David Michôd

Joshua “J” is taken in by his extended family after his mother dies of an overdose. The clan, ruled by J’s scheming grandmother, is heavily involved in criminal activities, and J is soon indoctrinated into their way of life. But J is given a chance to take another path when a cop seeks to help him.

It's about love, it's about loss, it's about sex. Isolated, a lonely tollbooth operator watches as the world flows past him in a never-ending stream of vehicles, their passengers traveling to and from their lives. They don't give him a second thought, but from their clothes, their hair, their cars, he imagines the kind of world they inhabit.

After making wrong choices, Dale has found himself on a dark path: one of violence and crime. Earmarked to commit a murder, he is already dispassionate to his cause... but a collision with his romantic past sparks a deeper questioning.

In Crossbow the spoiler is right in front of you, there in the title. A crossbow is an anachronistic device and does not, at least in my mind, lend itself well to analogy or metaphor. In spite, or, more accurately, precisely because this ominous title hangs over the very start of viewing, the short film remarkably sustains a growing dread throughout its languid narration and slow-moving, though arresting visuals; maximizing its force not through the promise of surprise but through the inevitability of its conclusion.

A hungover plane captain wakes up to discover he's done a very bad thing.

Behind the scenes look at David Michôd's 2014 film 'The Rover'.

A young man tries to make things right again in his relationship after he and his girlfriend get in a fight.

With 4 weeks and a budget of $5,000, IF Media approached filmmaker Nash Edgerton and Blue-Tongue Films to produce video insert material for the 2005 Lexus Inside Film Awards. Edgerton agreed. But wanted the $5,000 in cash.

Behind the scenes production footage and interview of cast and crew of 2008 film The Square, with particular emphasis on the style and difficulties arose during the shooting and the experience of cast and crew during the making of film.

Christy Martin never imagined life beyond her small-town roots in West Virginia—until she discovered a knack for punching people. Fueled by grit, raw determination, and an unshakable desire to win, she charges into the world of boxing under the guidance of her trainer and manager-turned-husband, Jim. But while Christy flaunts a fiery persona in the ring, her toughest battles unfold outside it—confronting family, identity, and a relationship that just might become life-or-death.

Christy Martin never imagined life beyond her small-town roots in West Virginia—until she discovered a knack for punching people. Fueled by grit, raw determination, and an unshakable desire to win, she charges into the world of boxing under the guidance of her trainer and manager-turned-husband, Jim. But while Christy flaunts a fiery persona in the ring, her toughest battles unfold outside it—confronting family, identity, and a relationship that just might become life-or-death.

Christy Martin never imagined life beyond her small-town roots in West Virginia—until she discovered a knack for punching people. Fueled by grit, raw determination, and an unshakable desire to win, she charges into the world of boxing under the guidance of her trainer and manager-turned-husband, Jim. But while Christy flaunts a fiery persona in the ring, her toughest battles unfold outside it—confronting family, identity, and a relationship that just might become life-or-death.

England, 15th century. Hal, a capricious prince who lives among the populace far from court, is forced by circumstances to reluctantly accept the throne and become Henry V.

England, 15th century. Hal, a capricious prince who lives among the populace far from court, is forced by circumstances to reluctantly accept the throne and become Henry V.

England, 15th century. Hal, a capricious prince who lives among the populace far from court, is forced by circumstances to reluctantly accept the throne and become Henry V.

A rock star general bent on winning the “impossible” war in Afghanistan takes us inside the complex machinery of modern war. Inspired by the true story of General Stanley McChrystal.

A rock star general bent on winning the “impossible” war in Afghanistan takes us inside the complex machinery of modern war. Inspired by the true story of General Stanley McChrystal.

Ten years after a severe economic collapse in the western world, lawlessness reigns and life is cheap. Eric is a lone drifter, and his car is his only possession. When a gang steals it, Eric comes across the injured Rey, left behind by the car thieves. The pair form an unlikely and uneasy alliance.

Ten years after a severe economic collapse in the western world, lawlessness reigns and life is cheap. Eric is a lone drifter, and his car is his only possession. When a gang steals it, Eric comes across the injured Rey, left behind by the car thieves. The pair form an unlikely and uneasy alliance.

Ten years after a severe economic collapse in the western world, lawlessness reigns and life is cheap. Eric is a lone drifter, and his car is his only possession. When a gang steals it, Eric comes across the injured Rey, left behind by the car thieves. The pair form an unlikely and uneasy alliance.

On the outskirts of a village by the sea, lives a Fisherwoman; smelly, single and perpetually ridiculed. One day, fed up with her stuffy, small-minded neighbours, she commissions herself a husband to be made from wicker. In an otherwise conservative town, this unconventional romance sparks outrage, jealousy and chaos.

A young boy has lost his mother and is losing touch with his father and the world around him. Then he meets Hesher who manages to make his life even more chaotic.

Joshua “J” is taken in by his extended family after his mother dies of an overdose. The clan, ruled by J’s scheming grandmother, is heavily involved in criminal activities, and J is soon indoctrinated into their way of life. But J is given a chance to take another path when a cop seeks to help him.

Joshua “J” is taken in by his extended family after his mother dies of an overdose. The clan, ruled by J’s scheming grandmother, is heavily involved in criminal activities, and J is soon indoctrinated into their way of life. But J is given a chance to take another path when a cop seeks to help him.

His first girlfriend was hit by a car. His second girlfriend fell off a cliff. His wife has come prepared.

Ah, young love. The air seems clearer. The sun seems brighter. There's a spring in the step. Too bad about the zombie apocalypse.

The problems of two unlucky beach bar operators starts when they find stolen loot that they really should have left alone.

The problems of two unlucky beach bar operators starts when they find stolen loot that they really should have left alone.

Michôd and Peedom's hour-long documentary recounts the tale of Andrew McAuley, an Australian adventurer who, in 2006, launched a quest to become the first person to paddle a kayak across the treacherous Tasman Sea, one of the loneliest and toughest stretches of water in the world.

Michôd and Peedom's hour-long documentary recounts the tale of Andrew McAuley, an Australian adventurer who, in 2006, launched a quest to become the first person to paddle a kayak across the treacherous Tasman Sea, one of the loneliest and toughest stretches of water in the world.

In Crossbow the spoiler is right in front of you, there in the title. A crossbow is an anachronistic device and does not, at least in my mind, lend itself well to analogy or metaphor. In spite, or, more accurately, precisely because this ominous title hangs over the very start of viewing, the short film remarkably sustains a growing dread throughout its languid narration and slow-moving, though arresting visuals; maximizing its force not through the promise of surprise but through the inevitability of its conclusion.

In Crossbow the spoiler is right in front of you, there in the title. A crossbow is an anachronistic device and does not, at least in my mind, lend itself well to analogy or metaphor. In spite, or, more accurately, precisely because this ominous title hangs over the very start of viewing, the short film remarkably sustains a growing dread throughout its languid narration and slow-moving, though arresting visuals; maximizing its force not through the promise of surprise but through the inevitability of its conclusion.

Harry really wants a rabbit. Harry's Dad really wants his wife back. And somehow in the middle of all this wanting, they both seem to have forgotten that they already have each other.