L. V. Prasad

Kanpur-based, pregnant Geeta Bhargav lives a wealthy lifestyle with her husband, Balwant, and three children: Shrikant, Arun and Usha. Her alcoholic and womanizing husband is arrested for killing a bodyguard of a Courtesan and is sentenced to 20 years in prison. She is then accused of luring men into her house and is asked to move on. Homeless, on the verge of starvation, she is unable to feed her family, and Usha passes away. She decides to become a widow, gets shelter, a job, and has Shrikant enrolled in a hostel. Then her luck changes when she is adopted by wealthy J.S. Archarya, and gives birth to Kirti. She explains her situation to Archarya, who wills her his entire estate and subsequently passes away.

An anthology bringing alive the various hues of anger, telling the stories of four ordinary people belonging to different socio-economic backgrounds.

After Shekhar (Raj Kapoor) falls for beautiful Sharada (Meena Kumari), he makes her promise that she'll wait for him while he goes abroad on a business trip. But when Shekhar's plane goes down in flames, Sharada finds comfort in the arms of another man, not knowing that he's Shekhar's widowed father (Raj Mehra). Trouble is, Shekhar survived the crash and soon returns home, only to discover that Sharada has become … his mother!

Drawing the history of the Indian talkie, starting with Alam Ara in 1931, this documentary short provides a cross-section of viewpoints from luminaries of the film industry, which give some insight into the contemporary commercial cinema and the parallel stream.

A Princess is tricked into marrying a naive and illiterate youth.

A love story between a Tamil man a North Indian woman, who are neighbours in Goa. They come from totally different backgrounds and can hardly speak the other's language. Their parents despise each other and they have regular skirmishes. When they admit their love, there is chaos in their homes, and their parents reject the idea.

An anthology bringing alive the various hues of anger, telling the stories of four ordinary people belonging to different socio-economic backgrounds.

Kanpur-based, pregnant Geeta Bhargav lives a wealthy lifestyle with her husband, Balwant, and three children: Shrikant, Arun and Usha. Her alcoholic and womanizing husband is arrested for killing a bodyguard of a Courtesan and is sentenced to 20 years in prison. She is then accused of luring men into her house and is asked to move on. Homeless, on the verge of starvation, she is unable to feed her family, and Usha passes away. She decides to become a widow, gets shelter, a job, and has Shrikant enrolled in a hostel. Then her luck changes when she is adopted by wealthy J.S. Archarya, and gives birth to Kirti. She explains her situation to Archarya, who wills her his entire estate and subsequently passes away.

After Shekhar (Raj Kapoor) falls for beautiful Sharada (Meena Kumari), he makes her promise that she'll wait for him while he goes abroad on a business trip. But when Shekhar's plane goes down in flames, Sharada finds comfort in the arms of another man, not knowing that he's Shekhar's widowed father (Raj Mehra). Trouble is, Shekhar survived the crash and soon returns home, only to discover that Sharada has become … his mother!

A love story between a Tamil man a North Indian woman, who are neighbours in Goa. They come from totally different backgrounds and can hardly speak the other's language. Their parents despise each other and they have regular skirmishes. When they admit their love, there is chaos in their homes, and their parents reject the idea.

After his business partner embezzles money and leaves him penniless, Parvati's husband passes away, leaving behind two sons, Prabhakar and Sudhakar, & a dumb daughter, Gauri, virtually on the verge of destitution, When Prabhakar grows up, he marries Pooja and moves out. Years pass by, Sudhakar has grown up, has managed to complete schooling, gets a job out of town and re-locates.

After his business partner embezzles money and leaves him penniless, Parvati's husband passes away, leaving behind two sons, Prabhakar and Sudhakar, & a dumb daughter, Gauri, virtually on the verge of destitution, When Prabhakar grows up, he marries Pooja and moves out. Years pass by, Sudhakar has grown up, has managed to complete schooling, gets a job out of town and re-locates.

After his business partner embezzles money and leaves him penniless, Parvati's husband passes away, leaving behind two sons, Prabhakar and Sudhakar, & a dumb daughter, Gauri, virtually on the verge of destitution, When Prabhakar grows up, he marries Pooja and moves out. Years pass by, Sudhakar has grown up, has managed to complete schooling, gets a job out of town and re-locates.

After his business partner embezzles money and leaves him penniless, Parvati's husband passes away, leaving behind two sons, Prabhakar and Sudhakar, & a dumb daughter, Gauri, virtually on the verge of destitution, When Prabhakar grows up, he marries Pooja and moves out. Years pass by, Sudhakar has grown up, has managed to complete schooling, gets a job out of town and re-locates.

Parvati seeks to heal the breach between her husband and his mother

Decades ago, three kingdoms hid their wealth in a secret location and left clues in three necklaces. In the search for this treasure, two long-lost brothers unknowingly come together.

Decades ago, three kingdoms hid their wealth in a secret location and left clues in three necklaces. In the search for this treasure, two long-lost brothers unknowingly come together.

R.K. Raju, a private investigator is assigned the task of locating the missing daughter of a wealthy Hindu couple. His investigation take him to different locales, and he comes across Miss Mary, the girl closely resembling the one he is looking for.

Rajendra makes a meager existence supporting his younger brother and sister and vows not to marry until they have settled. However, when his sister loses her sight, his grand plan is threatened.

Rajendra makes a meager existence supporting his younger brother and sister and vows not to marry until they have settled. However, when his sister loses her sight, his grand plan is threatened.

Widower Bhagat Ram lives a wealthy lifestyle in a small village in India, along with his son, Shyam, who is an Advocate in Bombay, and makes a living as a Hindu Priest. He receives a marriage proposal from Choudhury Bishan Swaroop Singh for Shyam, the girl in question is Bishan's son-in-law, Raju's sister, Shobha. Hoping to get a dowry of Fifty thousand Rupees, he agrees and the marriage takes place. After the ceremony he is handed a Promissory Note, and angered he and Shyam return home, leaving a devastated Shobha and the Singh family to deal with this crisis.

Kamala and Vimala are twin sisters. While Kamala leads a normal life and is married to a lawyer studying in London, Vimala joins a band of robbers. Kamala's husband returns home to find his wife terminally ill.

A woman's marriage is filled with upheaval and conflict, but she makes many compromises for the sake of her struggling family. How will she react to her husband's ultimatum, that she must choose him and his family over her own, otherwise he would take their daughter and leave forever?

1947 Movie in Telugu language

Thakur Suraj Singh lives a wealthy lifestyle with his wife; three sons - Kishore, his wife Laxmi & two children Pappu and Laali; Vijaykamal, & Mohan; and an unmarried daughter, Radha. Kishore looks after the family business, while Vijaykamal is a renowned poet, and Mohan is studying law in the city. Vijaykamal is in love with lovely Sapna, but she is forced to marry Bihari, and kills herself on the night of the marriage. Vijaykamal witnesses her death and loses his mind. The family decide to keep him under lock and key on the terrace of their house. Unable to admit Vijaykamal to a mental asylum, Suraj brings home a young courtesan, Chand, who he hopes will cure Vijaykamal, and she does succeed considerably, but is traumatized, sexually assaulted by Vijaykamal, and abused by the rest of the family.

Sharda, a nurse and single mother, raises her daughter Swati as an independent, articulate young woman. Swati is a strong advocate of women's rights in a society where there is significant male domination. Swati deals with eve teasers firmly, sometimes with considerable force. When a married friend of hers gets raped in the presence of her husband, she acts as a counsellor and helps them adjust to the reality of a society that blames the victim and not the rapists. Swati takes on a huge transformation when she meets a political activist and falls in love with him. She embarks on a project of matchmaking for her mother and engineers a wedding with a widower who has a grown-up daughter.

Desperate to earn money, Mohan, a married man, tells a lie in order to secure a job at Mr Rai's firm. However, his life complicates after he attracts the attention of Radha.

Ramadasu, a perpetual debtor, wants his son Raghu to marry Manjari in order to acquire Mukunda Rao's assets. But Raghu is already married to Leela and Manjari loves Raja, Leela's brother. Raja and his friend Bhaja Govindam hatch a plan to teach everyone a lesson.

Ramadasu, a perpetual debtor, wants his son Raghu to marry Manjari in order to acquire Mukunda Rao's assets. But Raghu is already married to Leela and Manjari loves Raja, Leela's brother. Raja and his friend Bhaja Govindam hatch a plan to teach everyone a lesson.

Rao and Mary, unemployed college graduates from Madras, act as if they are a married couple to get jobs as schoolteachers in the small village of Appapuram. Their story unfolds into an extremely hilarious comedy as they try to cover up that Mary is a christian. They are assisted in their drama by Devaiah, a friend and ex-beggar, in fooling the family they work for.

Madhu and Sobha love each other. But they have differences in their political views. So they need to overcome several hurdles to get united again.

Madhu and Sobha love each other. But they have differences in their political views. So they need to overcome several hurdles to get united again.

Janaki, an educated and progressive woman, often challenges the orthodox beliefs of Somalingam, a conservative bachelor who dislikes modern women. When her stepmother arranges her marriage to her cousin Ramana Rao, who abandons his lover Lalitha for the alliance, Janaki runs away and seeks refuge in Somalingam’s quarters. Rumors spread about their relationship, leading to both being thrown out. Disheartened, Somalingam joins an ashram, while Janaki faces hostility from locals and eventually ends up there after being assaulted. As Somalingam nurses her back to health, the two gradually develop feelings for each other. Meanwhile, Ramana Rao arrives with the police and takes Janaki away. In the end, misunderstandings are resolved, Somalingam abandons his rigid views, and Janaki’s father approves their union. The story concludes happily with the marriage of Janaki and Somalingam.

Satyam, a moneylender's son, is supposed to marry his neighbour's daughter Subbulu. However, complications arise when Satyam lands up in jail.

No synopsis available yet.

No synopsis available yet.

A satirical comedy that deals with the negative effects of the Indian dowry system, through the marital life of Venkata Ramana and Ammadu.The film was made simultaneously in Telugu and Tamil, the latter titled Kalyanam Panni Paar.

No synopsis available yet.

No synopsis available yet.

A little princess, Ranjani is tattooed with the royal insignia as part of tradition, and the same night, the child is kidnapped by one of the members of the tattoo gang who brings her up as a gypsy girl renaming her Rani. Unaware of her royal lineage, she grows up hawking things on the street and getting into brawls with no punches pulled. She falls in love with a soldier and the story progresses with twists. After several hardships, she realises the truth, and all is well that ends well.

The story revolves around Selvam, an easygoing youngster who befriends many girls without the intention of marrying any of them.

Wealthy Dr. Shivnath decides to adopt an injured orphan named Rajkumar, who has been separated from his sister, Munni, much to the chagrin of his wife, Janki, who resents him and reserves her love for her two biological children, Premnath and Sudha. Years later all the children have grown up, and Dr. Shivnath may have nothing but regret in adopting Rajkumar - who is not only living a dual life; getting into arguments and fisticuffs with Premnath; but may also soon be arrested by Inspector Chauhan for marketing and distributing fake currency.

A middle-class government clerk Raghu lives happily with his wife Manjula until his scheming mother Venkamma, along with his sister Kamakshi and her cowardly husband, moves into his house. Venkamma appropriates all of Raghu's earnings and Kamakshi plots to have Manjala blamed for all that goes wrong in the household.

No synopsis available yet.

No synopsis available yet.

Somu, who is a criminal, marries Meena. Unable to expose Somu because of her love and devotion to him, she tries to transform him. In a separate storyline, Ravi, a six-year-old boy, learns that his father Suppanna is a criminal, and leaves his home. Suppanna also has a daughter, Bhama, who fails in her attempts to reform her father's ways.

Manohara produced by M. Somasundaram. The Sivaji Ganesan-L. V. Prasad production was distinct, becoming a cult classic. Karunanidhi virtually rewrote Mudaliar’s play, introducing interesting changes like the climactic sequence for which he drew inspiration from “Samson and Delilah”, especially the part where the blind Samson pushes the pillars down. Mu. Karunanidhi’s writing was superb with a contemporary touch. His dialogue had punch, satire, wit and humour. Sivaji Ganesan was excellent in his dialogue delivery and P. Kannamba who played the queen mother was equally brilliant. Her line, ‘Poruthathu podhum, pongi ezhu, maganey’, became quite famous.