Esa Vuorinen

Acclaimed Finnish director Rauni Mollberg made several scandalous yet widely appreciated films. Former co-worker Veikko Aaltonen’s eye-opening documentary The Dinosaur looks at the relentless, often disturbing directing techniques behind Mollberg’s art and success.

In the year 2012 historian Raimo Lappalainen wants to illustrate how life was 50 years earlier. He becomes obsessed with the fate of a 1970s nude model Saara Turunen, and finds a perfect actress to reconstruct her life and death in front of a TV camera. Meanwhile, a strike at a nuclear plant is covered up by the media.

No synopsis available yet.

Racy monster movie parody.

According to Mänttäri, the film is about a woman as portrayed through four female characters.

How do artists view their own work? How does actor Esko Salminen immerse himself in his roles, how does the writer/director Saara Turunen create a whole new world for the stage, and why does musician PK Keränen pick up his guitar time and time again? Is creativity a conscious or subconscious process, a pleasure or a compulsion? Veikko Aaltonen’s documentary takes us straight into the heart of creativity with artists from different fields and generations. Celebrating the various forms of passion and creative work, the film presents a compelling case for the significance of art.

A TV reporter is murdered when he is eavesdropping on a secret Finnish-Soviet conference. The National Broadcasting Corporation enlists the help of police lieutenant Palmu, who comes out of retirement for this case. However, some have their doubts about the loyalities of Palmu, seeing that he was spotted in a diplomatic soiree in Moscow just a few weeks before the murder.

Construction worker Urho Suomalainen, his factory-worker wife Sirkka, and their two school-age children dream about getting away from their cramped rental apartment and moving to a house of their own. Urho decides to build one from scratch, starting from hauling trees from the forest to the sawmill. As the building progresses, a serious fault is discovered in its foundations. The family also has problems with their mortgage. Urho develops pneumonia and passes away before he sees his house completed. At his grave, a fellow worker gives a powerful speech praising socialism.

Young photography model Susanna and her alienated teenage brother Veli spend the summer of 1969 travelling around Finland, mostly with another girl and her boyfriend. Sporting the latest fashions and trendy hairdos, they naïvely observe and criticise the modern consumer society, advertising, fancy boats and summer cottages, country dances, barbecues, and any other phenomena that were supposed to bother angry young intellectuals in those days. The plot and the political agenda are delivered with a cheerful, tongue-in-cheek mixture of documentary observations, fake TV commercials, fake interviews, philosophical voiceovers and titles, and a jazzy soundtrack by the progressive rock group Wigwam.