Janusz Gajos

Polish immigrant Karol Karol finds himself out of a marriage, a job and a country when his French wife, Dominique, divorces him after six months due to his impotence. Forced to leave France after losing the business they jointly owned, Karol enlists fellow Polish expatriate Mikołaj to smuggle him back to their homeland.

The play by Wojciech Tomczyk. The topic taken up by Wojciech Tomczyk is a very hot one, dealing with the still painful settlements with the People's Republic of Poland, the problem of victims and executioners, entangled in the communist and post-communist system. A retired military counterintelligence officer is approached by a journalist. Hanka wants to get information about the colonel with whom our retiree met at the infantry school, where they studied since the fall of 1953. Stefan Kolodziej, however, has other plans. He wants to tell Hanka his biography, which is suspiciously intertwined with the journalist's life. The Colonel's confession reveals the horrifying cesspool of communism: finished people, destroyed families and careers.

An odd couple of old people lead their simple lives close to nature. The man is an amateur constructor and his goal now is to build a small river dam to produce electricity for his country house.

A young militia lieutenant goes undercover as a journalist to investigate a Zakopane smuggling ring.

There is a writer who in the late 1970s managed to publish a poem in the monthly "Nowy Wyraz". It was enough to become a self-confessed writer whose name began to appear in the state media. The writer takes full advantage of his privileges - he flirts with power, sympathizes with the opposition, and collapses his studies at the same time. He is saved from going to the army by an exalted essayist whose sister is the head of the psychiatric hospital in Tworki. In a psychiatric institution, a writer meets a schizophrenic who writes a novel. After his suicide, the protagonist takes over the draft, which he publishes outside of censorship under his name, thanks to which he gains fame, fame and money. August '80 breaks out....

Michal Szmańda suffers from epilepsy, depression and other conditions. He is cared for by his sister Aniela. The only bright ray in her life is the "garden" arranged in the kitchen. They do not live with their mother. When they were children, and this was in Stalinist times, the mother was a labor leader. Possessed by the new ideology, she neglected the house and children. When little Michael was sent to a sanatorium, his mother did not visit him at Christmas. This caused trauma for the rest of his life.

In Stalinist Poland, cabaret singer Tonia decides to spend the evening drinking with a group of friends. The next morning, she awakes to find that, for reasons unknown to her, she has been jailed as a political prisoner. As prison officials interrogate, torture and humiliate her, she fights for survival and to maintain her innocence by refusing to sign a false confession. As her years of imprisonment pass, her relationship with her captors grows more complicated.

A well-known professor of medicine finding himself at the threshold of autumn of his life, takes stock of his achievements and experiences. "In the end it ends with what has been known for a long time: that conscious life without a fixed worldview is not life, but torment, horror. - wrote Anton Chekhov in one of his letters summarizing "An Uninteresting Story". The protagonist, Professor Nikolai Stepanovich, is a character characteristic of Chekhov's entire oeuvre - a Russian intellectual from the late nineteenth century, depressed by boredom and a sense of his own uselessness and the meaninglessness of his existence.

A UFO lands at night in a typical Masovian village. The villagers feel honored and want to be as hospitable as possible for the unexpected alien guests.

An elderly man returns to Poland to find his long-lost son, missing since World War II. In his quest the man is forced to contemplate the elusive and coded nature of truth itself.

The film is based on the well-known, translated into many languages novel of writer Pawel Huelle. It is imbued with nostalgia and the atmosphere of mystery story of a group of children, fascinated by the figure of a man named David Weiser.

A mysterious Mania appears in Warsaw. The girl, together with the other children, experiences amazing adventures.

A busy attorney, worried that his anorexic daughter Olga, who is still grieving her recently deceased mother, might try to harm herself, sends her to see a psychiatrist who's dealing with her own loss in an unusual way.

A winter day at a Polish castle, half owned by a fatalistic notary and half by a volcanic old soldier's niece. The old soldier, Cupbearer, and the notary are sworn enemies, which may doom the love between the niece, Klara, and the notary's son, Waclaw. On this day, the tongue-tied Cupbearer asks a braggart courtier, Papkin, to sue on his behalf for the hand of the widow Hanna. Papkin succeeds and

Polish-born Russian subject Cezary Baryka comes of age during a tumultous period of ten years from 1914 to 1924, during which he witnesses revolution, rebirth of Poland, war with the Soviets and communist plots.

A father and daughter, Michał and Anka, have a unique intimacy, which the college-aged Anka is beginning to feel conflicted about. When she finds an unopened letter from her deceased mother, it seems to justify her attraction to Michał, who may not in fact be her father.

Poland, Christmastime. A band of hyperintelligent, bloodthirsty Martians take over the country and enlist hapless television newscaster Iron Idem as the voice of their propaganda machine. But when Iron dares to go off message, he makes an enemy even greater than the aliens—the state itself.

The love between Mateusz Krol, a Kashubian boy, and Marita von Krauss, a Prussian aristocrat in whose family home he is taken in when his mother dies, grows and matures thorough the years, while Kashubia, the northern Polish region where they live, suffers the consequences of the tragedies that will ravage Europe from the beginning of the 20th century until the end of the World War II.

In Warsaw in 1980, the Communist Party sends disgruntled radio reporter Winkel to Gdańsk to dig up dirt on the shipyard strikers - particularly on Maciek Tomczyk, an independent labour union leader whose father was killed in the December 1970 protests. Posing as sympathetic, Winkel interviews the people surrounding Tomczyk, including his detained wife, Agnieszka.

December, 1981. World-class champion Ewa Jaskólska is looking forward to a cruise around the world with her yacht. At her farewell party, several people are present that are connected to the new Solidarnośc movement. The guests are filmed by a TV journalist. The introduction of the martial law in Poland leads to problems for all people involved. Can Ewa go back to her home country after these dramatic changes in Poland?

After a disaster in the mine, Łopot, a technician, protects the perpetrator. He soon faces a moral dilemma.

Film based on the book of Viktor Suvorov, a former Soviet military intelligence officer. The story of the strange friendship between the two GRU officers. That relationship began in the Soviet military range where daring young officer Witek action drew the attention of Colonel Kravcov. With the protection of Colonel Witek gets to the interview. Price to be paid for this "favor" is the total loyalty to his patron.

A little known episode from the life of Stalinist security police office Julia Brystiger. Her nickname Bloody Luna was a reference to her incredibly brutal methods of interrogation. In the early 1960s, she appears in a centre for the blind on the outskirts of Warsaw, a place often visited by Cardinal Wyszyński, whose imprisonment in 1953-1956 Brystiger supervised personally. During a difficult and heated discussion with the cardinal, Brystiger denounces the communist ideology and begs for forgiveness for her crimes and for guidance in her search for God.

A dream-like meditation on post-industrial life in Communist Poland.