
Directing
François Weyergans
Born 1941-08-02 · Etterbeek, Belgium
François Weyergans (2 August 1941 – 27 May 2019) was a Belgian writer and director. His father, Franz Weyergans, was a Belgian and also a writer, while his mother was from Avignon in France. François Weyergans was elected to the Académie française on 26 March 2009, taking the 32nd seat which became vacant with the death of Alain Robbe-Grillet in 2008. He started film studies at the IDHEC (Hautes Études Cinématographiques), where he came to love the films of Robert Bresson and Jean-Luc Godard, among others. He soon began to write for Cahiers du cinéma and directed his first film in 1961, on Maurice Béjart, which led to his expulsion from the school as students were banned from making professional films. After having been through some psychoanalysis, he published a satirical account of his treatment in a novel called Le Pitre (1971), which attracted some critical notice and won the Roger Nimier Prize. His second novel in 1981 was Macaire le Copte. This won the Prix Rossel in his native Belgium, as well as the Prix des Deux Magots in France. From then on, Weyergans devoted himself entirely to writing, spending whole nights working from 11 p.m. until noon. His subsequent works—mostly of an ironic autobiographical nature—also won literary prizes, including the "Prix Méridien des quatre jurys" in 1983 for Le radeau de la Méduse and the Prix Renaudot in 1992 for La démence du boxeur. Most recently, his Trois jours chez ma mère awarded him the Prix Goncourt in 2005. In this, he satirises his own famous difficulties in delivering a promised manuscript in time. In the process he creates a "Russian doll" type structure where he (Weyergans) writes as a writer, Weyergraf, who finds all sorts of distractions or reasons to avoid writing a book called Trois jours chez ma mère. He does this largely by inventing an author called Graffenberg, who in turn invents another author, Weyerstein, who sketches out a possible structure—but he keeps getting waylaid by humorous meditations on his own life, love (or just encounters), family, films and multiple enthusiasms and interests. Source: Article "François Weyergans" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Acting credits
Behind the camera
6.0Anna is a coach and a stripper at night.
Flesh Color
1978
6.0Anna is a coach and a stripper at night.
Flesh Color
1978
A 16 year old girl panics when she finds out she's pregnant. Based on a novel by (Charles Ferdinand) Ramuz, clearly influenced by Dryer and Bresson and hailed by Godard.
Aline
1967
9.0In modern Paris, a sick and nervous man, a "déclassé", tries to seduce others by means of his illness. He meets three women, mixes up his life and his fantasies. Is he unhappy because he wants to be or not? He lives in a painter's studio that one of his friends has lent him.
Maladie mortelle
1977
6.3Cannes Film Festival 1975
Je t'aime, tu danses
1977
9.0An episode of the television program Cinéastes de notre temps in which the director gives his first on-camera interview.
Bresson: Without a Trace
1965
8.0A documentary that pretends to be a fictional film. About the work and the life of a man, a man called Pierre Henry at the beginning of the film and who ends up calling himself "someone".
Un film sur quelqu'un
1972
7.4A man invites a woman to share his room in a hostel and gradually falls in love with her.
Empty Quarter: A Woman in Africa
1985