aires Province. During her search, she must deal with the past through the insistent audios of a man.

In Seville during the 1970s, Manuela, a furtive hunter’s daughter, marries the servant of rich Don Ramón, who is in love with her. With her natural beauty and sensuality, she attracts all sorts of passions, along with the conflicts that derive from them.