Ajai Rohilla

The film begins in 1857, when India was ruled by the British East India Company. Mangal Pandey is a sepoy, a soldier of Indian origin, in the army of the East India Company. Pandey is fighting in the Anglo-Afghan Wars and saves the life of his British commanding officer, William Gordon. Gordon is indebted to Pandey and a strong friendship develops between them, transcending both rank and race.

Two Brits, Ravi and Paul travel to India where they meet Murthy and Anna an older gay couple that have managed to form a partnership and live together for over 20 years. When Ravi meets and falls for Mani an Indian national who is betrothed to be married. He turns to the older couple for advise and help but traditions die hard in India.

In feudal India, a warrior who renounces his role as the longtime enforcer to a local lord becomes the prey in a murderous hunt through the Himalayan mountains.

Coming from a country like India that is still in denial, where being HIV+ is still a curse, '68 Pages' rips open the underbelly of its society to reveal how it stigmatizes and shuns those who are HIV+ or even those who just want to be what they are. Through 68 Pages of a counselors diary, we see the stories of Paayal, a sex worker; Nishit, an ID user; Kiran, a gay man and Umrao, a transsexual bar dancer - their stories of pain and fear, humiliation and rejection - not only by the society, but even by their loved ones.

Born a lower-caste girl in rural India's patriarchal society, "married" at 11, repeatedly raped and brutalized, Phoolan Devi finds freedom only as an avenging warrior, the eponymous Bandit Queen. Devi becomes a kind a bloody Robin Hood; this extraordinary biographical film offers both a vivid portrait of a driven woman and a savage critique of the society that made her.

Chaos follows after a hit-man's car and winning lottery ticket go missing.