Pavel Koutecký

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

The documentary explores the presidency of Václav Havel, a poet who unexpectedly became president. The film, starting in 1992, captures Havel’s experiences after the breakup of Czechoslovakia, a significant defeat for him as he had campaigned for its continuation. Despite political opposition and accusations of responsibility for the breakup, Havel runs for president of the new Czech Republic. The film, a unique document, was Koutecký’s most important project, continued by Janek after Koutecký’s death in 2006.

No synopsis available yet.

For twelve years, a film crew has been following the lives of four people who appeared in public in November 1989. Musician Michael Kocáb, dissident Jan Ruml, young participant in the National Avenue intervention Kryštof Rímský, and student leader Martin Mejstřík. The period after November opened up new possibilities, opportunities, and chances for everyone. This unique film project captures their search, their wanderings, their resolutions, and their doubts on the path to finding their own place in the turbulent waters of a transforming society.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

The documentary explores the presidency of Václav Havel, a poet who unexpectedly became president. The film, starting in 1992, captures Havel’s experiences after the breakup of Czechoslovakia, a significant defeat for him as he had campaigned for its continuation. Despite political opposition and accusations of responsibility for the breakup, Havel runs for president of the new Czech Republic. The film, a unique document, was Koutecký’s most important project, continued by Janek after Koutecký’s death in 2006.

No synopsis available yet.

No synopsis available yet.

For twelve years, a film crew has been following the lives of four people who appeared in public in November 1989. Musician Michael Kocáb, dissident Jan Ruml, young participant in the National Avenue intervention Kryštof Rímský, and student leader Martin Mejstřík. The period after November opened up new possibilities, opportunities, and chances for everyone. This unique film project captures their search, their wanderings, their resolutions, and their doubts on the path to finding their own place in the turbulent waters of a transforming society.

For twelve years, a film crew has been following the lives of four people who appeared in public in November 1989. Musician Michael Kocáb, dissident Jan Ruml, young participant in the National Avenue intervention Kryštof Rímský, and student leader Martin Mejstřík. The period after November opened up new possibilities, opportunities, and chances for everyone. This unique film project captures their search, their wanderings, their resolutions, and their doubts on the path to finding their own place in the turbulent waters of a transforming society.

No synopsis available yet.

No synopsis available yet.

The second film from in this category, Etudes for the Electron Microscope (20 min., 1988), is is characterized by formal experimentation in both image and sound.

The second film from in this category, Etudes for the Electron Microscope (20 min., 1988), is is characterized by formal experimentation in both image and sound.

In this playful experimental film, documentary maker and animator Pavel Koutecký captures Prague during campaigning for the first free elections in 1990. Old political posters recall an atmosphere of belief in democracy and disgust with the years of communist dictatorship.

In this playful experimental film, documentary maker and animator Pavel Koutecký captures Prague during campaigning for the first free elections in 1990. Old political posters recall an atmosphere of belief in democracy and disgust with the years of communist dictatorship.

In this playful experimental film, documentary maker and animator Pavel Koutecký captures Prague during campaigning for the first free elections in 1990. Old political posters recall an atmosphere of belief in democracy and disgust with the years of communist dictatorship.

Approximately 250 photographs by Roman Sejkot of a mentally handicapped swimmer which are wonderfully animated by the film's director. A selection of these photographs came third in the Sports Stories category in the 1993 World Press Photo competition.

Approximately 250 photographs by Roman Sejkot of a mentally handicapped swimmer which are wonderfully animated by the film's director. A selection of these photographs came third in the Sports Stories category in the 1993 World Press Photo competition.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

A cynical take on "happily ever after"

A cynical take on "happily ever after"

How is it possible that in one country, in one half of the century, in a turbulent and unclear time, two people live not far from each other - a businessman with so-called "right-wing" views and an artist with so-called "left-wing" views, and both can be right? What is this truth and where is it to be found? Is there only one? What do these so different people have in common? What strange time was that second half of the twentieth century? These are the questions that may come to mind when watching the confrontation between two Czech Chileans, Milan Platovsky and Hanns Stein. The fate of the former could be written in the Guinness Book of Records - he is a twice-nationalised capitalist. The latter, on the other hand, has always been where the violence has come - in 1939 (Hitler), 1968 (Brezhnev) and 1973 (Pinochet) - on the other side, of course. You can meet both of them in the documentary film by Pavel Koutecký and Jan Burian, made in January 1999.

How is it possible that in one country, in one half of the century, in a turbulent and unclear time, two people live not far from each other - a businessman with so-called "right-wing" views and an artist with so-called "left-wing" views, and both can be right? What is this truth and where is it to be found? Is there only one? What do these so different people have in common? What strange time was that second half of the twentieth century? These are the questions that may come to mind when watching the confrontation between two Czech Chileans, Milan Platovsky and Hanns Stein. The fate of the former could be written in the Guinness Book of Records - he is a twice-nationalised capitalist. The latter, on the other hand, has always been where the violence has come - in 1939 (Hitler), 1968 (Brezhnev) and 1973 (Pinochet) - on the other side, of course. You can meet both of them in the documentary film by Pavel Koutecký and Jan Burian, made in January 1999.