Aloysio Raulino

The path of Paraguayan immigrants who drive to Asuncion and then arrive in São Paulo. They are rural workers, musicians, vendors and underemployed people. Two parallel worlds: the Guarani culture and the Brazilian adventure in São Paulo juxtaposed with Paraguayan songs and the Guarani language, spoken by the main characters.

A portrait of Santos Port, its geography, workers and the life that surrounds it, including the poor, prostitutes and the night life inhabitants.

No synopsis available yet.

Supported by the works of poet/musician Claude Miller, the film portraits a snippet of brazilian reality.

The faces, the gestures and speech of beggars, madmen and revelers passing through the streets of São Paulo. The sounds and images are illustrated with Frantz Fanon extracts.

Rui arrives in a small town looking for his father, a prospector. Before that, he gets involved with Maria, who is facing problems in the family. Maria's stepfather is the head of a gang and will go to any lengths to prevent Rui from finding his father.

The path of Paraguayan immigrants who drive to Asuncion and then arrive in São Paulo. They are rural workers, musicians, vendors and underemployed people. Two parallel worlds: the Guarani culture and the Brazilian adventure in São Paulo juxtaposed with Paraguayan songs and the Guarani language, spoken by the main characters.

The path of Paraguayan immigrants who drive to Asuncion and then arrive in São Paulo. They are rural workers, musicians, vendors and underemployed people. Two parallel worlds: the Guarani culture and the Brazilian adventure in São Paulo juxtaposed with Paraguayan songs and the Guarani language, spoken by the main characters.

A portrait of Santos Port, its geography, workers and the life that surrounds it, including the poor, prostitutes and the night life inhabitants.

A portrait of Santos Port, its geography, workers and the life that surrounds it, including the poor, prostitutes and the night life inhabitants.

No synopsis available yet.

Supported by the works of poet/musician Claude Miller, the film portraits a snippet of brazilian reality.

Supported by the works of poet/musician Claude Miller, the film portraits a snippet of brazilian reality.

Supported by the works of poet/musician Claude Miller, the film portraits a snippet of brazilian reality.

The faces, the gestures and speech of beggars, madmen and revelers passing through the streets of São Paulo. The sounds and images are illustrated with Frantz Fanon extracts.

The faces, the gestures and speech of beggars, madmen and revelers passing through the streets of São Paulo. The sounds and images are illustrated with Frantz Fanon extracts.

The faces, the gestures and speech of beggars, madmen and revelers passing through the streets of São Paulo. The sounds and images are illustrated with Frantz Fanon extracts.

Rui arrives in a small town looking for his father, a prospector. Before that, he gets involved with Maria, who is facing problems in the family. Maria's stepfather is the head of a gang and will go to any lengths to prevent Rui from finding his father.

Rui arrives in a small town looking for his father, a prospector. Before that, he gets involved with Maria, who is facing problems in the family. Maria's stepfather is the head of a gang and will go to any lengths to prevent Rui from finding his father.

Arnulfo Silva, a former abandoned child, retells his childhood difficulties living on the streets.

Arnulfo Silva, a former abandoned child, retells his childhood difficulties living on the streets.

Deutrudes Carlos da Rocha, a 24-year-old Brazilian, black, illiterate, is a car washer and lives in São Paulo. Through his testimony and also holding the camera, he brings us closer to his experience and vision of the world.

Deutrudes Carlos da Rocha, a 24-year-old Brazilian, black, illiterate, is a car washer and lives in São Paulo. Through his testimony and also holding the camera, he brings us closer to his experience and vision of the world.

Mixing new images to existing São Paulo movies takes, the documentary presents the city from the perspective of five main attributes: transformation, anonymity, crowd, precariousness and dimension.

The experiences of the vocational education at Oswaldo Aranha Highschool, São Paulo, based on a ideia of creating a social microcosm to put the children in a direct touch with their Country reality.

The street carnival in the city of São Paulo: the scenary, the samba schools, the blocks, the passers-by, the trance. Film made from black and white photographs, with classic samba songs in the soundtrack.

This documentary takes us on a ride through Marginal Tietê, an important avenue in São Paulo, Brazil, then recently opened to the public. The places it crosses and the people living nearby force the viewer to think about the core of this big city.

This documentary takes us on a ride through Marginal Tietê, an important avenue in São Paulo, Brazil, then recently opened to the public. The places it crosses and the people living nearby force the viewer to think about the core of this big city.

This documentary takes us on a ride through Marginal Tietê, an important avenue in São Paulo, Brazil, then recently opened to the public. The places it crosses and the people living nearby force the viewer to think about the core of this big city.

A young man returns to the country and find surprises,

A young man returns to the country and find surprises,

A young man returns to the country and find surprises,

"Against an adverse sky, Celeste raises her flight. If he went up, nobody knows, nobody saw."

Second part of the trilogy that approaches puberty in three Brazilian socio economic classes: A, B and C. The youngsters talks freely about their fears and projects, unveiling a broad outlook about the pre-adolescence universe in São Paulo.

Documentary shot in 14 different dancing rooms, showing the variety of genres, styles e social groups in the São Paulo city.

An essay on street art in Sao Paulo during the early 90s.

First part of the trilogy that approaches puberty in three Brazilian socio economic classes: A, B and C. The youngsters talks freely about their fears and projects, unveiling a broad outlook about the pre-adolescence universe in São Paulo.

Last part of the trilogy that approaches puberty in three Brazilian socio economic classes: A, B and C. The youngsters talks freely about their fears and projects, unveiling a broad outlook about the pre-adolescence universe in São Paulo.