Santiago Loza

Arita and Balencha, two young girls and close friends are like sisters to each other. Most of their friends have moved to Buenos Aires, but even if your boyfriend is trying to tug you along, it takes courage (and money in your pocket) to say farewell to each other and the place you have grown up in. But time passes and change happens, no matter if you want it or not - and maybe even Arita and Belencha will one day grow apart. But until then their days are spent talking, dreaming and finding a new home for a cardboard box full of puppies among friends and neighbours.

A country boy tries to find his place in Buenos Aires. He goes to live with his cousin in the outer suburbs and works as a parapalos ("pin setter") in one of the city's last hand-operated bowling alleys.

A documentary about Néstor Perlongher. His life, his poems, and his activism in Argentina's Frente de Liberación Homosexual (homosexual liberation front).

Dignified, strong and formidable, and oozing erotic attraction: young malambo dancer Gaspar is at one with his passion for dance that he has made his profession.

Tania learns that her grandmother spent the last years of her life in the loving company of an alien. Together with two friends, she travels through rural Argentina to bring the creature back to its place of origin.

High school students find their way in life at Las Delicias agrotechnical boarding school in the Argentine countryside. This striking coming-of-age film takes place against an inviting backdrop of fields of crops, greenhouses full of tomato plants, and the somewhat dilapidated school buildings, where dogs and chickens roam.

Arita and Balencha, two young girls and close friends are like sisters to each other. Most of their friends have moved to Buenos Aires, but even if your boyfriend is trying to tug you along, it takes courage (and money in your pocket) to say farewell to each other and the place you have grown up in. But time passes and change happens, no matter if you want it or not - and maybe even Arita and Belencha will one day grow apart. But until then their days are spent talking, dreaming and finding a new home for a cardboard box full of puppies among friends and neighbours.

A country boy tries to find his place in Buenos Aires. He goes to live with his cousin in the outer suburbs and works as a parapalos ("pin setter") in one of the city's last hand-operated bowling alleys.

A documentary about Néstor Perlongher. His life, his poems, and his activism in Argentina's Frente de Liberación Homosexual (homosexual liberation front).

A documentary about Néstor Perlongher. His life, his poems, and his activism in Argentina's Frente de Liberación Homosexual (homosexual liberation front).

Dignified, strong and formidable, and oozing erotic attraction: young malambo dancer Gaspar is at one with his passion for dance that he has made his profession.

Dignified, strong and formidable, and oozing erotic attraction: young malambo dancer Gaspar is at one with his passion for dance that he has made his profession.

Tania learns that her grandmother spent the last years of her life in the loving company of an alien. Together with two friends, she travels through rural Argentina to bring the creature back to its place of origin.

Tania learns that her grandmother spent the last years of her life in the loving company of an alien. Together with two friends, she travels through rural Argentina to bring the creature back to its place of origin.

High school students find their way in life at Las Delicias agrotechnical boarding school in the Argentine countryside. This striking coming-of-age film takes place against an inviting backdrop of fields of crops, greenhouses full of tomato plants, and the somewhat dilapidated school buildings, where dogs and chickens roam.

The protagonist is Axel, aged about 40, a doctor who no longer practices his craft. He is living temporarily with his sister and her children. He doesn't do much, just exists a little between the living and their things. One day, he meets a young, pregnant woman. A relationship develops, a kind of love, and they live together, like driftwood temporarily clinging on to each other.

The protagonist is Axel, aged about 40, a doctor who no longer practices his craft. He is living temporarily with his sister and her children. He doesn't do much, just exists a little between the living and their things. One day, he meets a young, pregnant woman. A relationship develops, a kind of love, and they live together, like driftwood temporarily clinging on to each other.

The dance of the cuartetos with Carlos Giménez, the people who love him, the people who do not love him, the joy of the meeting and the emptiness of a party finale.

Continuing the series started with Intervened Events (2014), the Buenos Aires Film Museum presents the second feature film made entirely with material from its archives and by fourteen outstanding Argentine filmmakers. These are nine issues of Cine Escuela Argentino, a project created in 1948 by the Argentine Ministry of Education during the first government of Juan Domingo Perón. The latter promoted “the use of the cinematographer as a didactic assistant destined to complete the educational and cultural work, mainly in what concerns exalting the feelings of the nationality, with the heroic example of the heroes, Christian morality and the multiple civil duties, great and small”. Hence, most of the films produced by Cine Escuela Argentino were aimed at scientific dissemination and tourism promotion of the various regions of the country. (Museum of Cinema)

Michi, a village tarot reader, has lost his dog Ernesto, between kennels and drunkenness, Michi's wandering daily search to reunite with his pet intersects and confuses the relationship he has with Pepo and Yasu, a young couple, and with Eva, a policewoman who patrols the dirt streets that are the horizon of vernacular geography.

Lara must take the train every day to go to work. In that monotony she meets someone special, but it is not what she imagined.

Lara must take the train every day to go to work. In that monotony she meets someone special, but it is not what she imagined.

Three women travel to a distant place to do welfare work. They assist, listen, stay with the unprotected. An old hospital in ruins accommodates them. The imposed group life gets more complex as they start to know each other. The relationship with the others, the community, is also difficult. But, as days go by, they will start to melt into that human landscape surrounding them. To be part of the mystery of otherness.

Three women travel to a distant place to do welfare work. They assist, listen, stay with the unprotected. An old hospital in ruins accommodates them. The imposed group life gets more complex as they start to know each other. The relationship with the others, the community, is also difficult. But, as days go by, they will start to melt into that human landscape surrounding them. To be part of the mystery of otherness.

Three women travel to a distant place to do welfare work. They assist, listen, stay with the unprotected. An old hospital in ruins accommodates them. The imposed group life gets more complex as they start to know each other. The relationship with the others, the community, is also difficult. But, as days go by, they will start to melt into that human landscape surrounding them. To be part of the mystery of otherness.

After years of delay, a long-planned journey finally begins. The filmmaker imposes a quiet rule: only one shot per day. This self-imposed rhythm becomes a daily ritual of observation, recording, and reflection. What emerges is a filmed diary—a chronicle of wonder that maps both external landscapes and internal states. Each image carries a lingering question: what does it mean to continue making films? Through unfamiliar territories, filmmaking transcends documentation to become an act of presence and an attempt to rediscover meaning. The result is a meditation on cinema itself—its persistence, solitude, and transformative power over the everyday.

After years of delay, a long-planned journey finally begins. The filmmaker imposes a quiet rule: only one shot per day. This self-imposed rhythm becomes a daily ritual of observation, recording, and reflection. What emerges is a filmed diary—a chronicle of wonder that maps both external landscapes and internal states. Each image carries a lingering question: what does it mean to continue making films? Through unfamiliar territories, filmmaking transcends documentation to become an act of presence and an attempt to rediscover meaning. The result is a meditation on cinema itself—its persistence, solitude, and transformative power over the everyday.

A stone falls from the sky in a mountain village. Two friends set out to find it in the countryside. On the way they talk, remember a deceased friend, laugh, discuss, meet other seekers. On the way, poetry is read, poetry is heard, poetry is felt in the wind. From the beginning of the day until the light goes out. One or more goodbyes, but also encounters and promises. A film about friendships, winter landscapes and something as useless and necessary as poetry.

A stone falls from the sky in a mountain village. Two friends set out to find it in the countryside. On the way they talk, remember a deceased friend, laugh, discuss, meet other seekers. On the way, poetry is read, poetry is heard, poetry is felt in the wind. From the beginning of the day until the light goes out. One or more goodbyes, but also encounters and promises. A film about friendships, winter landscapes and something as useless and necessary as poetry.

An unlikely relationship forms between two young patients in a hospital.

An unlikely relationship forms between two young patients in a hospital.

After the death of his father, Eduardo Crespo embarks on a journey to film a movie as they would have done together. A film about Crespo, the town where they come from, poultry farming, and the relationship the father and son used to have. Now that the main character is no longer there, the film travels around the same places. Trying to put together, through the town collective memories and a personal memory, in order to reconstruct from all these details, the figure of that father who is not there anymore.

No synopsis available yet.

Actors gather in an unknown French city for a 1-month workshop.

As if it were a continuation of the last 15 minutes of AB, Fund and Loza, now accompanied by Moriconi, radicalize the aesthetic procedure of the previous film made together: on the one hand, there is a free text, between poetic and philosophical, pronounced voiced by two men and a woman; on the other, a set of plans of different ecosystems, live and stuffed animals, clouds, waterfalls and lava, organized by a kind of poetic logic, makes up the visual material. The disjunction between text and image is programmatic, and in parallel they constitute a form of free poetic expression. The precariousness of existence is evidence, and the very composition of the images is in line with this empirical confirmation. The general discourse oscillates between a heterodox Franciscan Christianity and a sensitive Darwinism, and in the same way a kind of awareness of terror and amazement towards the universe is combined.

As if it were a continuation of the last 15 minutes of AB, Fund and Loza, now accompanied by Moriconi, radicalize the aesthetic procedure of the previous film made together: on the one hand, there is a free text, between poetic and philosophical, pronounced voiced by two men and a woman; on the other, a set of plans of different ecosystems, live and stuffed animals, clouds, waterfalls and lava, organized by a kind of poetic logic, makes up the visual material. The disjunction between text and image is programmatic, and in parallel they constitute a form of free poetic expression. The precariousness of existence is evidence, and the very composition of the images is in line with this empirical confirmation. The general discourse oscillates between a heterodox Franciscan Christianity and a sensitive Darwinism, and in the same way a kind of awareness of terror and amazement towards the universe is combined.

As if it were a continuation of the last 15 minutes of AB, Fund and Loza, now accompanied by Moriconi, radicalize the aesthetic procedure of the previous film made together: on the one hand, there is a free text, between poetic and philosophical, pronounced voiced by two men and a woman; on the other, a set of plans of different ecosystems, live and stuffed animals, clouds, waterfalls and lava, organized by a kind of poetic logic, makes up the visual material. The disjunction between text and image is programmatic, and in parallel they constitute a form of free poetic expression. The precariousness of existence is evidence, and the very composition of the images is in line with this empirical confirmation. The general discourse oscillates between a heterodox Franciscan Christianity and a sensitive Darwinism, and in the same way a kind of awareness of terror and amazement towards the universe is combined.

La Paz is the story of Liso, a young man who emerges from a psychiatric institution and tries to re-adapt to daily life in the universe of his middle class family and neighborhood. Though everything seems difficult, under the surface and very subtly things start to change for him.

La Paz is the story of Liso, a young man who emerges from a psychiatric institution and tries to re-adapt to daily life in the universe of his middle class family and neighborhood. Though everything seems difficult, under the surface and very subtly things start to change for him.

Four women in Argentina, seeking their place in the world, bond over their fears, hopes, and faith. They discover more than trust and friendship—the simple joy of life. Martha expresses her happiness, but soon they face deep emotional challenges.

Four women in Argentina, seeking their place in the world, bond over their fears, hopes, and faith. They discover more than trust and friendship—the simple joy of life. Martha expresses her happiness, but soon they face deep emotional challenges.

Mara, a young speleologist, lives with her father Horacio, a rural veterinarian. Both emigrated to Italy from Argentina decades ago. Horacio makes one last trip, curing animals in the mountains, before dying. Mara, some time after her departure, meets Roy, a Dominican boy who arrives in town seeking asylum. They become friends. She helps him speak Italian and teaches him about the caves. Together, they take an excursion inside a cave. There Mara will meet her dead father and they will talk about what they never talked about before. Film about close ties, identity, uprooting and the force of nature.

Mara, a young speleologist, lives with her father Horacio, a rural veterinarian. Both emigrated to Italy from Argentina decades ago. Horacio makes one last trip, curing animals in the mountains, before dying. Mara, some time after her departure, meets Roy, a Dominican boy who arrives in town seeking asylum. They become friends. She helps him speak Italian and teaches him about the caves. Together, they take an excursion inside a cave. There Mara will meet her dead father and they will talk about what they never talked about before. Film about close ties, identity, uprooting and the force of nature.

Greta and Bruno, her husband, struggle with grief after the disappearance of their son. Their friend Sina travels to the coast to help them sell their summer house.

A boy begins to write love letters on request, a teenager who no longer wants to be and his mother a reluctant woman. Entangled in the same story.

Three stories inspired by stories by Juan José Saer. A police officer returns to his hometown to investigate a murder; a teacher complains about a horse that has been abandoned. One day, a man is found dead, and there is no trace of the horse, which is the only witness to the murder.