Nandu Madhav

What do you do when the world has moved on leaving you behind? Bhavābdhi means the ocean of life. The film revolves around a popcorn seller in a single screen theatre and how he deals with the closure of the theatre he has spent a majority of his life in. The film takes inspiration from the rampant rise of multiplexes and rampant closures of single screens throughout the country.

A stingy farmer whose family leaves him because of his silly actions. From then on, he quirkily attempts to regain his family as well as their respect for him.

The story revolves around Dr. Aarti Deshmukh, a mother of a daughter, is tasked with investigating the medical systems involved in female foeticide. In front of the conscientious Aarti who does her job well, Dr. Purushottam stands as a challenge. Despite many attempts, Aarti does not find any evidence against Purushottam. Purushottam eventually uses his powers to transfer Aarti, but in the days remaining before the transfer, Aarti takes up the task of gathering evidence.

The Police emergency control room receives a call from a woman, who sounds troubled and wants to commit suicide. As officer Nikhil tries to calm her down, he discovers that the hysterical woman has bought a gun. When asked, she tells him to stay tuned to find out about her real intentions. But as time progresses, Nikhil figures out that the woman has sinister intentions and his family is in danger.

Aboard a spaceship where souls of the deceased are readied for reincarnation, a lone crew member's rigid existence is disrupted by a spry new assistant.

Set in the 70's in rural India, four 9th grade kids were writing their destiny. Joshi (14) is madly in love with Shirodkar (14) a beautiful Indian looking girl. Both study in the same class. The age old question "What is love anyway?"

A story of a father and a son on a journey, Bollywood style.

It is a story is based over the emotions of a postman at a remote rural village and a school-going boy called Rangya. During earlier times there were hardly a few educated individuals in any village such as a teacher, Patwari and a postman. They were therefore worthy of honour and respect in the village. It is with this thread of the bonding between villagers and the postman that makes up the story of Tapaal.

Celluloid chronicles the life of J. C. Daniel, the pioneer of Malayalam cinema, whose passion drives him to create Vigathakumaran, the region’s first film. Facing social prejudice, financial ruin, and personal loss, Daniel’s struggle for artistic recognition becomes a moving tribute to the birth of cinema in Kerala.

Gangaram alias Ganga has been raised by his foster parents who reside in the village thus he gets accustom to village life. 24 years later his birth parents multi-millionaire Avinash and his wife Radha comes to ask him to move into their bungalow located in the city to which Ganga agrees and goes to bid farewell to his friends and girlfriend Saawni. While in the city Ganga is introduced to his elder brother, Milind, his wife, Supriya, and his younger brother; Ganga finds it very hard to adjust to the city life and is often scuffed at. Avinash arranges his marriage with equally wealthy Tina to which he agrees although he is not comfortable with this marriage as he is still in love with Saawni; meanwhile Ganga's honest policy gets him and his new found family into further problems.

In the village of Kusavde, a wild bull named Valu is worshipped but has become uncontrollable. Forest officer Swanand Gaddamwar arrives to catch the bull, triggering chaos, comedy, and politics, as villagers' emotions, beliefs, and rivalries surface in this satirical drama.

In 1913 India's cinema industry is born from Dadasaheb Phalke's efforts to make Raja Harishchandra (1913), India's first feature-length B&W silent film.

The Little Painter of Rajasthan Aniket is a middle class executive living in the Indian city of Pune with his wife Malati and his son. He leaves Pune every morning at dawn and undertakes a long train journey to work in Mumbai. After riots took place, he takes his son Anirudh to his grand-mother's place in a little town of Shekhawati, in the middle of the desert, and somehow haunted by the magical and superb traditional paintings decorating the walls of houses and palaces. The old woman happily welcomes her grand-son she hardly knows. Anirudh discovers another world, a fascinating world far from what he was used to. He feels very affectionate for his grandmother. She gives him the painting box of her deceased husband, the artist who made the most beautiful paintings in town.

Police Inspector Samar Pratap Singh is transferred to Motihari, in the Indian state of Bihar, along with his wife, Manjari and a daughter. He is honest and diligent and these attributes sets him up against his superior - the District Superintendent of Police, as well as his subordinates and fellow officers.

Located in a seaside village in Maharashtra during the 60s, the film unfolds over two decades. It is a tragic tale of how the best of friendships can rupture over a trivial quarrel. Once a rupture takes place, there are always people who know how to turn a quarrel to their own advantage, even if the main adversaries are completely destroyed in the process.

An abducted and sexually abused girl has her traditional views towards sexuality changed after finding refuge and kindness with a trans woman.

The residents of a village are being driven out of their homes for the sake of a new building by the politician-builder nexus, but one man tries to step in and stop them.