Costas Ferris

The story of a group of Rembetes, singers and musicians of the Greek equivalent to the blues, in the early decades of the 20th century, seen through the eyes of a young female singer.

A group of Greek soldiers are assigned to run the Cinematographic Unit of the army in the midst of political unrest.

This special six-episode tribute focuses on the discography of Dionysis Savvopoulos, presenting ten of his emblematic albums - a turning point in Greek music. Six total "eras" of musical creation and history. In this documentary, which was to be the last legacy of Dionysis Savvopoulos, he himself tells stories that marked his life and the lives of everyone, from 1965, when he released his first album, to the present day, while for the last time he sings, with his guitar and unique voice, songs that we loved from his discography. In his unique way - the one that sweetly mixes myth with reality - he talks about the "lives" he lived, the people he met, his songs that were loved and left their indelible mark over time. The visual part, is by Alexis Kyritsopoulos, a companion and friend of Savvopoulos from the beginning, with works that he designed especially for this particular tribute, which also come to life through animation.

We are in Athens, in August, when the residents are away on vacation. An eccentric music teacher wanders and daydreams in the streets of the half-empty city. In the winds of Plaka, he meets Anna, a strange girl lost in her fantasies, who is always waiting for her beloved to return and take her away, as he promised her exactly one year ago when they met. The two heroes try to get closer to each other, with successive dialogues and monologues that border on the absurd.

An adaptation of one of the greatest greek novellas ('The Murderess' by Alexandros Papadiamantis). Fragkogiannou (Maria Alkaiou), a hard-done by, deranged woman after a life full of hardship, recalls the past by her newborn girl grandchild’s crib. Her mother was a wicked woman and one of her sons was a criminal. Lost in a haze, she strangles the baby as she is concvinced that girls can cause their family only trouble. Later, she lets a little girl drown in a well, while she drowns three other little girls, one of whom is a newborn baby. This is her way of sparing children and parents of the inevitable suffering in life.

Francesco, a young Sicilian aristocrat, scars an aging gangster who has set out to take away his property. The gangster vows to obtain vengeance, and Francesco is forced to flee across Greece with his girl friend, pursued by his antagonist's vicious henchmen.

This special six-episode tribute focuses on the discography of Dionysis Savvopoulos, presenting ten of his emblematic albums - a turning point in Greek music. Six total "eras" of musical creation and history. In this documentary, which was to be the last legacy of Dionysis Savvopoulos, he himself tells stories that marked his life and the lives of everyone, from 1965, when he released his first album, to the present day, while for the last time he sings, with his guitar and unique voice, songs that we loved from his discography. In his unique way - the one that sweetly mixes myth with reality - he talks about the "lives" he lived, the people he met, his songs that were loved and left their indelible mark over time. The visual part, is by Alexis Kyritsopoulos, a companion and friend of Savvopoulos from the beginning, with works that he designed especially for this particular tribute, which also come to life through animation.

The story of a group of Rembetes, singers and musicians of the Greek equivalent to the blues, in the early decades of the 20th century, seen through the eyes of a young female singer.

The story of a group of Rembetes, singers and musicians of the Greek equivalent to the blues, in the early decades of the 20th century, seen through the eyes of a young female singer.

The story of a group of Rembetes, singers and musicians of the Greek equivalent to the blues, in the early decades of the 20th century, seen through the eyes of a young female singer.

We are in Athens, in August, when the residents are away on vacation. An eccentric music teacher wanders and daydreams in the streets of the half-empty city. In the winds of Plaka, he meets Anna, a strange girl lost in her fantasies, who is always waiting for her beloved to return and take her away, as he promised her exactly one year ago when they met. The two heroes try to get closer to each other, with successive dialogues and monologues that border on the absurd.

We are in Athens, in August, when the residents are away on vacation. An eccentric music teacher wanders and daydreams in the streets of the half-empty city. In the winds of Plaka, he meets Anna, a strange girl lost in her fantasies, who is always waiting for her beloved to return and take her away, as he promised her exactly one year ago when they met. The two heroes try to get closer to each other, with successive dialogues and monologues that border on the absurd.

An adaptation of one of the greatest greek novellas ('The Murderess' by Alexandros Papadiamantis). Fragkogiannou (Maria Alkaiou), a hard-done by, deranged woman after a life full of hardship, recalls the past by her newborn girl grandchild’s crib. Her mother was a wicked woman and one of her sons was a criminal. Lost in a haze, she strangles the baby as she is concvinced that girls can cause their family only trouble. Later, she lets a little girl drown in a well, while she drowns three other little girls, one of whom is a newborn baby. This is her way of sparing children and parents of the inevitable suffering in life.

An adaptation of one of the greatest greek novellas ('The Murderess' by Alexandros Papadiamantis). Fragkogiannou (Maria Alkaiou), a hard-done by, deranged woman after a life full of hardship, recalls the past by her newborn girl grandchild’s crib. Her mother was a wicked woman and one of her sons was a criminal. Lost in a haze, she strangles the baby as she is concvinced that girls can cause their family only trouble. Later, she lets a little girl drown in a well, while she drowns three other little girls, one of whom is a newborn baby. This is her way of sparing children and parents of the inevitable suffering in life.

A disillusioned forty-something wanders through a city and his past, rejected by every ideology he once believed in. Neither love nor theory can fill the void—so he stages his own theatrical death.

A speculation on power, using the film image to experiment with and explore a combination of elements, such as eastern philosophy, pop culture and music. Based on Aeschylus "Prometheus Bound"

A speculation on power, using the film image to experiment with and explore a combination of elements, such as eastern philosophy, pop culture and music. Based on Aeschylus "Prometheus Bound"

The film adaptation for the modern era of the ancient tragedy The Bacchae. Pentheus is celebrating his birthday, and surreal scenes unfold before his eyes, arousing doubts in the celebrant as to whether the things he is experiencing are real. Written by Greek Film Archive

No synopsis available yet.

An apocalyptic vision of man after a cosmic catastrophe, this film is a terrifying metaphor of a dehumanized future. The Brazilian Cinema Novo, German expressionism of the twenties, and the ideologically motivated ‘cruelty’ of a Buñuel come together in this ferocious work of a French theatre collective – an ambitious, almost completely successful example of visual cinema at its best.

From Homer to Vamvakaris, the first and definitive History of Rebetiko Song, by Kostas Ferris, as it has never been presented before. Eight hours of enthralling revelation of the secrets of the most important cultural creation of the Greek state, featuring dozens of songs—both original recordings and reinterpretations—and speakers including the most distinguished scholars of Rebetiko and its surrounding themes.

A Costas Ferris' short featuring two of the best greek songs. Back in 1961 this film was expelled from Thessaloniki Film Festival because of the lyrics of these songs. They belonged to the rembetiko genre that used to over-emphasize the pleasure of using drugs. The worst thing was that Acropolis was shown in a plan and that lead the government to completely ban the film as anti-touristic!

A Costas Ferris' short featuring two of the best greek songs. Back in 1961 this film was expelled from Thessaloniki Film Festival because of the lyrics of these songs. They belonged to the rembetiko genre that used to over-emphasize the pleasure of using drugs. The worst thing was that Acropolis was shown in a plan and that lead the government to completely ban the film as anti-touristic!