Raïa Haïdar

Filmmaker Elia Suleiman travels to different cities and finds unexpected parallels to his homeland of Palestine.

It's Independence Day in Lebanon: three women who've never met before are on the same bus heading to visit a prison situated in a remote area of the country. Traveling through an arid landscape littered with mines and decapitated dreams, the journey transforms into the women's quest for their own independence.

Rosalie's door closes roughly. Her boyfriend Jimmy, a street musician, has just decided to break up with her. For an hour and a half, Rosalie will go through all kind of moods and sink into a destructive madness, while recalling the memorable moments of her story. The film is a deconstruction of the romantic comedy genre and its way of portraying love.

Forced to leave Syria because of the war, Dounia and her grandparents go in search of a new safe haven. As she traverses the world in search of asylum, Dounia draws strength from the wisdom of the ancient world, brought to light by her grandmother's magic nigella seeds.

Lebanon on the verge of the abyss. Khattar and Anaïs, two laid-off chemists attempt a unique experiment: to survive by feeding on human flesh. One day, the woman disappears. The man is pulled into a trafficking scheme which entails exporting human meat, and in return, importing high-tech digital sniper weapons…

At bottom is a tale of exploring the imagination of a writer, plus a tale of exploring the city of Beirut. The film deals with the initiation to love and the female soul.

The uneventful middle-class life of Lebanese sisters Houwayda and Joëlle spirals into turmoil after Houwayda announces that she is accompanying Pierre, her Québecker husband, on a sabbatical year in France.

Who would you be today if, a few years ago, you had not chosen the path you took? Another person, in another life. Completely, definitely, irrevocably.

Each morning Beirut awakens to a new murder seemingly committed by a serial killer, with victims found emptied of their blood. At the same time a doctor, Khalil, begins to experience strange symptoms that destabilise him and transform his life. A connection slowly emerges that seems to link Khalil to these victims. Salhab’s body of films have come to narrate the state of Lebanon – and Beirut in particular – during and after the civil war, and this film is no exception.

In a Beirut apartment, two girls wander around, confronting each other with unspoken words. Mixed-up messages and ambiguous actions take place in an ever-changing place surrounded by abstract and concrete sounds. The two girls break the wall of silence with every human emotions : confusion, desire, violence, appetite, bravery, ecstasy, happiness and separation.

At black night in a port of the Mediterranean Sea. For his last evening of permission, Éric, legionary, lets himself be entailed into a costume party.

LUZ is an ambulance driver. Her work brings her to discover the inert body of Dorothée. That's when her dreams reveal the identity of the murderer: a malevolent woman who pursues her. There follows a duel between the two women, where the supernatural mixes with lightning.