Himansu Rai

Living an indolent life in a luxurious palace, Prince Gautama (Rai) is insulated by his family from the harshness of the world outside. But he is destined to learn greater truths: shocked to discover the pain and suffering of so many in his kingdom, he abandons his privileged existence, and his wife Gopa (Seeta Devi), to become a wandering teacher, eventually finding enlightenment and founding Buddhism. Featuring superimposed images and deep-focus shots that were highly impressive for the time, Light of Asia astutely combines a deeply felt spirituality with the surefire attraction of Indian exotica, which helped make it a considerable success in Europe.

Two neighboring kings addicted to gambling, Ranjit and his cousin Sohat, vie for the same beautiful young woman, Sunita, daughter of the hermit Kanwa.

The simple plot has the maharani (Devika Rani) fall in love with the neighbouring prince (Rai) despite her father's disapproval. It is presented as an Orientalist fantasy with a, by Indian standards, scandalously prolonged kiss. It was described as 'a sort of American romance done against an Indian background'.

A historical romance set in the Mughal Empire. A potter's son falls for the foundling girl he was raised alongside, unaware she carries royal blood. When slavers abduct her and sell her into the household of a Mughal prince, he follows her to the imperial court at Agra — risking his life to reach her, in a story that imagines the origins of the Taj Mahal.

Living an indolent life in a luxurious palace, Prince Gautama (Rai) is insulated by his family from the harshness of the world outside. But he is destined to learn greater truths: shocked to discover the pain and suffering of so many in his kingdom, he abandons his privileged existence, and his wife Gopa (Seeta Devi), to become a wandering teacher, eventually finding enlightenment and founding Buddhism. Featuring superimposed images and deep-focus shots that were highly impressive for the time, Light of Asia astutely combines a deeply felt spirituality with the surefire attraction of Indian exotica, which helped make it a considerable success in Europe.

Living an indolent life in a luxurious palace, Prince Gautama (Rai) is insulated by his family from the harshness of the world outside. But he is destined to learn greater truths: shocked to discover the pain and suffering of so many in his kingdom, he abandons his privileged existence, and his wife Gopa (Seeta Devi), to become a wandering teacher, eventually finding enlightenment and founding Buddhism. Featuring superimposed images and deep-focus shots that were highly impressive for the time, Light of Asia astutely combines a deeply felt spirituality with the surefire attraction of Indian exotica, which helped make it a considerable success in Europe.

Two neighboring kings addicted to gambling, Ranjit and his cousin Sohat, vie for the same beautiful young woman, Sunita, daughter of the hermit Kanwa.

Punjabi capital's first major bid for the national market used the seminal Urdu historical play of 1922, with the author himself playing the 16th-century Mughal emperor Akbar. It recounts the love story between Prince Salim (Singh), Akbar's son, and the slave girl Anarkali (Seeta). Following on from the Osten-Rai Orientalist dramas, and produced by the Indian partners responsible for Prem Sanyas, it also features Seeta Devi as the heroine and is the directorial debut of Prem Sanyas' art director and the lead actor of Sbiraz, Charu Roy. The big-budget picture was beaten to the screen that same year by the rival and more successful Imperial version starring Sulochana and directed by R.S. Choudhury (Anarkali, 1928), who remade it in 1935. Jaswantlal made it again in 1953 but the most famous version remains K. Asifs Mughal-e-Azam (1960)

An early drama starring Devika Rani, was a social drama exploring motherly love, family bonds, and sacrifice.

A quarrel at a birthday party ends in a guest’s death, and the son takes the blame to protect his father. Fleeing to the city, he struggles until a street dancer helps him, and the two grow close. A chance encounter between the dancer and the man’s sister sets off events involving love, misunderstandings, and the eventual unveiling of the truth.

Kamala elopes on her wedding day with her childhood friend Ratanlal. Her father Manganlal chases the couple and catches them on a train. His furious exchanges with Ratanlal are interrupted by gunfire and in the mysterious gloom of the evening a body is thrown off the train. The suspects are Ratanlal, who cannot furnish an alibi, Kamala, who insists on being the murderess, ex-convict Sukhdev, who confesses to the murder claiming robbery to be the motive, and the lunatic Tarachand, who also admits his guilt.

Lata, daughter of a dancing girl, is brought up by social worker Mathuradas and is engaged to marry the rich Ranjit when the villain Chand arrives to blackmail her with her undisclosed ancestry. Lata is forced to disclose the truth to Ranjit and the assembled wedding guests. Ranjit disowns her but they are reunited when Ranjit, blinded by an explosion, is nursed back to health by a devoted woman who turns out to be his wife.

Nirmala (Devika Rani) is a modern girl - young, beautiful, dressed in the latest fashions, attends college, and is even the only female in an all-male class. She doesn't take second place to the men, besting all but one in the annual exams. She tied with Ramdas (Ashok Kumar). But, at the same time she is tied to the age-old culture, traditions and religion. She yearns for a husband and for motherhood. And this conflict forms the crux of the story.

A historical romance set in the Mughal Empire. A potter's son falls for the foundling girl he was raised alongside, unaware she carries royal blood. When slavers abduct her and sell her into the household of a Mughal prince, he follows her to the imperial court at Agra — risking his life to reach her, in a story that imagines the origins of the Taj Mahal.