Anja Breien

Through conversations with an array of Norwegian writers, filmmakers, psychiatrists, artists and more, Izquierdo investigates the impact of both the film and novel Sult by Knut Hamsun on generations of Norwegian culture and artistic practice, while exploring how it could speak about what it means to be an artist today.

Brothers Ola and Jon waiting for his father's new boat to go out fishing for herring. The father has invested a lot of money in the boat and is hoping for the big catch, but Ola is heartbroken and goes on a drinking binge.

Director/actor Eugenio Barba returns to Oslo, where he started Odin Teatret, to Opole, where Jerzy Grotowsky's " theatre of the poor" developed a new physical play style, to avoid communism's censorship. And to Holstebro, where Odin Teatrets presence has greatly influenced the city's development.

A surveillance radar is to be placed at the Norwegian coastline. Three soldiers volunteer to guard it, but only so that they can have a party afterwards.

The year is 1630. A young woman in Laupstad comes to a small mountain village. She witnesses a woman being hunted and captured.

The year is 1630. A young woman in Laupstad comes to a small mountain village. She witnesses a woman being hunted and captured.

Arvid falls in love with Lydia but puts the budding romance on hold to pursue a career and material wealth. Lydia is willing to wait for Arvid, until her father dies, leaving her finances in a dire state.

Arvid falls in love with Lydia but puts the budding romance on hold to pursue a career and material wealth. Lydia is willing to wait for Arvid, until her father dies, leaving her finances in a dire state.

An episode film initiated by Erik Borge, the fresh director of Norwegian Film, giving fresh film makers a chance of being seen by a big audience. Anja Breien, Egil Kolstø and Espen Thorstensons got the chance with very diverse films.An episode film initiated by Erik Borge, the fresh director of Norwegian Film, giving fresh film makers a chance of being seen by a big audience. Anja Breien, Egil Kolstø and Espen Thorstensons got the chance with very diverse films.

A poetic film about a cruel theme, told in a way that doesn't make the spectators close their eyes.

A poetic film about a cruel theme, told in a way that doesn't make the spectators close their eyes.

Gathered at a funeral for a successful business man, the testament is to be read. They will all inherit, with a big IF; if the family company is to be joint run by all the heirs.

Gathered at a funeral for a successful business man, the testament is to be read. They will all inherit, with a big IF; if the family company is to be joint run by all the heirs.

Ten years have passed since our three heroines' first outing in 1975. Now the women meet at yet another class reunion. Not surprisingly, they are still unwilling to call it a night after the party is over. Husbands and children must celebrate Christmas as best they can, while the women spend quality time drinking and taking stock of their lives.

Ten years have passed since our three heroines' first outing in 1975. Now the women meet at yet another class reunion. Not surprisingly, they are still unwilling to call it a night after the party is over. Husbands and children must celebrate Christmas as best they can, while the women spend quality time drinking and taking stock of their lives.

A weathered face, an old man skiing in Rondane ... Neapolitan song, music over the snow - memories of childhood summers, a boat ... The landscape is snowy now - a boat here ... In the snow?

Gaining unprecedented access to the heart of the Yezidi community, this revealing documentary unveils the ways of a Kurdish religious minority that has traditionally been surrounded by mystery. The elusive portrait of a world that seems to exist and survive outside the boundaries of time, abiding by its own set of eternal rules. A breathtaking journey into the soul at a population remorselessly hunted and persecuted that urges us to take a distance from our established viewpoint.

Gaining unprecedented access to the heart of the Yezidi community, this revealing documentary unveils the ways of a Kurdish religious minority that has traditionally been surrounded by mystery. The elusive portrait of a world that seems to exist and survive outside the boundaries of time, abiding by its own set of eternal rules. A breathtaking journey into the soul at a population remorselessly hunted and persecuted that urges us to take a distance from our established viewpoint.

The film is based on a legend that goes back to 1349, when the black plague reached Norway after ravaging in Europe. Legend of a little girl, the sole survivor plague in the isolated mountain village Justedalen. The girl closely linked to nature and becomes like a wild bird, says the legend.

The film is based on a legend that goes back to 1349, when the black plague reached Norway after ravaging in Europe. Legend of a little girl, the sole survivor plague in the isolated mountain village Justedalen. The girl closely linked to nature and becomes like a wild bird, says the legend.

A man covers his head with several headscarfs, one by one... .

It's winter in a suburb. A housewife is brutally raped. A young woman becomes a victim of attempted rape. The Police tighten noose on Anders, a young road worker who was seen on the site in both cases. The two women think they recognize him in the lineup, and police investigators use all their strength to solve the case. Anders is a common and simple individual. He could be any youth. The meeting with the ongoing investigation and the solid judiciary, forces him out of a seemingly monotonous, habitual life and forces him to react and think.

It's winter in a suburb. A housewife is brutally raped. A young woman becomes a victim of attempted rape. The Police tighten noose on Anders, a young road worker who was seen on the site in both cases. The two women think they recognize him in the lineup, and police investigators use all their strength to solve the case. Anders is a common and simple individual. He could be any youth. The meeting with the ongoing investigation and the solid judiciary, forces him out of a seemingly monotonous, habitual life and forces him to react and think.

Following a drunken school reunion, Mie, Kaja and Heidrun, three school friends now in their 30s, realize how they're dominated by their husbands’ needs and demands. Aching for a taste of freedom, the trio go off on a spree.

Following a drunken school reunion, Mie, Kaja and Heidrun, three school friends now in their 30s, realize how they're dominated by their husbands’ needs and demands. Aching for a taste of freedom, the trio go off on a spree.

Anja Breien came across a box of glass plate negatives that her grandmother had photographed, many of them with remote trigger. Breien made contact copies of them and discovered a poetic talent. This film is an attempt to get a piece of her grandmother's life, of family life? an attempt to grab a forgotten past. Can we remember others' memories?

A film about faces, about expressions, about situations. The film is based on a poem by the Danish poet Poul Borum. The recordings are made in the Munch Museum in Oslo and based on the faces of Munch's pictures.

A political short from Norwegian director Anja Breien.