Known for
No synopsis available yet.
Uzebrioloco
1990
No synopsis available yet.
Carlota Amorosidade
1987
NRTropicália was a Brazilian cultural movement that occurred between 1967 and 1968, inspired by Oswald de Andrade's anthropophagic ideals, pop art and the concretism. Twenty years later, this film revisits the movement and shows that Tropicalismo will never die.
Infinita Tropicália
1986
5.0Nitrato expresses the ambiguities and contradictions of the Cinemateca Brasileira. The film deals with the richness of its collection, the recognition of international entities, and explores what its relationship to the general public was like. Nitrato also portrays the neglect with which the institution is treated, as seen in how precarious its building infrastructure is, how politicians neglected to communicate with the institution’s staff, and the aftermath of another fire in the building.
Nitrato
1974
5.0No synopsis available yet.
Foi Assim
1976
5.0Fantasy comedy about Brazilian writer Oswald de Andrade, one of the most important icons of Modernism in Brazil. In the film, Oswald is played by two actors: Ítala Nandi, as his feminine anima, and Flávio Galvão, as the masculine half.
The Brazilwood Man
1982
Film credits
Behind the camera
No synopsis available yet.
Uzebrioloco
1990
No synopsis available yet.
Uzebrioloco
1990
No synopsis available yet.
Uzebrioloco
1990
No synopsis available yet.
Carlota Amorosidade
1987
NRTropicália was a Brazilian cultural movement that occurred between 1967 and 1968, inspired by Oswald de Andrade's anthropophagic ideals, pop art and the concretism. Twenty years later, this film revisits the movement and shows that Tropicalismo will never die.
Infinita Tropicália
1986
NRTropicália was a Brazilian cultural movement that occurred between 1967 and 1968, inspired by Oswald de Andrade's anthropophagic ideals, pop art and the concretism. Twenty years later, this film revisits the movement and shows that Tropicalismo will never die.
Infinita Tropicália
1986
5.0Nitrato expresses the ambiguities and contradictions of the Cinemateca Brasileira. The film deals with the richness of its collection, the recognition of international entities, and explores what its relationship to the general public was like. Nitrato also portrays the neglect with which the institution is treated, as seen in how precarious its building infrastructure is, how politicians neglected to communicate with the institution’s staff, and the aftermath of another fire in the building.
Nitrato
1974
5.0No synopsis available yet.
Foi Assim
1976
5.0No synopsis available yet.
Domingo em construção
1977
