Yevgeni Chervyakov

Silent film set in 1919 during the Russian Civil War. The Red Army liberated a small town, but a unit of White Russians is still operating in the suburbs. A group of Red Army officers are posing as a gang of Batka Knysh to provoke the White Russians before the final blow.

In the short-lived Commune of Paris, a conscripted soldier falls in love with a Communard saleswoman. As the army cracks down on the revolutionaries, the soldier is forced to fight against the Commune, and the pair's love is put to the test.

The film takes place during the pre-revolutionary years and the initial period of the Soviet regime. At a monastery shelter in one of Russia's western towns, orphan Yulka gives birth to a son from the shepherd Jerome. Matron of the shelter Pavlikha as directed by the father kills the newborn baby and disposes of the corpse in the Jewish Quarter. The Black Hundreds are spreading the rumor that the murder was committed by the Jews for ritual purposes. Mayhem arises which is supported by the authorities of the city. The church refuses to shelter Jews fleeing from the violent thugs.

The last and only surviving (partially lost) silent film by director and actor Yevgeny Chervyakov. The film adaptation is distinguished by the accuracy of the psychological characteristics of the numerous characters, the detail of everyday sketches of life in Germany and Russia, and the conveyance of the atmosphere of the events of the First World War and the Civil War.

Tsar Nicholas I is enamoured by Natalia, the wife of Alexander Pushkin. To cover his tracks, the tsar encourages the suit of Georges d'Anthès, a French officer, with the help of Count Alexander von Benckendorff. Pushkin hears rumours of D’Anthès’s love for his wife and challenges him to a duel.

No synopsis available yet.

A man discovers that he's not the father of his wife's baby.

A man discovers that he's not the father of his wife's baby.

Lost film.

Lost film.

The collection consists of five short stories: "The Meeting," "One of Many," "At the Old Nanny's," "One Hundred for One," and "The Incident at the Telegraph Office."

No synopsis available yet.

No synopsis available yet.

The last and only surviving (partially lost) silent film by director and actor Yevgeny Chervyakov. The film adaptation is distinguished by the accuracy of the psychological characteristics of the numerous characters, the detail of everyday sketches of life in Germany and Russia, and the conveyance of the atmosphere of the events of the First World War and the Civil War.

The last and only surviving (partially lost) silent film by director and actor Yevgeny Chervyakov. The film adaptation is distinguished by the accuracy of the psychological characteristics of the numerous characters, the detail of everyday sketches of life in Germany and Russia, and the conveyance of the atmosphere of the events of the First World War and the Civil War.

In northward far camp NKVD arrives echelon with the group of prisoners. Among them there are an engineer Sadovskiy and inveterate criminal Kostya, that quickly becomes the ringleader of barrack and forbids to all the appearances at work. The officials of cheka begin a persistent and tactful fight for the change of these people.

Tsar Nicholas I is enamoured by Natalia, the wife of Alexander Pushkin. To cover his tracks, the tsar encourages the suit of Georges d'Anthès, a French officer, with the help of Count Alexander von Benckendorff. Pushkin hears rumours of D’Anthès’s love for his wife and challenges him to a duel.

Military maneuvers are being conducted in the Kuban villages of Dalnyaya and Kochevskaya, with the participation of village Cossack detachments. The Kochevskaya reconnaissance unit is led by the dashing Cossack Mikhail, while his fiancée Dasha Gorkunova is a communications officer for the "enemy" unit. Dasha cleverly deceives her "enemy" and, having escaped from her pursuers, gives instructions to "her own."