John Woo

The life of the epoch-making master of martial arts cinema, King Hu.

Seijun Suzuki became a cinema legend in the 1960s with a handful of pop-art films. So how can you make a portrait of this iconoclastic director without also adopting a 'style to kill' documentary convention, as well as testimonies from a variety of leading figures in contemporary Japanese and international filmmakers.

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"Life in 24 Frames a Second" is a film about hardship, misfortune, perseverance and triumph. The personal stories of John Woo (The Killer), Anurag Kashyap (Sacred Games), Rithy Panh (The Missing Picture) and Lav Diaz (The Woman Who Left), who survived extreme poverty, disease, sexual abuse, genocide and civil war to go on to become maestros of world cinema. 'Survivors' united by their abiding love of the movies.

Eleven major film makers from Europe, America and Asia talk about Akira Kurosawa and discover surprising influences on their own work.

A chronicle of the events that led to the founding of the Chinese Communist Party.

The gripping story of legendary American actor John Travolta: his rise to stardom in the 1970s; his agonizing fall in disgrace in the 1980s; and his stunning artistic rebirth in the 1990s.

KEN SAN pieces together the puzzle of the life and legacy of Japan's mythical acting icon, Ken Takakura. Collaborators, friends and family tell intimate stories of Ken's journey: how one man of quiet dignity became a cultural barrier-breaking film star.

A short documentary tracing Mission: Impossible from TV series to film franchise, featuring clips and interviews with producer Paula Wagner, Tom Cruise, screenwriter Robert Towne, directors Brian De Palma, John Woo, and J.J. Abrams, and actor Jon Voight. It covers the TV show's influence on the first film, the plot and production challenges, casting and locations, the sequel's development, and beyond.

The tale of one man who fought against the tyranny of a ruler and led his people in battle in the ultimate sacrifice for his country.

The tale of one man who fought against the tyranny of a ruler and led his people in battle in the ultimate sacrifice for his country.

More than just a biography, this film explores Bruce Lee's global impact to see how he has influenced all areas of popular culture including fitness, cinema, music, sport, dance, video games and philosophy. A journey across the United States, Asia and Europe, takes Shannon Lee on a trip back to her father's roots in Hong Kong and China. With unique access to the family's photographic archive, home movies and all material owned by the Bruce Lee Foundation.

Hosted by Samuel L. Jackson, this in-depth documentary offers viewers a behind-the-scenes look at the history of the martial arts film -- from the genre's rebellious beginnings to high-flying modern epics. Jackson takes you through the best moments of 100 movies, including Charlie's Angels and Oscar winner Crouching Tiger, Hidden Dragon. Interviews with martial arts film veterans Sammo Hung, John Woo and Ang Lee round out the video.

A behind the scenes look at the stunt work of "Mission: Impossible 2", told through one stunt man who looks like a certain superstar, who's got his looks, but certainly not his smarts.

A look at the martial arts and kung fu cinema of Hong Kong

A full journey from the beginning of "Swordplay" movies in Shanghai, growth in Hong Kong cinemas in the 60's and 70's and Ang Lee's epic "Crouching Tiger, Hidden Dragon" in 2000. The series also features interviews with such luminaries including John Woo, Chu Yuen, Lau Ka Leung, Gordon Lau Ka Fai, Sammo Hung, David Chiang and Cheng Pei Pei.

The Making of Stranglehold is a fantastic look into the development of the classic video game being the last time Chow Yun-Fat and John Woo collaborated together.

Crossings: John Woo starts with Woo's emotional homecoming to Hong Kong in 2004 to promote his latest blockbuster Paycheck. It leads you through his teen years where he made avant garde films, his apprenticeship with Shaw Brothers' martial arts director Chang Che, his coming of age as a director directing slapstick Hong Kong comedies through the 70s and 80s. It charts the genesis of the groundbreaking A Better Tomorrow starring Chow Yun Fat, a film that creates a new genre in Hong Kong cinema and launches Woo's career into the international arena.

Filmmaker Ian Taylor examines the impressive legacy of Hong Kong cinema -- specifically, how martial arts crossed borders and become an international phenomenon -- with the help of footage and interviews with the stars who made the genre what it is today. Director Lau Ka Leung (who helmed The 36th Chamber of Shaolin) joins in, sharing his thoughts on how certain cinematic technologies have improved martial arts films and expanded their appeal, on the set of Drunken Monkey (2003).

One of the greatest, prolific and most influential action directors in history Chang Cheh! Documentary about the Shaw Brother's most prolific director.

Making Of featurette including interviews with crew and cast.

In-depth interviews with Hard Boiled's core creative team.

Student rebels, labor organizers, Trotskyites, anarchists, sojourners in Paris, and human rights activists are the cast of real-life characters featured in THE LIFE AND TIMES OF WU ZHONG XIAN. Based on a stage play, this DV feature traces the poignant trajectory of a rebel whose dream of world revolution first landed him in battles against British colonialism in the 70s, and later on his deathbed in the mid-90s, in agonies over the uncertain fate of a revitalized China. Revealing a little-known chapter of rebellion and idealism, THE LIFE AND TIMES OF WU ZHONG XIAN is a timely, resonant docu-drama for today's Hong Kong, China, and our ideologically-disillusioned era.

Short focusing on the collaboration between John Woo and Shinji Aramaki in Appleseed Ex Machina.

A cop who loses his partner in a shoot-out with gun smugglers goes on a mission to catch them. In order to get closer to the leaders of the ring he joins forces with an undercover cop who's working as a gangster hitman. They use all means of excessive force to find them.

Three orphans grow up to become art thieves under the tutelage of a crime boss. Romance complicates matters when the trio are double-crossed.

Identical twins are separated at birth, one becoming a streetwise mechanic, and the other an acclaimed classical concert conductor. Finally meeting in adulthood, they're mistaken for the other and entangled in each other's worlds.

Three childhood friends from the slums of Hong Kong flee to war-time Saigon after accidentally murdering a gang leader, but their troubles only escalate.

Developer Tsang Siu Chi and his agent have bought two of a group of four properties. Rival developer Boss Hung has secured the other two. Both aim to buy all four so they can knock them down and build hotels.

An exploration of Chinese cinema and its relationships with gender and sexuality, which the film argues has been more frankly and provocatively explored than in any other national cinema. Utilizing both film excerpts and interviews with many leading directors and academics, the film examines topics such as male bonding in kung fu movies, depictions of same-sex bonding and physical intimacy, the emphasis on women's grievances in melodramas, and the career of Yam Kim-Fai, a Hong Kong actress who spent her life portraying men on and off the screen.

A German documentary on Hong Kong cinema.

A documentary study of martial arts films and their leading protagonists. Included are profiles of such artists as Bruce Lee, Cynthia Rothrock, Jackie Chan, Jean-Claude Van Damme and John Woo favorite Chow Yun-Fat.

A profile and history of film director Akira Kurosawa.

Lin is a plain-clothes cop in the crime-riddled district of Mongkok who bungles a vice operation directed at mainland prostitues. He falls for a ditsy hooker who tells him the love of her life is a killer who once svaed her life in a shootout.

Prolific action director Woo proves his thespian mettle on screen as a destitute, desperate Chinese defector who, with his brother in tow, tries to find a foothold in the Hong Kong underworld.

A reforming ex-gangster tries to reconcile with his estranged policeman brother, but the ties to his former gang are difficult to break.

A gang of criminals terrorizes Hong Kong with two killer robots, one of which is modelled on the gang's female thug, Maria. When the robot gets damaged during a mission, an inventor working for the police captures and reprograms her to develop an independent personality.

Treasury employee Fatty (Eric Tsang) discovered that bags of used 30 million in Hong Kong Dollars have not been incinerated due to a system error; therefore, he hatches up a plot to grab the doe before they are burned. He seeks his friends Mark (Mark Cheng) and Tomboy (Anglie Leung) to help him with the heist; but, they also enlist actual thief Baldy (Karl Maka), who had just been released from prison, to double the assistance with his thievery skills. But, Baldy wants the money for his own and to share it with love interest Siu-Fung (Paula Tsui). Hot on their trail is a hothead inspector (Ching Wong) and a nun, Sister Maria (Brigitte Lin), who wants to save them for redemption.

Jane, with plain looks but a heart of gold, is always in between jobs. Once she gets a job, her knack for creating awkward situations immediately loses it for her. Ricky is her suitor, but he gets nowhere as the girl has no time for love. So Ricky goes along with her in job hunting. Somehow, Jane lands on a job as governess. Not to a child, but to an uncouth very old, very rich man who still wants to lead the life of his poor, uncivilized youth. His son is now running the old man's millions. He wants to bring up the father the civilized way. And he wants to take over the whole city through take-over deals. He is ruthless and has thrown thousands into the streets.

As Cai Mei, a single 40 year old woman and a social worker starts a relationship with a teen-ager Tian-Ah, she remembers her relationship when she was young with her professor, a married man older than her.

Wau Fong and Pak Yuk are attractive hostesses in a cabaret with a great following. One of Wan's suitors, Or Ah Chun is a powerful and prominent figure with strong Japanese connections. But she is reluctant to accept his affection and offer of good life. A postgraduate returning from Japan, Lin San Lon is deeply in love with Pak. The musically talented Lin composes the song LOVE, LONE FLOWER for her. But an American bomber puts an end to their relationship, killing Or and Pak in the debris of the cabaret. Wan becomes "Chieftain" of May Flower Restaurant after the liberation. Among the girls under her supervision, she is surprised to see the late Pak...

Ricky and Fatso are friends in need. They are in dire need of money since they are only paid slave wages at the bottling factory. However, they become millionaires overnight after buying a winning lottery ticket. During one of their swingin' nights on the town, Ricky is suddenly attacked by an upset stomach; and in no time, a quack doctor diagnoses the seizure as terminal cancer. Ricky seriously considers suicide. But he is appalled by the drawbacks inherent in the available methods of doing himself in--primarily the pain! It is on a rooftop from which he is supposed to make a plunge that he saves a poor man from suicide by giving the latter all the money he has. In gratitude, the newly rich man promises to hire a killer to finish off his suffering benefactor...

The story of "Sunset Paris" tells that Leslie Cheung, who plays Leslie, and Maggie Cheung, who plays Maggie, are a couple. Leslie gets an opportunity to study at the University of Paris, so he leaves Hong Kong to go abroad to pursue his ideals, but has to separate from his girlfriend Maggie for a short time. While living in Paris, Leslie meets a painter, Cherie, played by Cherie Chung, and develops a relationship with her. Things get complicated when Maggie comes to Paris on a visit and realizes that things are not the same...

Taiwanese comedy.

A young monk must face the Extended Iron Claw technique of a powerful warlord seeking to destroy Shaolin.

Forced to choose between the woman he loves and the dangerous, fast-paced life of motorcycles, what will our hero do? Will he toss the bike aside and pick the girl? Or will he leave the girl in favor of the bike? Or is there a chance for some sort of compromise?

Powerful mobster Leung, protected by the dangerous Huan Fai, sells 200 Japanese weapons and ammo to a Chinese gang. He uses smuggler Luy Fu to bring the weapons but small-time thief Kim and his gang heist the shipment and dump the cargo into the sea. Meanwhile, Kim befriends Fan Ming, an undercover police office from Shanghai investigating Leung's crimes.

On that side of the track is Ah Sing (Roy Chiao), uncouth, unkempt, a garage repairman, a bravado with plenty of tricks up his overall sleeve. And on the other side of the track is rich, young recording artist Gayle (Rowena Cortes), idol of the young with her songs and dances, but an orphan. Harry is her manager. They should not meet, least to say forming some kind of partnership, but they do. Gayle goes to Ah Sing's garage for repairs. When Harry and she drive off, the car's undercarriage Ah Sing and drags him along. Fate steps in the form of five toughles who stop the car and kidnap Gayle to a farmhouse. It so happens that Gayle's father and the five were robbers but the father took off with all the money while the five were caught. They want the money back now they have served the time...

Biggie and Tiny grow up together. They fight all the time. Biggie is a detective and Tiny is a thief. Biggie has the satisfaction of catching Tiny and putting him behind bars. When Tiny is released, he is approached by Daigau who wants Tiny's help to steal the world famous diamond.

A detective and wanderer called Man Tshu comes to town and challenges the crime family that owns it, burning their opium and taking away one of their prostitute wives as his love interest.

Explores youthful angst and restlessness through the complex, intertwined relationships of two men and a woman.

John Woo's experimental short film, made during his time in college. The line between genuine love and violent obsession is blurred when a man falls for a girl and proceeds to tie her up with rope to him, making her follow him around and bend to his whims until tragedy ultimately befalls them both.