Navid Mohammadzadeh

Somaieh, the youngest daughter of an indigent family, is getting married and fear is overwhelming each and every member of the family regarding how to overcome their difficulties after she's gone.

Kaveh Nariman is a Doctor in the medical examiner's office. One day at his work he meets a corpse which is very familiar to him.

Samad is nobody’s fool. The narcotics officer has seen his share of a drug dealer’s lies and games, and his patience has come to run thin. While searching for the infamous drug baron Nasser Khakzad, he and his colleague Hamid scour the streets of Tehran, turning an overcrowded prison on its head. With his rough and dubious approach, Samad finally manages to find the criminal’s whereabouts – but things do not quite go according to plan...

At the age of 40, Leila has spent her entire life caring for her parents and four brothers. A family that is constantly arguing and under pressure from various debts in the face of sanctions against Iran. While her brothers are struggling to make ends meet, Leila makes a plan.

A man wants to make a personal interview with a person, but then .

The lack of communication between the mother and the father of a 13 year old, leads inevitably to a divorce. During this ordeal their son, feeling out of place, befriends some troubled older kids and gets involved in murder.

The problems and struggles of daily life create distance between Nima and Sarah. The two have no hope of a relationship and are trying to divorce, but an accident with a child, Mehran, changes their lives.

After a confusing interaction in downtown Tehran, a married couple seems to have found their doppelgängers.

Lantouri is the name of a gang that mugs people in broad daylight on the streets of Tehran and breaks into homes in the city’s rich northern district. The gang also kidnaps children from families who have become wealthy through corruption and embezzlement of state funds. The film begins with the confessions of individual gang members. Sociologists, human rights activists and political hardliners also have their say. Gang member Pasha runs amok because Maryam, a socially committed, self-confident journalist, does not reciprocate his feelings. The badly injured young woman demands lex talionis – the law, applicable in Iran, of ‘an eye for an eye’.

A young divorcee living with her son in a small northern city of Iran, wants to marry the man she has fallen in love with. According to the current rules, the father has the custody of children; however, her ex-husband has granted her that right on the condition that she doesn’t remarry. Struggling to keep both of her beloved ones, she has to think about the third option: Temporary Marriage (Sighe). However, this will get her into a predicament, as despite its being legal, Sighe is not well-received by the society at all. Would temporary marriage be a good solution for her?

The story is about a family of three brothers and a sister in the suburbs of the city's poverty. Their elder brother owns a drug-producing kitchen and presides over the group, like a shepherd for sheep.

On the eve of losing her family estate, actress Homa is blackmailed by a government agent with a compromising tape. Forced into a real-time video call with her estranged family, which has been exiled since the 1979 Revolution, decades of silence explode into raw confrontation. As old wounds resurface and accusations fly, the line between past and present blurs. Secrets unravel, betrayals are laid bare, and the long-buried fate of two sons lost to history comes roaring back.

I was suffocating, but I don't kill her. I love it.

The story takes place at the time of Iran-Iraq war, 1988 (1367); When the pressure cooker in the house exploded and the father of the family was severely injured and eventually died, that was when Tehran was bombed.

Khosro, a pop singer, lives a hectic life with his wife Tina and their son Moez. His life is further complicated when he begins a love affair with a female fan. A terrible event ensues obliging the lovers to each recount their side of the story in pursuit of the truth.

The Iranian version of the Les Misérables musical

I'm not Angry! is the story of Navid, a starred and expelled university student who - while trying to provide the least requirements of a normal life -, tries not to get angry when he is faced with the immoralities prevalent in the society, and does all he can to keep his love, Setareh.

The film introduces us to a father and his son; the older man is obese, unwell, and oppressive in his dealings with the younger, who is also deaf and mute. A series of cryptic, spellbinding episodes reveals a tyrannical paternalism at work that has long since hardened into a closed circuit of mutual pain. Enter a mysterious and beautiful woman of unspecified identity, who becomes an agent of change, embodying both an evolved consciousness and the power of the female as a rebuke to bankrupt patriarchy.

Ali, a blind man, is attempting to commit suicide when he is interrupted by the concierge of his building. He is informed that the police is in search of a woman who has escaped and hidden somewhere in the building. Little by little, Ali finds out that the fugitive woman, Leila, is inside his apartment. After participating in a workers’ protest that led to chaos, she is distraught about her four-year-old son who was lost when she was taken in a police van. Gradually, Ali becomes emotionally attached to her. Wishing to flee reality, helping Leila becomes a refuge in his own world of imagination.

Ando film is about a young man.

In 1967, an old prisoner in southern Iran is being evacuated because of the proximity to the city's new airport. The head of the prison, Major Nemat Jahed, and his agents are busy transferring prisoners to the new prison, until ...

This film is a happy and entertaining program that is performed in the presence of Iranian cinema and music greats to bring happy moments to the viewers.

Tarane and Saman attend a friendly party the night before their wedding, and a game that starts with a phone joke disrupts their friendly gathering.

Directed by Yousef Bapiri.

Two young men struggle with problems typical for 30-year-olds in contemporary Iran: unemployment, oppression, lack of self confidence and loneliness. Both have dogs who look similar to each other.

An actor has been stuck in one of their roles for some time and is unable to separate themselves from it. The actor’s professional and personal life is affected by this role, and they can no longer distinguish between who they are and the character they play. They see eliminating themselves as the only way out of this crisis. Winner of the statuette and honorary diploma for Best Play in the playwriting section of the 38th Fajr International Theater Festival in 2019.

A trans man and his partner travel to a remote Iranian village to face his estranged father and obtain documents that would permit them to live authentically, in visionary director Farnoosh Samadi’s bold queer love story.

A theater directed by Morteza Jalili Doost