Directing
Costas Ferris
Born 1935-04-18 · Cairo, Egypt
Costas Ferris is a Greek film director, writer, actor, and producer. He wrote the lyrics of Aphrodite's Child's album 666. His 1983 film Rembetiko won the Silver Bear at the 34th Berlin International Film Festival.
Acting credits
7.6A group of Greek soldiers are assigned to run the Cinematographic Unit of the army in the midst of political unrest.
Loafing and Camouflage
1984
7.5The story of a group of Rembetes, singers and musicians of the Greek equivalent to the blues, in the early decades of the 20th century, seen through the eyes of a young female singer.
Rembetiko
1983
4.4A disillusioned forty-something wanders through a city and his past, rejected by every ideology he once believed in. Neither love nor theory can fill the void—so he stages his own theatrical death.
Exile on Main Avenue
1979
5.8Giannis Giannakis, released from psychiatric hospital after many years, decides to return home to his parents. On his way back he slowly discovers that the outside world is crazier than he thought - and starts to question whether he'd be better off back in the psychiatric ward.
Made in Greece
1987
6.0Francesco, a young Sicilian aristocrat, scars an aging gangster who has set out to take away his property. The gangster vows to obtain vengeance, and Francesco is forced to flee across Greece with his girl friend, pursued by his antagonist's vicious henchmen.
A Bullet Through the Heart
1966
3.6A young drifter working on a river barge disrupts his employers' lives while hiding the fact that he knows more about a dead woman found in the river than he admits.
Vitsia gynaikon
2000
6.0Athens 1967. The political assassinations and the background between the government and foreign powers, on the occasion of the "Polk Case", where an innocent leftist was convicted for the murder of an American journalist in Greece.
Kierion
1974
5.8An apocalyptic vision of man after a cosmic catastrophe, this film is a terrifying metaphor of a dehumanized future. The Brazilian Cinema Novo, German expressionism of the twenties, and the ideologically motivated ‘cruelty’ of a Buñuel come together in this ferocious work of a French theatre collective – an ambitious, almost completely successful example of visual cinema at its best.
The Blood
1971
8.5The Lecco, an art collector, promises to help him, asking him to return to bring him a valuable vase from the archaeological museum of Amorgos, stealing it and replacing it with a copy. Alkis accept and go on Amorgos where he meets a girl, Ariadne. The divine aura of mysterious girl, no one on the island knows or has seen in captivates and entangles in a strange metaphysical conundrum, where added and the sudden death of Lecco.
Ariadni
2002
Behind the camera
7.0The film adaptation for the modern era of the ancient tragedy The Bacchae. Pentheus is celebrating his birthday, and surreal scenes unfold before his eyes, arousing doubts in the celebrant as to whether the things he is experiencing are real. Written by Greek Film Archive
Oh Babylon
1989
7.5The story of a group of Rembetes, singers and musicians of the Greek equivalent to the blues, in the early decades of the 20th century, seen through the eyes of a young female singer.
Rembetiko
1983
7.5The story of a group of Rembetes, singers and musicians of the Greek equivalent to the blues, in the early decades of the 20th century, seen through the eyes of a young female singer.
Rembetiko
1983
7.5The story of a group of Rembetes, singers and musicians of the Greek equivalent to the blues, in the early decades of the 20th century, seen through the eyes of a young female singer.
Rembetiko
1983
7.5An adaptation of one of the greatest greek novellas ('The Murderess' by Alexandros Papadiamantis). Fragkogiannou (Maria Alkaiou), a hard-done by, deranged woman after a life full of hardship, recalls the past by her newborn girl grandchild’s crib. Her mother was a wicked woman and one of her sons was a criminal. Lost in a haze, she strangles the baby as she is concvinced that girls can cause their family only trouble. Later, she lets a little girl drown in a well, while she drowns three other little girls, one of whom is a newborn baby. This is her way of sparing children and parents of the inevitable suffering in life.
The Murderess
1974
7.5An adaptation of one of the greatest greek novellas ('The Murderess' by Alexandros Papadiamantis). Fragkogiannou (Maria Alkaiou), a hard-done by, deranged woman after a life full of hardship, recalls the past by her newborn girl grandchild’s crib. Her mother was a wicked woman and one of her sons was a criminal. Lost in a haze, she strangles the baby as she is concvinced that girls can cause their family only trouble. Later, she lets a little girl drown in a well, while she drowns three other little girls, one of whom is a newborn baby. This is her way of sparing children and parents of the inevitable suffering in life.
The Murderess
1974
4.4A disillusioned forty-something wanders through a city and his past, rejected by every ideology he once believed in. Neither love nor theory can fill the void—so he stages his own theatrical death.
Exile on Main Avenue
1979
A speculation on power, using the film image to experiment with and explore a combination of elements, such as eastern philosophy, pop culture and music. Based on Aeschylus "Prometheus Bound"
Prometheus Second Person, Singular
1975
A speculation on power, using the film image to experiment with and explore a combination of elements, such as eastern philosophy, pop culture and music. Based on Aeschylus "Prometheus Bound"
Prometheus Second Person, Singular
1975
NRNo synopsis available yet.
A lot of spectacle, a few words
1987
6.0We are in Athens, in August, when the residents are away on vacation. An eccentric music teacher wanders and daydreams in the streets of the half-empty city. In the winds of Plaka, he meets Anna, a strange girl lost in her fantasies, who is always waiting for her beloved to return and take her away, as he promised her exactly one year ago when they met. The two heroes try to get closer to each other, with successive dialogues and monologues that border on the absurd.
Two Moons in August
1978
6.0We are in Athens, in August, when the residents are away on vacation. An eccentric music teacher wanders and daydreams in the streets of the half-empty city. In the winds of Plaka, he meets Anna, a strange girl lost in her fantasies, who is always waiting for her beloved to return and take her away, as he promised her exactly one year ago when they met. The two heroes try to get closer to each other, with successive dialogues and monologues that border on the absurd.
Two Moons in August
1978
5.8An apocalyptic vision of man after a cosmic catastrophe, this film is a terrifying metaphor of a dehumanized future. The Brazilian Cinema Novo, German expressionism of the twenties, and the ideologically motivated ‘cruelty’ of a Buñuel come together in this ferocious work of a French theatre collective – an ambitious, almost completely successful example of visual cinema at its best.
The Blood
1971
From Homer to Vamvakaris, the first and definitive History of Rebetiko Song, by Kostas Ferris, as it has never been presented before. Eight hours of enthralling revelation of the secrets of the most important cultural creation of the Greek state, featuring dozens of songs—both original recordings and reinterpretations—and speakers including the most distinguished scholars of Rebetiko and its surrounding themes.
The History of Rebetiko
—
A Costas Ferris' short featuring two of the best greek songs. Back in 1961 this film was expelled from Thessaloniki Film Festival because of the lyrics of these songs. They belonged to the rembetiko genre that used to over-emphasize the pleasure of using drugs. The worst thing was that Acropolis was shown in a plan and that lead the government to completely ban the film as anti-touristic!
Your eyelids shine
1961
A Costas Ferris' short featuring two of the best greek songs. Back in 1961 this film was expelled from Thessaloniki Film Festival because of the lyrics of these songs. They belonged to the rembetiko genre that used to over-emphasize the pleasure of using drugs. The worst thing was that Acropolis was shown in a plan and that lead the government to completely ban the film as anti-touristic!
Your eyelids shine
1961