Neslihan Yeldan

Despite her intentions to cover more serious news stories, a woman takes the only job in journalism she can get, writing horoscopes. The stakes are raised when she suspects criminal goings-on.

Arap Kadri, fond of his freedom, is an unruly man who lives in the forest. The same forest where Tarzan establishes order, creatures try to live an orderly life. Kadri cannot adapt to city life, throwing a wrench into the regular life he encounters in the forest. This situation causes a conflict between him and Tarzan.

Leyla and her boyfriend Yilmaz are in the porn film sector for 25 years in Germany. A while ago, they moved to Istanbul and Yilmaz left her for another woman. Although they are separated, Yilmaz comes up with a last minute request: one last movie where Leyla meets 20 year old handsome but quite traumatic character Izzet. The age difference between Leyla and Izzet, unsolved problems of Izzet's chubby mother and sister, Yilmaz's passion to his work and its results all crash into each other in an unexpected way.

Münevver Sarıselimoğlu is the wife of Güven Sarıselimoğlu, the owner of a large holding company operating in many fields, primarily the construction sector. Living under her husband's constant supervision and suffering from pressure and violence, Münevver is very unhappy. Seeking to exact revenge and cause her husband some pain, she begins searching for a plan. Through her friend Özgür, she meets Galip, a fearless mafia member. Galip takes Münevver's desire for revenge to the next level, devising a plan so daring that no one could have imagined it. Ultimately, this will lead to a chaos that Güven never anticipated...

A friendship started in childhood in Thessaloniki firstly turned into being comrade in arms and then a half-century brotherhood and fraternity following the same ideals until the death upon proclamation of the Republic; Ataturk & Salih Bozok Veda Ataturk (The Farewell Ataturk) is the story of a brotherhood, portrayal of milestones in Ataturk's life and the story of a commander commanding a generation that challenged the death to save the homeland.

A struggling, suicidal young comedian meets a car thief who is willing to teach him a few things about his profession.

“Anlatacaklarım var! Vaaz vermek değil niyetim, duyduğumu söylemek. Söylemeye değer şeyler duyuyorum zira. Belki hayatı daha yaşanır kılmak için ya da belki sade, ama sade anlatmak için... Sen anlat dedi Tanrı bana, anlaşılsın diye değil, hiçbir mükafat istemeden anlat... Çünkü bir mükafattır artık bir anlatıcıya doğru düzgün anlaşılmak! Sen anlat dedi... Sen sade anlat! Umudu hatırlatsın diye umutsuzluğu, çareye yol açsın diye çaresizliği anlat... Ders verme dedi kimseye, çünkü hoca denmez öğrenmesini bitirene. Çırakları olan bir çıraktır usta, olsa olsa... Sen anlat dedi bana Tanrı, sen sade anlat.... “ Yılmaz Erdoğan, “Bana Bir Şeyhler Oluyor” oyununun kahramanı Hilmi Duran’a söylettiği bu sözlerle, yazar olarak neden böyle bir oyun yazmak zorunda kaldığını açıklamakla kalmıyor, aynı zamanda kahramanının da kimliğini ele veriyor.

Yunus is a man struggling with a past filled with secrets and pain, crushed by a talent he cannot decide is a curse or a gift. In the hope of finding a small house where he can rest and find peace, he knocks on the door of Sema Real Estate. Will the journey he undertakes to his childhood and past in the House of Nightmares help lighten his soul and lead him to the path to that distant land he has always seen in his dreams?

No synopsis available yet.

Yılmaz Erdoğan's lauded stage play traces the life of wunderkind Gülseren as she navigates social and political change.

Nur is a woman who suffers from bipolar depression with psychosis. While she stays in a mental institution she confronts with her life; her childhood, her parents and her marriage...Can she ever learn to love herself?

The turbulent history of a country will be narrated through a modern ballet imbued with extraordinary aesthetics and poetry, staged as if on a theater stage. While the events are narrated solely through the modern ballet from a historical perspective, the impact of these events on society and their reflections on individuals are narrated through a love story embedded in the main story. Finally, an analysis is presented to the audience, composed of people from all segments of society, of how these events shaped society in 1990.

The Ottoman Empire through the eyes of an abstract sultan, who is unknown even to his own people, who always delegates his responsibilities to the wrong people around him due to his incompetence in state affairs, and who knows nothing about war.