Gustavo Vargas

Fernando Pessoa, one of the greatest writers in Portuguese, created an immense parallel world and several heteronyms so as to endure the loneliness of genius. José Saramago, 1998 Nobel Laureate in Literature, has a heteronym, Ricardo Reis, return to Portugal after a 16-year exile in Brazil. 1936 is a perilous year with Mussolini’s fascism, Hitler’s Nazism, Spain’s Civil War and Salazar’s New State in Portugal. And Fernando Pessoa meets his creation, Reis. Two women, Lídia and Marcenda, are Reis’ carnal and impossible passions. “Life and Death as one” allows for literature and cinema.

The revolutionary Álvaro Cunhal, symbol of Portuguese communism and political giant of the 20th century. He is nothing less than a larger-than-life figure, now examined by João Botelho’s camera, in a detective-minded film, in which the early years of the life of the historic leader of the Portuguese Communist Party are explored. In between, excerpts from his own books are staged for the spectator.

Gabi, a burn unit nurse, is in charge of the mother of an unborn child, burned and comatose from a serial killer assault. The cop handling the case, a friend of Gabi, asks for her help to identify the serial-killer if she wakes up.

In Lisbon, Marcelo writes a novel, using the life of his own wife, Beatriz, as the main inspiration to the story. The creative process of the book takes a dangerous path, ultimately compromising the love they feel for each other.

End of adolescence, end of school, the last summer before joining the working world for a group of friends from the neighbourhood of Alcoitão, "BDA".