Luanshya Greer

The Scales of Justice is a series of thirteen British cinema featurettes produced from 1962 to 1967 for Anglo-Amalgamated at Merton Park Studios in London. The first nine were made in black and white, and the last four in colour. The finale, Payment in Kind, was Merton Park's final production. Episodes were based on criminal cases, and each film was introduced by criminologist Edgar Lustgarten. The series derives its title from the symbolic scales held by the statue of Justice, situated above the dome of London's Central Criminal Court, The Old Bailey. The opening narration describes her as having "in her right hand, the Sword of Power and Retribution, and in her left – The Scales of Justice".

Terry Collier and Bob Ferris are good friends. Terry was working class and secure in his life, whereas Bob was more aspirational, determined to work his way to a better place. Both viewed the others' worldview with disdain, but they were united by events, generally revolving around the pursuit of women. Although 20 total episodes were filmed, only 10 are currently known to survive. There is one missing from the first season, three from the second, and six from the final run.

When meteors in a curious V-formation crash on a Cornwall field, an alien force possesses several scientists and infects bystanders with a deadly disease. Shielded from the meteor's influence by a metal plate in his head, Dr Curtis Temple discovers that an alien race on the moon seeks to use the manipulated geniuses for seemingly nefarious purposes. But, as he learns more about the invaders, they may not be as evil as initially thought.

In the year 4000, the Daleks conspire to conquer the Solar System. Their scheme involves treachery at the highest levels and a weapon capable of destroying the very fabric of time. Only the Doctor and his friends can prevent catastrophe — and there is no guarantee they will escape with their lives...

A shipboard romance leads to a lawsuit for breach of promise.

When a young soldier suddenly dies, his parents and his girlfriend are naturally shocked and upset by the news. Several months later a young man turns up at the parent's house claiming to be their dead son's best friend. They welcome him and invite him to stay for a while. They also introduce him to their son's girlfriend and she is similarly impressed by him. It is later discovered, however, that he is not what he appears to be and may have had a hand in their son's death.

The Scales of Justice is a series of thirteen British cinema featurettes produced from 1962 to 1967 for Anglo-Amalgamated at Merton Park Studios in London. The first nine were made in black and white, and the last four in colour. The finale, Payment in Kind, was Merton Park's final production. Episodes were based on criminal cases, and each film was introduced by criminologist Edgar Lustgarten. The series derives its title from the symbolic scales held by the statue of Justice, situated above the dome of London's Central Criminal Court, The Old Bailey. The opening narration describes her as having "in her right hand, the Sword of Power and Retribution, and in her left – The Scales of Justice".

Terry Collier and Bob Ferris are good friends. Terry was working class and secure in his life, whereas Bob was more aspirational, determined to work his way to a better place. Both viewed the others' worldview with disdain, but they were united by events, generally revolving around the pursuit of women. Although 20 total episodes were filmed, only 10 are currently known to survive. There is one missing from the first season, three from the second, and six from the final run.

When a young soldier suddenly dies, his parents and his girlfriend are naturally shocked and upset by the news. Several months later a young man turns up at the parent's house claiming to be their dead son's best friend. They welcome him and invite him to stay for a while. They also introduce him to their son's girlfriend and she is similarly impressed by him. It is later discovered, however, that he is not what he appears to be and may have had a hand in their son's death.