Kurt Guggenheim

Switzerland in the 13th century: Shot in the middle of World War II, this classic film returns to the origins of Switzerland and turns about the problem of the small country against a big power: Resist or obey?

Gilberte Montavon was a legend in her own lifetime. As a young woman, she was confidante to hundreds of thousands of Swiss-German speaking soldiers during the First World War, and remembered most of their names. She was still a teenager when the war began, and was immortalised by a song written during the war years by the Swiss-German bard and lute player, Hans Inn der Gand.

In Bern above Junkerngasse 54 the caretaker has died - the old Hutzli. On the day on which he was buried, it's started again, this howling in the middle of the night - scary. Since then, no one dares to live there.

A policeman is not convinced that the prime suspect in a murder case is realty guilty and so decides to reinvestigate the case, despite the lack of co-operation from locals.

Switzerland in the 13th century: Shot in the middle of World War II, this classic film returns to the origins of Switzerland and turns about the problem of the small country against a big power: Resist or obey?

Gilberte Montavon was a legend in her own lifetime. As a young woman, she was confidante to hundreds of thousands of Swiss-German speaking soldiers during the First World War, and remembered most of their names. She was still a teenager when the war began, and was immortalised by a song written during the war years by the Swiss-German bard and lute player, Hans Inn der Gand.

In Bern above Junkerngasse 54 the caretaker has died - the old Hutzli. On the day on which he was buried, it's started again, this howling in the middle of the night - scary. Since then, no one dares to live there.

A policeman is not convinced that the prime suspect in a murder case is realty guilty and so decides to reinvestigate the case, despite the lack of co-operation from locals.